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    Prospero's Cell is his magical evocation of the blazing Aegean landscape, brimming with memories of the places and people that changed him forever.'Some writers reinvent their language; others the world. Durrell did both.' Andr� Aciman'Invades the reader's every sense ... Remarkable.' Victoria Hislop'These days I am admiring and re-admiring Lawrence Durrell.' Elif Shafak'Our last great garlicky master of the vanishing Mediterranean.' Richard Holmes'Corfu could not have found a fitter chronicler.' Daily Telegraph'A charming idyll ... Delightful.' Sunday Times

    Marcus Rashford. Jan Morris. Diana Dors. Bob Geldof. David Olusoga. Elizabeth David. Zaha Hadid. Frank Crichlow. Quentin Crisp. Dusty Springfield. Captain Tom.Who made modern Britain the country it is today? How do we sum up the kind of people we are? What does it mean to be the new Elizabethans?In this wonderfully told history, spanning back to when Queen Elizabeth became queen in 1953, Andrew Marr traces the people who have made Britain the country it is today. From the activists to the artists, the sports heroes to the innovators, these people pushed us forward, changed the conversation, encouraged us to eat better, to sing, think and to protest. They got things done. How will our generation be remembered in a hundred years’ time? And when you look back at Britain’s toughest moments in the past seventy years, what do you learn about its people and its values?In brilliantly entertaining style and with unexpected insights into some of our sung and unsung heroes, Andrew Marr offers up a first draft of the history we are all living. This is our story as the new Elizabethans – the story of how 1950s Britain evolved into the diverse country we live in today. In short, it is the history of modern Britain.

    Hughes scrolls through Barcelona's often violent history; tells the stories of its kings, poets, magnates, and revolutionaries; and ushers readers through municipal landmarks that range from Antoni Gaudi's sublimely surreal cathedral to a postmodern restaurant with a glass-walled urinal. The result is a work filled with the attributes of Barcelona itself: proportion, humor, and seny -- the Catalan word for triumphant common sense.

    Rich with references ranging from Goethe's Werther to Winnicott, from Plato to Proust, from Baudelaire to Schubert, A Lover's Discourse artfully draws a portrait in which every reader will find echoes of themselves.

    Telling of the siege of Leningrad, of glittering dinner parties with Nazi leaders, and of trains disgorging bodies in war-devastated Romania, Malaparte paints a picture of humanity at its most depraved.Kaputt is an insider’s dispatch from the world of the enemy that is as hypnotically fascinating as it is disturbing.

    Glowingly reviewed, What I Saw introduces a new generation to the genius of this tortured author with its "nonstop brilliance, irresistible charm and continuing relevance" (Jeffrey Eugenides, New York Times Book Review). As if anticipating Christopher Isherwood, the book re-creates the tragicomic world of 1920s Berlin as seen by its greatest journalistic eyewitness. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political essays that influenced an entire generation of writers, including Thomas Mann, and a young Christopher Isherwood. Translated and collected here for the first time, these pieces record the violent social and political paroxysms that constantly threatened to undo the fragile democracy that was the Weimar Republic. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants: the war cripples, the Jewish immigrants from the Pale, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the dangers posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty—a memorable portrait of a city and a time of commingled hope and chaos. What I Saw, like no other existing work, records the violent social and political paroxysms that compromised and ultimately destroyed the precarious democracy that was the Weimar Republic.

    Michael Kazin—one of the most respected historians of the American left working today—takes us from abolitionism and early feminism to the labor struggles of the industrial age, through the emergence of anarchists, socialists, and communists, right up to the New Left in the 1960s and ’70s. While the history of the left is a long story of idealism and determination, it has also been, in the traditional view, a story of movements that failed to gain support from mainstream America. In American Dreamers, Kazin tells a new history: one in which many of these movements, although they did not fully succeed on their own terms, nonetheless made lasting contributions to American society that led to equal opportunity for women, racial minorities, and homosexuals; the celebration of sexual pleasure; multiculturalism in the media and the schools; and the popularity of books and films with altruistic and antiauthoritarian messages. Deeply informed, at once judicious and impassioned, and superbly written, American Dreamers is an essential book for our times and for anyone seeking to understand our political history and the people who made it.

    The most popular of Lewis's twenty-seven books, Naples '44 is a landmark poetic study of the agony of wartime occupation and its ability to bring out the worst, and often the best, in human nature. In prose both heartrending and comic, Lewis describes an era of disillusionment, escapism, and hysteria in which the Allied occupiers mete out justice unfairly and fail to provide basic necessities to the populace while Neapolitan citizens accuse each other of being Nazi spies, women offer their bodies to the same Allied soldiers whose supplies they steal for sale on the black market, and angry young men organize militias to oppose "temporary" foreign rule. Yet over the chaotic din, Lewis sings intimately of the essential dignity of the Neapolitan people, whose traditions of civility, courage, and generosity of spirit shine through on a daily basis. This essential World War II book is as timely a read as ever."Norman Lewis is one of the greatest twentieth-century British writers and Naples '44 is his masterpiece. A lyrical, ironic, and detached account of a tempestuous, byzantine, and opaque city in the aftermath of war."--Will Self

