The first, “Weights and Measures,” deals with the tragic loss of a child; the second is a non-fiction letter Picoult wrote to her eldest son as he left for college; and, “Ritz” tells the story of a mother who takes the vacation all mothers need sometime.

    The power of their charm takes them on a journey that leaves a trail of broken hearts and random cuddy buddies. They lived by the laws of “do not tell them that you love them and never ever sleep over”. However, that all changed the day they both met Tyla. The brothers engage in a bitter battle to win her heart and suddenly blood didn’t matter. Rules were made to be broken, right? When Tyla falls in love with one and disregards the other, it breaks the bonds between Tyri and Tyrease; neither of them saw it coming. Tyla was beautifully tempting, and women like her didn’t come around too often. Nevertheless, to fall in love with your brother’s girl is the ultimate betrayal, or is it? Will the love for one woman forever break their brotherly bond, or will they learn to accept what cards they were dealt? When the Side Nigga His Brother, the fight to be with the one you love, could very well cost you the love of another.

    From the title story told by a woman suffering from gaps in her memory, to one about a man seeking insight in bags of garbage, to a surreal story about a car salesman and the customer he tries to seduce, The Woman Next Door charms and provokes with an incomparable style.

    Then, on a day like any other, Kino emerges from the sea with a pearl as large as a sea gull’s egg, as “perfect as the moon.” With the pearl comes hope, the promise of comfort and of security…A story of classic simplicity, based on a Mexican folk tale, The Pearl explores the secrets of man’s nature, greed, the darkest depths of evil, and the luminous possibilities of love.

    Here are urban upheavals reimagined as frontier myth; travelogues through countries that might have been created by Kafka; cryptic dialogues that bore down to the bedrock of our longings, dreams, and angsts. Like all of Donald's work, the sixty stories collected in this volume are triumphs of language and perception, at once unsettling and irresistible.

    In this "terminally irreverent" ( "Richmond News-Leader" ) novel, he finds himself taking on everyone from his editor and his girlfriend to the fundamentalists and vegetarians covered on his beat - and along the way, learns some surprising (and hilarious) lessons about life, love, and the press. • Welter's "I Want to Buy a Vowel," also a Berkley Signature Edition, was named one of "Booklist's" Best Books of 1996. • Great reviews in the Berkley Signature Edition tradition. • The author has been compared to everyone from John Irving to Jonathan Swift, Frank Capra to Carl Hiaasen, John Kennedy Toole to Dave Barry.

    Thomas presents interesting heroines: there's the girl in "Sisters" who hates her younger sibling for (among other things) her precise memory. In "Seeing Things," Maude, who "wants to be tan the whole year round," and whose "great ambition is to be whistled at on the street," is told by her younger sister, "You look ridiculous smoking with the chicken pox." And then there are the four stories about Buddy and Virginia, who have to drop out of school and get married after she gets pregnant. From sibling rivalry to marital strife, Thomas uncovers the pain, the poignancy, and the belief in love that lie in the hearts of her heroines.

    In their obsessions, Gass’s Midwestern dreamers are like the "grotesques" of Sherwood Anderson, but in their hyper-linguistic streams of consciousness, they are the match for Joyce’s Dubliners. First published in 1968, this book begins with a beguiling thirty-three page essay and has five fictions: the celebrated novella "The Pedersen Kid," "Mrs. Mean," "Icicles," "Order of Insects," and the title story.

    They casserole. They pinwheel. They pump the salad spinner like it's a CPR dummy. And then they kill a party crasher, carefully stepping around the body to pull cookies out of the oven. These twelve irresistible stories take us from a haunted prewar Manhattan apartment building to the set of a rigged reality television show, from the unique initiation ritual of a book club to the getaway car of a pageant princess on the lam, from the gallery opening of a tinfoil artist to the fitting room of a legendary lingerie shop. Vicious, fresh, and nutty as a poisoned Goo Goo Cluster, American Housewife is an uproarious, pointed commentary on womanhood.

    "Filled with warmth and humor, sadness and tenderness, songs and poems, Lake Wobegon Days is an unforgettable portrait of small-town American life, of why 'we are what we are' and why 'smart doesn't count for much."

    In these short stories, we are the upright beasts, doing battle with our darker, weirder impulses as the world collapses around us.

    New issues are released on the first Tuesday of every month. EDITORIAL Words from the Editor-in-Chief—Jason Sizemore FICTION A Witch's Guide to Escape: A Practical Compendium of Portal Fantasies — Alix Harrow Work, and Ye Shall Eat — Walker McKnight Ghost Marriage — P. Djeli Clark Excerpt: Return to the Lost Level — Brian Keene NONFICTION Interview with Alix Harrow — Andrea Johnson Interview with Cover Artist Justin Adams — Russell Dickerson A Discussion with Tal M. Klein, Author of The Punch Escrow — Lesley Conner COLUMNS Between the Lines with Laura Zats and Erik Hane Page Advice with Mallory O'Meara and Brea Grant

    AS they pass sweet yet hazardous hours in a china tree, The Grass Harp manages to convey all the pleasures and responsibilities of freedom. But most of all it teaches us about the sacredness of love, "that love is a chain of love, as nature is a chain of life."This volume also includes Capote's A Tree of Night and Other Stories, which the Washington Post called "unobstrusively beautiful...a superlative book."

    As the author says of his characters, "They're regular people just trying to get by." Among them: a boy whose reputation is ruined when he appears in a head-lice documentary; a lovelorn father who woos his third-grader's teacher with creative show-and-tells; and a former pharmaceuticals salesman who waits for the word of God to tell him what to paint on next the "primitive" canvases he sells for big bucks to an art dealer.

    They're right. Tony Earley is a writer so good at his craft that you don't read his words so much as inhale them. His first book of nonfiction is one of those unexpected classics, like Ann Lamott's Traveling Mercies, in which a great writer rips open his/her heart and takes the reader inside for a no-holds-barred tour.In a prose style that is deceptively simple, Earley confronts the big things-God, death, civilization, family, his own clinical depression-with wit and grace, without looking away or smirking.