That same year, she began receiving scattered chapters in the mail of a self-help manual, the Guidebook, whose anonymous author promised to make her life soar to heights beyond her wildest dreams.The Guidebook’s missives have remained a constant in Abi’s life—a befuddling yet oddly comforting voice through her family’s grief over her brother’s disappearance, a move across continents, the devastating dissolution of her marriage, and the new beginning as a single mother and café owner in Sydney.Now, two decades after receiving those first pages, Abi is invited to an all-expenses paid weekend retreat to learn “the truth” about the Guidebook. It’s an opportunity too intriguing to refuse. If Everything is Connected, then surely the twin mysteries of the Guidebook and a missing brother must be linked?What follows is completely the opposite of what Abi expected––but it will lead her on a journey of discovery that will change her life––and enchant readers. Gravity Is the Thing is a smart, unusual, wickedly funny novel about the search for happiness that will break your heart into a million pieces and put it back together, bigger and better than before.

    Restless, insatiably curious, Anna learns to read, and in this ancient city, famous for its libraries, she finds a book, the story of Aethon, who longs to be turned into a bird so that he can fly to a utopian paradise in the sky. This she reads to her ailing sister as the walls of the only place she has known are bombarded in the great siege of Constantinople. Outside the walls is Omeir, a village boy, miles from home, conscripted with his beloved oxen into the invading army. His path and Anna’s will cross.Five hundred years later, in a library in Idaho, octogenarian Zeno, who learned Greek as a prisoner of war, rehearses five children in a play adaptation of Aethon’s story, preserved against all odds through centuries. Tucked among the library shelves is a bomb, planted by a troubled, idealistic teenager, Seymour. This is another siege. And in a not-so-distant future, on the interstellar ship Argos, Konstance is alone in a vault, copying on scraps of sacking the story of Aethon, told to her by her father. She has never set foot on our planet.

    The house backing on to theirs is sold and as she watches the old furniture being removed, she is taken back to a summer in the 1970's when she was almost sixteen and this small out-of-town estate was an enclave for women and children while the men are mysterious shadows who leave every day for the outside world.The women are isolated but keep their loneliness and frustrations hidden behind a veneer of suburban respectability. When an American divorcee and her daughter move into the estate this veneer begins to crack. The women learn how to socialise, how to drink martinis, how to care less about their wifely and maternal duties.While the women are distracted, Elaine and her friends find their own entry into the adult world. The result is a tragic event that will mark the rest of Elaine's life and be the cause of her long and guilt-ridden exile.Insightful and full of suspense, this is an uncompromising portrayal of the suburbs and the cruelties brought about by the demands of respectability.

    Plague is spreading. The Thirty Years' War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katharina Kepler is accused of being a witch.Katharina is an illiterate widow, known by her neighbors for her herbal remedies and the success of her children, including her eldest, Johannes, who is the Imperial Mathematician and renowned author of the laws of planetary motion. It's enough to make anyone jealous, and Katharina has done herself no favors by being out and about and in everyone's business.So when the deranged and insipid Ursula Reinbold (or as Katharina calls her, the Werewolf) accuses Katharina of offering her a bitter, witchy drink that has made her ill, Katharina is in trouble. Her scientist son must turn his attention from the music of the spheres to the job of defending his mother. Facing the threat of financial ruin, torture, and even execution, Katharina tells her side of the story to her friend and next-door neighbor Simon, a reclusive widower imperiled by his own secrets.Drawing on real historical documents but infused with the intensity of imagination, sly humor, and intellectual fire for which Rivka Galchen is known, Everyone Knows Your Mother Is a Witch will both provoke and entertain. The story of how a community becomes implicated in collective aggression and hysterical fear is a tale for our time. Galchen's bold new novel touchingly illuminates a society and a family undone by superstition, the state, and the mortal convulsions of history.

    Inside the walls of a former tea factory, letter detectives work to solve mysteries: missing zip codes, illegible handwriting, rain-smudged ink, lost address labels, torn packages, forgotten street names—these are the twists of fate behind missed birthdays, broken hearts, unheard confessions, pointless accusations, unpaid bills and unanswered prayers. But when letters arrive addressed simply to “My Great Love,” one longtime letter detective with face his greatest mystery yet, as his quest to follow the clues becomes a life-changing journey of love, hope and courage. Helen Cullen’s The Lost Letters of William Woolf is an enchanting novel about the resilience of the human heart and the complex ideas we hold about love—and a passionate ode to the art of letter writing.

    But on the day before their daughter’s thirtieth birthday, John barges back into Carol’s life with a request that threatens the fragile stability she has built.John Bowman is sick. Very sick. While he still can, he has some amends to make and some promises to fulfill. But to do that, he not only needs his ex-wife’s agreement…he needs her.With the past hovering between them like a ghost, Carol and John embark on a decades-overdue road trip. Together they plunge back into a life without water…but which may ultimately set them free.

    The secret number of grapes it takes to make a bottle of wine: eight hundred. The secret ingredient in her mother’s lasagna: chocolate. The secret behind ending a fight: hold hands.But just a week before her wedding, thirty-year-old Georgia discovers her beloved fiancé has been keeping a secret so explosive, it will change their lives forever.Georgia does what she’s always done: she returns to the family vineyard, expecting the comfort of her long-married parents, and her brothers, and everything familiar. But it turns out her fiancé is not the only one who’s been keeping secrets…

    She is assigned as a teacher to children who were evacuated from London and have been rejected by the countryside because they are infirm, mentally disabled, or—like Mary’s favorite student, Zachary—have colored skin.Tom, an education administrator, is distraught when his best friend, Alastair, enlists. Alastair, an art restorer, has always seemed far removed from the violent life to which he has now condemned himself. But Tom finds distraction in Mary, first as her employer and then as their relationship quickly develops in the emotionally charged times. When Mary meets Alastair, the three are drawn into a tragic love triangle and—while war escalates and bombs begin falling around them—further into a new world unlike any they’ve ever known.A sweeping epic with the kind of unforgettable characters, cultural insights, and indelible scenes that made Little Bee so incredible, Chris Cleave’s latest novel explores the disenfranchised, the bereaved, the elite, the embattled. Everyone Brave Is Forgiven is a heartbreakingly beautiful story of love, loss, and incredible courage.

