For a few years in the early 1960s the CIA seemed to be running a perfect covert war in Laos - quiet, inexpensive, just enough arms to help Meo tribesmen defend their home territory from the Communist Pathet Lao. Then the big American war next door in Vietnam spilled across the border. How the perfect covert war ballooned into sorrow and disaster is the story Roger Warner tell in Shooting at the Moon, awarded the Cornelius Ryan Award for 1995's Best Book on Foreign Affairs by the Overseas Press Club.Warner describes his characters with a novelist's touch - soldiers and diplomats busy with war-making; CIA field officers from bareknuckle warriors to the quiet men pulling strings in the shadows; and above all the Meo as they realized they had been led down the garden path.This is a book about war, about secrecy, and its illusions, about the cruel sacrifice of small countries for the convenience of large ones. Nothing better has been written about the CIA in the years when it thought a handful of Americans in sunglasses could do anything with planeloads of arms and money to burn.

    Marshall was in Korea in 1953, deep in enemy territory when Pork Chop Hill was overrun with Red Chinese troops. A handful of U.S. GIs on the frontline fought the Chinese and won. His classic account of the battle is a distinguished contribution to the literature of war (The New York Times).

    

    Egypt’s 2011 revolt was no exception. The military’s abandonment of Mubarak—a turning point for the revolt—confounded many observers, who assumed that the leader and the generals stood or fell together. The officers, it was thought, ruled from behind the scenes and simply swapped the figures in the spotlight to preserve the status quo.In a challenge to this conventional view, Hazem Kandil presents the revolution as the latest episode in an ongoing power struggle between the three components of Egypt’s authoritarian regime: the military, the security services, and the political apparatus. A detailed study of the interactions within this invidious triangle over six decades of war, conspiracy, and sociopolitical transformation, Soldiers, Spies, and Statesmen is the first systematic analysis of how Egypt metamorphosed from a military into a police state—and what that means for the future of its revolution.

    Certainly, she has power; on the streets of 18th century Cairo, she’s a con woman of unsurpassed talent. But she knows better than anyone that the trade she uses to get by—palm readings, zars, healings—are all tricks, sleights of hand, learned skills; a means to the delightful end of swindling Ottoman nobles. But when Nahri accidentally summons an equally sly, darkly mysterious djinn warrior to her side during one of her cons, she’s forced to accept that the magical world she thought only existed in childhood stories is real. For the warrior tells her a new tale: across hot, windswept sands teeming with creatures of fire, and rivers where the mythical marid sleep; past ruins of once-magnificent human metropolises, and mountains where the circling hawks are not what they seem, lies Daevabad, the legendary city of brass, a city to which Nahri is irrevocably bound. In that city, behind gilded brass walls laced with enchantments, behind the six gates of the six djinn tribes, old resentments are simmering. And when Nahri decides to enter this world, she learns that true power is fierce and brutal. That magic cannot shield her from the dangerous web of court politics. That even the cleverest of schemes can have deadly consequences. After all, there is a reason they say be careful what you wish for...

    Perfect for fans of Victoria Hislop, Dinah Jefferies and Leah Fleming.When 22-year-old Olivia is coerced into marriage by the cruel Alistair Sheldon, she leaves England for Egypt, his home and the land of her own childhood. Reluctant as she is to go with Alistair, it's in her new home that she finds happiness in surprising places: she is reunited with her long-estranged sister, Clara, and falls - impossibly and illicitly - in love with her husband's boarder, Captain Edward Bertram. Then Clara is abducted from one of the busiest streets in the city. Olivia is told it's thieves after ransom money, but she's convinced there's more to it. As she sets out to discover what's happened to the sister she's only just begun to know, she falls deeper into the shadowy underworld of Alexandria, putting her own life and her chance at a future with Edward, the only man she's ever loved, at risk. Because, determined as Olivia is to find Clara, there are others who will stop at nothing to conceal what's become of her....

    King Tut's father, Akenaten, the so-called 'heretic pharaoh,' and his wife, Queen Nefertiti, are on the verge of catapulting Egypt into a revolution that will forever divide its people and rip the most powerful empire on the earth from its foundation. Inspired by the actual Hittite and Amarna letters of 14th century BCE, 'Valley of the Kings: The 18th Dynasty' is an epic novel of intrigue, passion, and betrayal, resurrecting the thrilling story of a singular leader whose beliefs were both visionary and disastrous.

