His friend Maggie sits with him every day; she holds his hand and she listens to the story of his life, to his regrets and to his secrets. And then he tells her about the children he has never met and never will. He talks of them wistfully. His legacy, he calls them. Lydia, Dean and Robyn don't know each other. Yet. And they are all facing difficult changes. Lydia is still wearing the scars from her traumatic childhood and although she is wealthy and successful, her life is lonely and disjointed. Dean is a young man, burdened with unexpected responsibility, whose life is going nowhere. And Robyn wants to be a doctor, just like her father - a man she's never met. But is her whole life built on an illusion? Three people leading three very different lives. All lost. All looking for something. But when they slowly find their way into each other's lives, everything starts to change ...

    A household name as the host of Rise and Shine, the country's highest-rated morning talk show, Meghan cuts to a commercial break–but not before she mutters two forbidden words into her open mike. In an instant, it's the end of an era, not only for Meghan, who is unaccustomed to dealing with adversity, but also for her younger sister, Bridget, a social worker in the Bronx who has always lived in Meghan's long shadow. The effect of Meghan's on-air truth telling reverberates through both their lives, affecting Meghan's son, husband, friends, and fans, as well as Bridget's perception of her sister, their complex childhood, and herself. What follows is a story about how, in very different ways, the Fitzmaurice women adapt, survive, and manage to bring the whole teeming world of New York to heel by dint of their smart mouths, quick wits, and the powerful connection between them that even the worst tragedy cannot shatter.

    Judge Herman Calvert, eighty-eight, never thought he’d outlive his beloved wife, Marie.Yet now he finds himself alone, a grieving widower, desperate for escape from the home they built together, where every turn brings a painful reminder of his late wife.So the judge retreats to his lake cabin in rural Wisconsin, a place where an old man can find peace and solitude. A place where nature can take its course.But something new has moved in.The judge’s property is crawling with Persicaria perfoliata, an invasive vine that has no earthly business in Wisconsin lake country. And this plant has teeth. Its barbs and tendrils have snaked deep into the ground, choking the life out of everything they touch, including the old oak tree he and Marie planted on their honeymoon.If the judge doesn’t do something, fast, the vine will take everything he has left. And it won’t stop there. He believes it’s after him.Yard Work is a new original story by acclaimed screenwriter, director, and novelist David Koepp. Koepp has written or co-written the screenplays for more than thirty films, including Jurassic Park, Mission: Impossible, Spider-man, Panic Room, War of the Worlds, Ghost Town, and Angels and Demons. His latest film, the Universal Pictures/Blumhouse thriller You Should Have Left starring Kevin Bacon and Amanda Seyfried, is streaming now. His debut novel, Cold Storage, which The New York Times hailed as "pure, unadulterated entertainment" was published by Ecco in 2019 and is out in paperback this month.Length: 1 hours 24 minutes.

    There is, however, one conspicuous absence: Judd's wife, Jen, whose affair with his radio- shock-jock boss has recently become painfully public. Simultaneously mourning the demise of his father and his marriage, Judd joins his dysfunctional family as they reluctantly sit shiva and spend seven days and nights under the same roof. The week quickly spins out of control as longstanding grudges resurface, secrets are revealed and old passions are reawakened. Then Jen delivers the clincher: she's pregnant...“Often sidesplitting, mostly heartbreaking...[Tropper is] a more sincere, insightful version of Nick Hornby, that other master of male psyche.”—USA Today NOW A MAJOR MOTION PICTURE STARRING JASON BATEMAN, TINA FEY, JANE FONDA, AND ADAM DRIVER

    They've got a two hundred year-old house, an autistic son obsessed with the Titanic, and 17 chickens, at last count. It's the kind of paradise where stay-at-home moms team up to cook the school's "hot lunch," dads grill grass-fed burgers, and, as Lucy observes, "chopping kale has become a certain kind of American housewife's version of chopping wood."When friends at a wine-soaked dinner party reveal they've made their marriage open, sensible Lucy balks. There's a part of her, though – the part that worries she's become too comfortable being invisible-that's intrigued. Why not try a short marital experiment? Six months, clear ground rules, zero questions asked. When an affair with a man in the city begins to seem more enticing than the happily-ever-after she's known for the past nine years, Lucy must decide what truly makes her happy – "real life," or the "experiment?"

