A fox makes its way across Waterloo Bridge. The distraction causes two pedestrians to collide--Jean, an American studying the habits of urban foxes, and Attila, a Ghanaian psychiatrist there to deliver a keynote speech. From this chance encounter, Aminatta Forna's unerring powers of observation show how in the midst of the rush of a great city lie numerous moments of connection.Attila has arrived in London with two tasks: to deliver a keynote speech on trauma, as he has done many times before; and to contact the daughter of friends, his "niece" who hasn't called home in a while. Ama has been swept up in an immigration crackdown, and now her young son Tano is missing.When, by chance, Attila runs into Jean again, she mobilizes the network of rubbish men she uses as volunteer fox spotters. Security guards, hotel doormen, traffic wardens--mainly West African immigrants who work the myriad streets of London--come together to help. As the search for Tano continues, a deepening friendship between Attila and Jean unfolds.Meanwhile a consulting case causes Attila to question the impact of his own ideas on trauma, the values of the society he finds himself in, and a grief of his own. In this delicate tale of love and loss, of cruelty and kindness, Forna asks us to consider the interconnectedness of lives, our co-existence with one another and all living creatures, and the true nature of happiness.

    Their adulterous affair remains secret until a tragic accident exposes it to the world and they have to face the consequences! The Waterfall is a powerful novel about sexual awakening and obsession - and the violent conflicts of maternal and sexual love.

    But it's time now to think on it anew. There's a journey we must go on, and no more delay..."The Buried Giant begins as a couple set off across a troubled land of mist and rain in the hope of finding a son they have not seen in years.Sometimes savage, often intensely moving, Kazuo Ishiguro's first novel in nearly a decade is about lost memories, love, revenge, and war.Included on TIME Magazine's "THE 100 BEST FANTASY BOOKS OF ALL TIME"

    But the sky is marred by two  conspicuous columns of smoke, replacing pleasurable anticipation with alarm and suspicion.One smoke column is the result of an overnight fire that has damaged the master's outbuildings. The second column rises from the wooded edge of the village, sent up by newcomers to announce their presence. In the minds of the wary villagers a mere coincidence of events appears to be unlikely, with violent confrontation looming as the unavoidable outcome. Meanwhile, another newcomer has recently been spotted taking careful notes and making drawings of the land. It is his presence more than any other that will threaten the village's entire way of life.In effortless and tender prose, Jim Crace details the unraveling of a pastoral idyll in the wake of economic progress. His tale is timeless and unsettling, framed by a beautifully evoked world that will linger in your memory long after you finish reading.

    At nineteen, he’s proud of the fact his relationship flies in the face of social convention.As he grows older, the demands placed on Paul by love become far greater than he could possibly have foreseen.Tender and profound, The Only Story is an achingly beautiful novel by one of fiction’s greatest mappers of the human heart.

    In this visionary tale, human society slips into violent reverse as once-peaceful residents, driven by primal urges, re-create a world ruled by the laws of the jungle.

     *Includes a free extract from Katherine Heiny’s debut novel, Standard Deviation* 'Just as Jane Austen believed that four people cannot comfortably walk abreast, Charlene believes that three people cannot amicably move one person's belongings. At least not when two of the people used to be married to each other, and the marriage resulted in a bitter divorce in order for one of them to marry the third person' When Forrest's ex-wife Barbara calls on him to help her move out of the home they once shared, his second wife Charlie finds herself carrying not only dozens of boxes, but also the weight of their shared past. Barbara and Charlie first met twenty years ago when they volunteered at a suicide crisis hotline, and one night in particular is seared into Charlie's memory…From the author of Standard Deviation comes a wryly tender story of crises and cardboard boxes; of marriage and moving on.

    Each of them at a different stage in life, each of them away from home, and each of them striving -- in the suburbs of Prague, in an overdeveloped Alpine village, beside a Belgian motorway, in a dingy Cyprus hotel -- to understand what it means to be alive, here and now. Tracing a dramatic arc from the spring of youth to the winter of old age, the ostensibly separate narratives of All That Man Is aggregate into a picture of a single shared existence, a picture that interrogates the state of modern manhood while bringing to life, unforgettably, the physical and emotional terrain of an increasingly globalized Europe. And so these nine lives form an ingenious and new kind of novel, in which David Szalay expertly plots a dark predicament for the twenty-first-century man.Dark and disturbing, but also often wickedly and uproariously comic, All That Man Is is notable for the acute psychological penetration Szalay brings to bear on his characters, from the working-class ex-grunt to the pompous college student, the middle-aged loser to the Russian oligarch. Steadily and mercilessly, as this brilliantly conceived book progresses, the protagonist at the center of each chapter is older than the last one, it gets colder out, and All That Man Is gathers exquisite power. Szalay is a writer of supreme gifts -- a master of a new kind of realism that vibrates with detail, intelligence, relevance, and devastating pathos.

    Lovingly, poignantly, satirically and with much humor, Pym conducts us through their small lives and the facade they erect to defend themselves against the outside world. There is nevertheless an obstinate optimism in her characters, allowing them in their different ways to win through to a kind of hope. Barbara Pym’s sensitive wit and artistry are at their most sparkling in Quartet in Autumn.