    Given the choice, he'll go on vacation to Devon or Wales or, if pushed, eat English food on a package tour of the Mediterranean. So what happened when he was convinced by Gervais and Merchant to go on an epic adventure to see the Seven Wonders of the World? Does travel truly broaden the mind? Find out in Karl Pilkington's hilarious travel diaries.

    Middle Eastern studies. Translated from the French by the author. Reprinted with a new foreward by Jalal Toufic. This book, a masterwork of the dislocations and radiant outcries of the Arab world, reaffirms Etel Adnan, who authored the great poem, Jebu, as among the foremost poets of the French Language. THE ARAB APOCALYPSE is an immersion into a rapture of chaos clawing towards destiny, and nullified hope refusing its zero. Is is also the journey of soul through the cartography of a global immediacy rarely registered by maps, replete with signposts like hieroglyphs in a storm of shrapnel and broken glass. And above all it is a book that, though capable of being read in its orderly sequence, has so surrendered to 'being there, ' it can rivet the sensibility to the Middle Eastern condition at any point in the text--so rapid are its mutations, so becoming its becomingness--like a wisdom book or a book of Changes--Jack Hirschman.It has a power and intensity that few poets today can muster--only Allen Ginsberg's Howl comes to mind.--Alice MolloyThe power of Adnan's language and imagery reminds us that she is indeed one of the most significant post-modern poets in contemporary Arab culture.--Kamal BoullattaTHE ARAB APOCALYPSE is, to date, Adnan's most triumphant battle with the exactness of words.--Douglas PowellThe poem invokes a mythic past of Gilgamesh, Tammouz, and Ishtar to presage a present that resists narration, THE ARAB APOCALYPSE contests an uncritical reflection on the immediate historical past.--Barbara Harlow

    New edition of this widely adopted introduction to the Isreali-Palestinian conflictFully revised and updated, the second edition also includes a new chapter on the so-called fourth stage of the conflict.Written by one of the worlds leading authorities on the conflict, who is recognized for the even-handedness of his approach to this complex and sensitive topicAssumes no prior knowledge on the part of the readerIncludes an extensive chronology of events at the back of the book

    Her mother, a cartographer who creates unusual, hand-painted maps, decides to move Nour and her sisters from New York City back to Syria to be closer to their family. But the country Nour’s mother once knew is changing, and it isn’t long before protests and shelling threaten their quiet Homs neighborhood. When a shell destroys Nour’s house and almost takes her life, she and her family are forced to choose: stay and risk more violence or flee as refugees across seven countries of the Middle East and North Africa in search of safety. As their journey becomes more and more challenging, Nour’s idea of home becomes a dream she struggles to remember and a hope she cannot live without.More than eight hundred years earlier, Rawiya, sixteen and a widow’s daughter, knows she must do something to help her impoverished mother. Restless and longing to see the world, she leaves home to seek her fortune. Disguising herself as a boy named Rami, she becomes an apprentice to al-Idrisi, who has been commissioned by King Roger II of Sicily to create a map of the world. In his employ, Rawiya embarks on an epic journey across the Middle East and the north of Africa where she encounters ferocious mythical beasts, epic battles, and real historical figures.A deep immersion into the richly varied cultures of the Middle East and North Africa, The Map of Salt and Stars follows the journeys of Nour and Rawiya as they travel along identical paths across the region eight hundred years apart, braving the unknown beside their companions as they are pulled by the promise of reaching home at last.

    Through her protagonist, Zeynab, born to an American mother and a Palestinian father, Khalifeh illuminates the disorienting experience of living between two worlds, and the search for identity that mirrors the Palestinians' own quest for nationhood. Set against the emotionally charged background of the early 1990s--when the Gulf War and the Oslo Accords fundamentally shifted the political landscape--The Inheritance takes as its subject the fate of young Palestinian women who supported their families for decades working elsewhere in the Middle East. In vivid prose, Khalifeh traces the disruption caused by the Gulf War on the life of these women, as Zeynab returns to her homeland and tries to adapt to her new life on the West Bank after years spent in Kuwait. In her previous novels, Sahar Khalifeh has established herself as the premier female novelist of the Palestinian diaspora; with The Inheritance, she breaks new ground in giving voice to these Palestinian women and their return from economic exile. With its critical portrayal of the Palestinian Authority, its mistakes, and limitations, The Inheritance offers a surprising look at the realities of Palestinian life and society. As the story of an immigrant torn between two cultures and struggling to adapt to both, Zeynab's tale touches on universal themes that will resonate with readers everywhere.