    When Chicky Starr decides to take an old, decaying mansion set high on the cliffs overlooking the windswept Atlantic Ocean and turn it into a restful place for a holiday by the sea, everyone thinks she is crazy. Helped by Rigger (a bad boy turned good who is handy around the house) and Orla, her niece (a whiz at business), Chicky is finally ready to welcome the first guests to Stone House’s big warm kitchen, log fires, and understated elegant bedrooms. John, the American movie star, thinks he has arrived incognito; Winnie and Lillian are forced into taking a holiday together; Nicola and Henry, husband and wife, have been shaken by seeing too much death practicing medicine; Anders hates his father’s business, but has a real talent for music; Miss Nell Howe, a retired schoolteacher, criticizes everything and leaves a day early, much to everyone’s relief; the Walls are disappointed to have won this second-prize holiday in a contest where first prize was Paris; and Freda, the librarian, is afraid of her own psychic visions. Sharing a week with this unlikely cast of characters is pure joy, full of Maeve’s trademark warmth and humor. Once again, she embraces us with her grand storytelling. This is the last book that Maeve Binchy wrote before her sudden death. As are all her stories, it is her trademark warmth, humor and the kind of characters that will make her books live on. It is a privilege to be able to share this book with readers.

    At the break of dawn, Caroline Shelby rolls into Oysterville, Washington, a tiny hamlet at the edge of the raging Pacific.She’s come home.Home to a place she thought she’d left forever, home of her heart and memories, but not her future. Ten years ago, Caroline launched a career in the glamorous fashion world of Manhattan. But her success in New York imploded on a wave of scandal and tragedy, forcing her to flee to the only safe place she knows.And in the backseat of Caroline’s car are two children who were orphaned in a single chilling moment—five-year-old Addie and six-year-old Flick. She’s now their legal guardian—a role she’s not sure she’s ready for. But the Oysterville she left behind has changed. Her siblings have their own complicated lives and her aging parents are hoping to pass on their thriving seafood restaurant to the next generation. And there’s Will Jensen, a decorated Navy SEAL who’s also returned home after being wounded overseas. Will and Caroline were forever friends as children, with the promise of something more . . . until he fell in love with Sierra, Caroline’s best friend and the most beautiful girl in town. With her modeling jobs drying up, Sierra, too, is on the cusp of reinventing herself.Caroline returns to her favorite place: the sewing shop owned by Mrs. Lindy Bloom, the woman who inspired her and taught her to sew. There she discovers that even in an idyllic beach town, there are women living with the deepest of secrets. Thus begins the Oysterville Sewing Circle—where women can join forces to support each other through the troubles they keep hidden. Yet just as Caroline regains her creativity and fighting spirit, and the children begin to heal from their loss, an unexpected challenge tests her courage and her heart. This time, though, Caroline is not going to run away. She’s going to stand and fight for everything—and everyone—she loves.

    But manager Manny DeLeon still needs to navigate a tricky last shift with a near-mutinous staff. All the while, he's wondering how to handle the waitress he's still in love with, what to do about his pregnant girlfriend, and where to find the present that will make everything better. Stewart O'Nan has been called "the bard of the working class," and Last Night at the Lobster is one of his most acclaimed works to date.

    Caught between the predictable life they once led and an uncertain future that stretches before them, the Skinner siblings—fierce Renee, sensitive Caroline, golden-boy Joe and watchful Fiona—emerge from the Pause staunchly loyal and deeply connected.  Two decades later, the siblings find themselves once again confronted with a family crisis that tests the strength of these bonds and forces them to question the life choices they’ve made and to ask what, exactly, they are willing to do for love. A sweeping yet intimate epic about one American family, The Last Romantics is an unforgettable exploration of the ties that bind us together, the responsibilities we embrace and the duties we resent, and how we can lose—and sometimes rescue—the ones we love. A novel that pierces the heart and lingers in the mind, it is also a beautiful meditation on the power of stories—how they guide us through difficult times, help us understand the past, and point the way toward our future.

    Even Emma and Andrew’s elder daughter—who is usually off saving the world—will be joining them at Weyfield Hall, their aging country estate. But Olivia, a doctor, is only coming home because she has to. Having just returned from treating an epidemic abroad, she’s been told she must stay in quarantine for a week…and so too should her family. For the next seven days, the Birches are locked down, cut off from the rest of humanity—and even decent Wi-Fi—and forced into each other’s orbits. Younger, unabashedly frivolous daughter Phoebe is fixated on her upcoming wedding, while Olivia deals with the culture shock of being immersed in first-world problems. As Andrew sequesters himself in his study writing scathing restaurant reviews and remembering his glory days as a war correspondent, Emma hides a secret that will turn the whole family upside down. In close proximity, not much can stay hidden for long, and as revelations and long-held tensions come to light, nothing is more shocking than the unexpected guest who’s about to arrive…

    In this thoughtful, timely, humorous, and bighearted tale, perennial New York Times bestselling author Dorothea Benton Frank examines what happens when a young sophisticated Chicagoan falls for the owner of a farm on Johns Island, a lush Lowcountry paradise off the coast of South Carolina-trading the bustle of a cosmopolitan city for the vagaries of a small southern town.