    From their first encounters with cryptic rental listings to their back-to-Europe yard sale twelve months later, Beppe explores this foreign land with the self-described patience of a mildly inappropriate beachcomber, holding up a mirror to America’s signature manners and mores. Succumbing to his surroundings day by day, he and his wife find themselves developing a taste for Klondike bars and Samuel Adams beer, and even that most peculiar of American institutions -- the pancake house.The realtor who waves a perfect bye-bye, the overzealous mattress salesman who bounces from bed to bed, and the plumber named Marx who deals in illegally powerful showerheads are just a few of the better-than-fiction characters the Severgninis encounter while foraging for clues to the real America. A trip to the computer store proves just as revealing as D.C.’s Fourth of July celebration, as do boisterous waiters angling for tips and no-parking signs crammed with a dozen lines of fine print. By the end of his visit, Severgnini has come to grips with life in these United States -- and written a charming, laugh-out-loud tribute.From the Hardcover edition.

    She’s since returned to the United States, but this distillation of incisive—and irreverent—insights, now updated with a new preface, is just as illuminating today. And perhaps even more so, in the wake of Brexit and the attendant national identity crisis.While there may be no easy answer to the question of how, exactly, to understand the English, The Anglo Files—part anthropological field study, part memoir—helps point the way.

    Boorstin explores the development of artistic innovation over 3,000 years. A hugely ambitious chronicle of the arts that Boorstin delivers with the scope that made his Discoverers a national bestseller.

    Dr. Plumb’s impressive and provocative narrative is accompanied by contributions from leading historians, including Morris Bishop, J. Bronowski, Maria Bellonci, and many more, who have further illuminated the lives of some of the era’s most unforgettable personalities, from Petrarch to Pope Pius II, Michelangelo to Isabella d'Este, Machiavelli to Leonardo. A highly readable and engaging volume, THE ITALIAN RENAISSANCE is a perfect introduction to the movement that shaped the Western world.

    Instead, he found a very different country: one besieged by unfathomable terrorism and deep-seated paranoia. The Dark Heart of Italy is Jones's account of his four-year voyage across the Italian peninsula.Jones writes not just about Italy's art, climate, and cuisine but also about the much livelier and stranger sides of the Bel Paese: the language, soccer, Catholicism, cinema, television, and terrorism. Why, he wonders, does the parliament need a "slaughter commission"? Why do bombs still explode every time politics start getting serious? Why does everyone urge him to go home as soon as possible, saying that Italy is a "brothel"? Most of all, why does one man, Silvio Berlusconi-in the words of a famous song-appear to own everything from Padre Nostro (Our Father) to Cosa Nostra (the Mafia)?The Italy that emerges from Jones's travels is a country scarred by civil wars and "illustrious corpses"; a country that is proudly visual rather than verbal, based on aesthetics rather than ethics; a country where crime is hardly ever followed by punishment; a place of incredible illusionism, where it is impossible to distinguish fantasy from reality and fact from fiction.

    In December 1983, a priest in the Italian hill town of Calcata shared shocking news with his congregation: The pride of their town, the foreskin of Jesus, had been stolen. Some postulated that it had been stolen by Satanists. Some said the priest himself was to blame. Some even pointed their fingers at the Vatican. In 2006, travel writer David Farley moved to Calcata, determined to find the missing foreskin, or at least find out the truth behind its disappearance. Farley recounts how the relic passed from Charlemagne to the papacy to a marauding sixteenth-century German solider before finally ending up in Calcata, where miracles occurred that made the sleepy town a major pilgrimage destination. Over the centuries, as Catholic theology evolved, the relic came to be viewed as something of an embarrassment, culminating in a 1900 Church decree that allowed the parish to display it only on New Year’s Day. An Irreverent Curiosity interweaves this history with the curious landscape of Calcata, a beautiful and untouched medieval village set atop four-hundred-fifty-foot cliffs, which now, due to the inscrutable machinations of Italian bureaucracy, is a veritable counterculture coven. Blending history, travel, and perhaps the oddest story in Christian lore, An Irreverent Curiosity is a weird and wonderful tale of conspiracy and misadventure.Winner of the 2010 Lowell Thomas Tavel Journalism Award for best book. Listed: "One of the Best Travel Books of 2009"--The Los Angeles Times--WorldHum.com"One of the Best Books of the Decade"--The Dubuque Telegraph Herald"[Farley's] ribald detective story ... is like a cross between 'The Da Vinci Code' and 'Life of Brian' ... [a] charming yarn."--The New York Times"Told with gusto, good humor, and a healthy respect for eccentricity, Farley's quixotic account is an eloquent testament to the power of travel--and travail--to entertain and illuminate."--National Geographic Traveler "Genre bending at its best." --Kirkus Reviews (Starred review)