    I had stopped saying Matt a while ago because it means 'dead' in Arabic.On New Year's Eve in 2012, Matthew Schrier was headed home from Syria, where he'd been photographing the intense combat of the country's civil war. Just forty-five minutes from the safety of the Turkish border, he was taken prisoner by the al-Nusra Front, an organization the world would come to know as the Syrian branch of al-Qaeda.Over the next seven months he would endure torture and near starvation in six brutal terrorist prisons. He would face a daily struggle just to survive. And, eventually, he would escape.In this gripping, raw, and surprisingly funny memoir, Schrier details the horrifying and frequently surreal experience of being a slight, wisecracking Jewish guy held captive by the world's most violent Islamic extremists. Managing to keep his heritage a secret, Schrier used humor to develop relationships with his captors -- and to keep himself sane during the long months of captivity.The Dawn Prayer (or How to Survive in a Secret Syrian Terrorist Prison) is a tale of patriotism and unimaginable bleakness shot through with light, of despair and friendship, sacrifice and betrayal, in a setting of bombed-out buildings and shifting alliances. It's the story of the first Westerner to escape al-Qaeda -- not a battle-hardened soldier, but an ordinary New Yorker who figured out how to set his escape plan in motion from a scene in Jurassic Park. From the prisoners' fiercely competitive hacky sack games and volleyball tournaments (played using a ball made of shredded orange peels and a shoelace) to his own truly nail-biting breakout, Matthew Schrier's story is unforgettable -- and one you won't want to miss.

    With her husband, Akhenaten, she rules over Egypt, the most affluent, formidable, sophisticated empire in the ancient world. But an epic power struggle is afoot, brought on by the royal couple's inauguration of an enlightened new religion and the construction of a magnificent new capital. The priests are stunned by the abrupt forfeiture of their traditional wealth and influence; the people resent the loss of their gods—and the army is enraged by the growing turbulence around them. Then, just days before the festival that will celebrate the new capital, Nefertiti vanishes.Rahotep, the youngest chief detective in the Thebes division, has earned a reputation for his unorthodox yet effective methods. Entrusted by great Akhenaten himself with a most secret investigation, Rahotep has but ten days to find the missing Queen. If he succeeds, he will bask in the warmth of Akhenaten's favor. But if Rahotep fails, he and his entire family will die.

    Soon after the World Trade Center towers fell, leaving ashes floating over journalist Lee Smith’s Brooklyn neighborhood, he left for Cairo to find out “why the Arabs hate us.” He spent eight years reporting from Cairo, Beirut, and Jerusalem and discovered that the anger and disorder in the Middle East are not caused by a clash of civilizations between East and West, as is so often contended. Instead, he found a clash among Arab civilizations that led him to reassess America’s efforts to bring a “freedom agenda” to the Arab world. In The Strong Horse, Lee Smith offers paradigm-shifting insight into how the Arab world works and what America’s role should be in that world today.The Strong Horse combines evocative reporting with brilliant analysis that gracefully overturns many of the myths held about the region. Perhaps the most important myth that hobbles policy in the Middle East is the idea that the turmoil there is the legacy of Western interference. In fact, Smith shows, violence has been the only currency of power in the region for centuries. Another myth is that dictators are the main cause of widespread oppression in countries like Egypt, Saudi Arabia, and Syria. Yet Smith finds that much of the repression that stagnates Arab society happens at the level of the family where rigorous redlines of social and religious behavior are enforced. What’s more, in a region seething with minorities, with no liberal tradition, no reverence for individual rights, and no tolerance for difference, authoritarian regimes exist because the alternative, as has been seen most recently in Lebanon and Iraq, is endless sectarian violence. In The Strong Horse, Smith reveals the Arab world to be defined by a tribal culture where support goes to “the strong horse.” Technology and democracy will not transform the Arab world, Smith convincingly demonstrates. Rather, Arab peoples and governments naturally align themselves with the strongest power, even when that power is the United States or Israel. Smith’s groundbreaking book redefines America’s role in the Middle East as “benevolent strong horse” and offers an important corrective to our understanding of the Arab world.