    Marcy Keef is a single mother trying to make ends meet, when her daughter Erin starts describing "past life memories." Neither wants to believe Erin, but as violent secrets are revealed, the truth becomes harder to deny.With echoes of Stephen King, Second Skin is a propulsive thriller about grief, guilt, and truths better left unknown.

    She intends to quickly tie up loose ends then return to her busy life and thriving antique shop in New Orleans. Instead, she learns Mags has willed The Hideaway to her and charged her with renovating it—no small task considering her grandmother’s best friends, a motley crew of senior citizens, still live there.Rather than hurrying back to New Orleans, Sara stays in Sweet Bay and begins the biggest house-rehabbing project of her career. Amid drywall dust, old memories, and a charming contractor, she discovers that slipping back into life at The Hideaway is easier than she expected.Then she discovers a box Mags left in the attic with clues to a life Sara never imagined for her grandmother. With help from Mags’s friends, Sara begins to piece together the mysterious life of bravery, passion, and choices that changed her grandmother’s destiny in both marvelous and devastating ways.When an opportunistic land developer threatens to seize The Hideaway, Sara is forced to make a choice—stay in Sweet Bay and fight for the house and the people she’s grown to love or leave again and return to her successful but solitary life in New Orleans.

      Crippled in his right arm and leg, Aaron spent his childhood fending off a sister who wants to manage him. So when he meets Dorothy, a plain, outspoken, self-dependent young woman, she is like a breath of fresh air. Unhesitatingly he marries her, and they have a relatively happy, unremarkable marriage. But when a tree crashes into their house and Dorothy is killed, Aaron feels as though he has been erased forever. Only Dorothy’s unexpected appearances from the dead help him to live in the moment and to find some peace.   Gradually he discovers, as he works in the family’s vanity-publishing business, turning out titles that presume to guide beginners through the trials of life, that maybe for this beginner there is a way of saying goodbye.   A beautiful, subtle exploration of loss and recovery, pierced throughout with Anne Tyler’s humor, wisdom, and always penetrating look at human foibles.

    When a meeting with the now grown-up Artful Dodger leads Oliver into a scheme to regain his money, he begins to wonder just how accidental the meeting was, as friends and foes from his past begin to mount up in a plan to steal the fabled Koh-I-Noor diamond from the 1851 Great Exhibition.As the heist progresses, Oliver is pulled back into a world he hoped to escape from a decade earlier, a world of deception and betrayal, where every ally is a potential enemy and where his so called 'friend' Dodger is speaking to the ghost of the long dead Fagin - and planning his revenge on Oliver.Oliver finds himself in a maze of lies and half truths while escaping the police, the East End underworld and Dodger's own violent plans - visiting his once home town and workhouse, Fagin's Saffron Hill den, Sowerberry's Undertakers, the British Museum and Newgate Prison in the process, as he faces his own demons, including the now destitute Mister Bumble, his one time bully Noah Claypole, and his guilt over the death of Nancy, a decade earlier...In a situation that can only end with a noose around his neck, Oliver must find a way out of this nightmare - or forever stay a pawn in a game far bigger than that of the people around him, a game he must win at all costs...DODGE & TWIST is a rollercoaster ride through Victorian London, involving characters from OLIVER TWIST in a brand new, thrilling adventure.TONY LEE is an award winning writer of audio dramas and comics, the ongoing writer of IDW's DOCTOR WHO series for both Tenth and Eleventh Doctors and the writer of OUTLAW: THE LEGEND OF ROBIN HOOD and EXCALIBUR: THE LEGEND OF KING ARTHUR, both American Library Association 'Books for Teens' finalists. His graphic novel adaptation of PRIDE & PREJUDICE & ZOMBIES topped the New York Times Bestselling Graphic Novel list in 2010."Tony Lee is one of the best story-tellers working in comics today" - Michael Moorcock"Tony Lee is a supremely talented writer" - MTV Network"One of the fastest rising stars among the new generation of British comic writers" - Comics International