    All Millie Rose can do at first is stare into the blinding lights of the NICU and hear doctors demanding answers about the burns on Claire’s body. Nurses panic, they cry and shout “she’s bradying down!” because, Lord help them, they’ve never seen anything like this.Neither has Millie. Although she died in childbirth in 1922, she still has a purpose. Her afterlife is filled with missions lasting anywhere from ten minutes to ten years, and she views her newest assignment as a second chance at motherhood. But she's got to act fast because Claire's lungs are weak, her heart rate keeps tanking, and her pH levels are low. The hospital has never had a 26-weeker pull through. Millie also tries to counsel Claire’s troubled parents, Mick and Manda, through the emotional fallout. They see marriage as the best “band-aid,” but Claire’s birth always haunts them, to the point Manda becomes a chain-smoking pill-popper who paints her house completely white. Mick becomes a reclusive binge-eater who sleeps in the barn. And Claire comes-of-age wondering about it all-- why she’s so sick, why she has scars on her skin, and what’s the secret her parents are keeping?Finally, there’s a good reason why Millie nudges Claire to find true love years later with the geeky guy down the street. True, Charlie Vance may build his own batteries and dissect dead animals, but his love for Claire drives his decision to attend medical school so he can take care of her the rest of her life. NEED TO BREATHE takes an unthinkable crisis and turns it into a gripping story filled with sensitivity, hope, beauty…even humor. From the opening chapter, readers will root for Claire’s chance at happiness, for the Harpers to heal, and for Millie’s reconciliation with her own lost motherhood.

    A crowd forms, hoping to catch a glimpse of the magical creature. One crate after another is unpacked: a zebra, a leopard, and a baboon. There's no mermaid, but in the final two crates is something almost as magical—a pair of young elephants, in poor health but alive.Seeing a unique opportunity, a wealthy sugar merchant purchases the elephants for his country estate and turns their care over to a young stable boy, Tom Page. Tom's family has long cared for horses, but an elephant is something different altogether. It takes time for Tom and the elephants to understand one another, but to the surprise of everyone on the estate, a remarkable bond is formed.The Elephant Keeper, the story of Tom and the elephants, in Tom's own words, moves from the green fields and woods of the English countryside to the dark streets and alleys of late-eighteenth-century London, reflecting both the beauty and the violence of the age. Nicholson's lush writing and deft storytelling complement a captivating tale of love and loyalty between one man and the two elephants that change the lives of all who meet them.

    I saw the first glimmers of daylight over the roofs from the window before I heard it. We were used to air raids by then and I recognised German engines, but something felt different this time. They were closer than I’d ever heard them before…Devon, 1940: When fifteen-year-old Daisy is evacuated from her home in London, she knows she must look after her younger sister Peggy. She is the only one who can reassure Peggy that life will go back to normal, reading to her from their one battered children’s book, ensuring she takes the cough medicine their mother tucked in the pocket of her gas mask bag.But when the sisters’ new home is suddenly bombed, they are taken into the countryside, and Daisy quickly realises that not everyone at home is on the right side of the war. Forced to work in fields alongside orphan children, she finds herself drawn to a young boy called John, who has tried and failed to escape many times before.Then Peggy gets sick and Daisy knows that, to save her life, they must run away. But now Peggy is not the only one Daisy is desperate to protect. As war rages all around, Daisy learns that sometimes you have to sacrifice everything if you want to save the people you love. And that the choices you make in your darkest days will affect your family for generations to come…Perfect for fans of Lisa Wingate, Diney Costeloe and Shirley Dickson, The Runaway Sisters is a tale of heartwrenching loss and uplifting courage. It’s a story about family, and the light that can be found in the dark clouds of war.

    Married to three brothers in a single ceremony, she and her now-sisters spend their days hard at work in the family's "china room," sequestered from contact with the men--except when their domineering mother-in-law, Mai, summons them to a darkened chamber at night. Curious and strong willed, Mehar tries to piece together what Mai doesn't want her to know. From beneath her veil, she studies the sounds of the men's voices, the calluses on their fingers as she serves them tea. Soon she glimpses something that seems to confirm which of the brothers is her husband, and a series of events is set in motion that will put more than one life at risk. As the early stirrings of the Indian independence movement rise around her, Mehar must weigh her own desires against the reality--and danger--of her situation.Spiraling around Mehar's story is that of a young man who arrives at his uncle's house in Punjab in the summer of 1999, hoping to shake an addiction that has held him in its grip for more than two years. Growing up in small-town England as the son of an immigrant shopkeeper, his experiences of racism, violence, and estrangement from the culture of his birth led him to seek a dangerous form of escape. As he rides out his withdrawal at his family's ancestral home--an abandoned farmstead, its china room mysteriously locked and barred--he begins to knit himself back together, gathering strength for the journey home.Partly inspired by award-winning author Sunjeev Sahota's family history, China Room is at once a deft exploration of how systems of power circumscribe individual lives and a deeply moving portrait of the unconquerable human capacity to resist them. At once sweeping and intimate, lush and propulsive, it is a stunning achievement from a contemporary master.

    If only they would listen a little harder to the other voice trying to get through to them-the voice of hope, forgiveness and love-before it's too late.

    As the book cinematically moves from one character's perspective to another, events and characters move toward the convergence of the wedding--and a haunting dance of love and death.