    Stella’s childhood is full of strange, life-threatening incidents—moments where ordinary situations like cooking eggplant or feeding the pigs inexplicably take lethal turns. Even Stella’s own mother is convinced that her daughter is cursed or haunted.In her rugged Italian village, Stella is considered an oddity—beautiful and smart, insolent and cold. Stella uses her peculiar toughness to protect her slower, plainer baby sister Tina from life’s harshest realities. But she also provokes the ire of her father Antonio: a man who demands subservience from women and whose greatest gift to his family is his absence.When the Fortunas emigrate to America on the cusp of World War II, Stella and Tina must come of age side-by-side in a hostile new world with strict expectations for each of them. Soon Stella learns that her survival is worthless without the one thing her family will deny her at any cost: her independence.In present-day Connecticut, one family member tells this heartrending story, determined to understand the persisting rift between the now-elderly Stella and Tina. A richly told debut, The Seven or Eight Deaths of Stella Fortuna is a tale of family transgressions as ancient and twisted as the olive branch that could heal them.

    She tackles eros and intimacy with a deceptively light touch, a keen awareness of how their nervous systems tangle and sometimes short-circuit, and a genius for revealing our most vulnerable, spirited selves. In “Desert Hearts,” a woman takes a job selling sex toys in San Francisco rather than embark on the law career she pursued only for the sake of her father. In “Pearl and the Swiss Guy Fall in Love,” a woman realizes she much prefers the company of her pit bull—and herself—to the neurotic foreign fling who won’t decamp from her apartment. In “How Am I Supposed to Talk to You?” a daughter hauls a suitcase of lingerie to Mexico for her flighty, estranged mother to resell there, wondering whether her personal mission—to come out—is worth the same effort. And in “Barbara the Slut,” a young woman with an autistic brother, a Princeton acceptance letter, and a love of sex navigates her high school’s toxic, slut-shaming culture with open eyes. With heart, sass, and pitch-perfect characters, Barbara the Slut is a head-turning debut from a writer with a limitless career before her.

    But manager Manny DeLeon still needs to navigate a tricky last shift with a near-mutinous staff. All the while, he's wondering how to handle the waitress he's still in love with, what to do about his pregnant girlfriend, and where to find the present that will make everything better. Stewart O'Nan has been called "the bard of the working class," and Last Night at the Lobster is one of his most acclaimed works to date.

    Her desperate search has yielded no answers, and she can’t imagine moving forward without him. But for the sake of their two teenage children, she has to try.Autumn takes her kids home for the summer to the charming beachside town where she was raised. She seeks comfort working alongside her mother and aunt at their bookshop, only to learn that her daughter is facing a huge life change and her mother has been hiding a terrible secret for years. And when she runs into the boy who stole her heart in high school, old feelings start to bubble up again. Is she free to love him, or should she hold out hope for her husband’s return? She can only trust her heart…and hope it won’t lead her astray."A heart-tugging romance. Readers are sure to be sucked in.”—Publishers Weekly, starred review  Don’t miss Brenda Novak’s latest book, When I Found You!

    He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep and disrupts his plans for personal redemption. With weeks to go until her due date, tough, ebullient Angel has fled her mother’s house, setting her life on a startling new path.Vivid, tender, funny, and beautifully rendered, The Five Wounds spans the baby’s first year as five generations of the Padilla family converge: Amadeo’s mother, Yolanda, reeling from a recent discovery; Angel’s mother, Marissa, whom Angel isn’t speaking to; and disapproving Tíve, Yolanda’s uncle and keeper of the family’s history. Each brings expectations that Amadeo, who often solves his problems with a beer in his hand, doesn’t think he can live up to.The Five Wounds is a miraculous debut novel from a writer whose stories have been hailed as “legitimate masterpieces” (New York Times). Kirstin Valdez Quade conjures characters that will linger long after the final page, bringing to life their struggles to parent children they may not be equipped to save.

    How is a small-town art teacher supposed to cope without the never-ending life advice and enjoyment that books give her? Well, when she’s as resourceful and generous as Dodie, she turns her sunroom into her very own little lending library.At first just a hobby, this lit lovers’ haven opens up her world in incredible ways. She knows books are powerful, and soon enough they help her forge friendships between her zany neighbors—and attract an exciting new romance.But when the chance to adopt an orphaned child brings Dodie’s secret dream of motherhood within reach, everything else suddenly seems less important. Finding herself at a crossroads, Dodie must figure out what it means to live a full, happy life. If only there were a book that could tell her what to do…

    She spends her days writing screenplays, rewatching Sleepless in Seattle, and waiting for her movie-perfect meet-cute. If she could just find her own Tom Hanks—a man who’s sweet, sensitive, and possibly owns a houseboat—her problems would disappear and her life would be perfect. But Tom Hanks is nowhere in sight.When a movie starts filming in her neighborhood and Annie gets a job on set, it seems like a sign. Then Annie meets the lead actor, Drew Danforth, a cocky prankster who couldn’t be less like Tom Hanks if he tried. Their meet-cute is more of a meet-fail, but soon Annie finds herself sharing some classic rom-com moments with Drew. Her Tom Hanks can’t be an actor who’s leaving town in a matter of days...can he?