Love is also like this creeper. Love is not just the lust or desire inevitable at the young age. I do not consider desire as valueless, actually it supports the living all over. When this very desire is combined with feelings from the base of your heart then it takes the form of love and it becomes divine and resembles the nectar.The creeper then delivers compassion, blossoms into friendship. To understand the meaning of love we will have to become one with the world outside. We will have to break the tough selfishness. We will have to overcome the "Me'.To understand the world outside we will need absolute involvement with it, then we will understand the diversity it has. The world is a combination of pleasant and dreadful nature, good and bad people, arts from literature to music and places of pilgrimages like the scientific inventions to nursing the patients suffering with leprocy. But if this love is self-centered then...? If it starts worshipping only the soul within it then...? Such person becomes the enemy of others and of himself. The vine then bears poisonous flowers.

    Drawing from real-life characters and incidents, these sketches are as varied as people can be and quite interesting.The stories in Vyakti Aani Vyalli were written over a period of more than 20 years, from 1944 to 1968. Of the 20 stories in the book, the one about Bhaiyya Nagpurkar was the earliest one written by the author. The lead character is a Brahmin by birth, but he is often mistaken for a Muslim for various reasons. He is wealthy man with a bad reputation, but he admires Gandhiji, the Father of Nation. He even avoids drinking alcohol on the days when Mahatma is fasting.There are a lot of other varied sketches in this book. Narayan helps in arranging marriages and also ensures that the functions go smoothly. The author reveals an interesting side of Narayan.There is Parophari Gampu who would go out of the way to help people, and then there is the washer-man Namu Parit. The washer-man breaks buttons and uses his customers clothes on himself, and never delivers on time. He has every other evil habit imaginable but has no idea that the things he do are wrong.There is also a school boy named Sakharam Gatne, who speaks classical Marathi and is addicted to books. Lakhu Risbud, who is another interesting character, is a disillusioned writer who wanted to change the world with his pen, but ends up working as a sub-editor in some obscure magazine.The list goes on, with a fine variety of characters reflecting the ironies of life. Vyakti Aani Vyalli earned the writer a Sahitya Akademi Award.

    He attends the same private tuitions as his classmate, Shirodkar, just for a glimpse of her, and follows her back home every day. Sadly, she has not a clue that he is pining away for her, because in their society, boys and girls don't interact freely, much less talk about love. When he's not negotiating the tricky alleys of love, Mukund sits around the school field or loafs about town with his close friends, Surya, Chitre and Phawdya, railing against the education system, and debating ideas such as discipline and Bohemianism. Set in a small Maharashtrian town during the Emergency of 1975, Shala is a heart-warming, nuanced novel about the adolescent struggles that are as tortuous in real time as they are amusing in retrospect.

    Set against the backdrop of the Mahabharata, Desai attempts to make readers aware that although winning is usually the goal in every war, one should also be ready to face defeat.Through Radheya, readers will learn about Karna and the circumstances which earned him a memorable place in the Mahabharata. From early on, Karna was deprived of familial love. Throughout the course of his life, he suffered at the hands of others. He also felt discarded by his own mother Kunti and was also ridiculed by many because he was born in a lower class. Since Karna’s foundation years were so tumultuous, his immense strength was reduced and he often felt lonely.Nevertheless, through Radheya readers can visualize the development of Karna’s individuality and how he came to earn the title of fearless warrior. This novel is essentially a written tribute to the hero Karna who fought against his own family members while remaining loyal to his friend. Through Karna’s decisions and actions, Desai brings to life the impending dualities of life such as victory and defeat, and doing what is expected versus doing what is right. Through Karna, Desai has tried to universalize the “karma katha”.

    Born at Purandar fort,he was raised by his paternal grandmother Jijabai. Shivaji signed the Treaty of Purandar with the Mughals, and sent Sambhaji to live with Raja Jai Singh of Amber, as a political hostage. Sambhaji was raised as a Mughal sardarand served the Mughal court of Aurangzeb. After Shivaji`s death, Sambhaji fought against his stepmother, Soyarabai Mohite, who had her son Rajaram crowned as the heir to the Maratha kingdom. Sambhaji escaped prison and formally ascended the throne on 20 July 1680. A brilliant tactician, Sambhaji was worthy of the throne of the Marathas, although his rule was short-lived. This book reveals his life story and showcases him for the ruler that he was.

    1680) against all odds later passed into the hands of the Peshwas (prime minister) who became the supreme lords. The Maratha Empire which stretched across a sizeable portion of Western, Central and Northern India suffered a severe setback when the Marathas lost the (Third) Battle of Panipat in 1761. It was an immense loss of men, money, and material. The then Peshwa Nanasaheb could not bear the brunt of the casualties which included his eldest son and younger brother, and soon passed away.For the sixteen year old Madhavrao who succeeded Nanasaheb, it was not a piece of cake. The coffers were empty, the royal court was fraught with internal dissensions. Madhavrao could not go along with his uncle, Raghunathrao, who wanted to be the Peshwa, and went to any extent including looting his own subjects. The Nizam, Hyder, and the British had set their eyes on the Maratha empire.Swami is based on the life and character of Madhavrao who resurrected the Maratha empire. He revived the lost glory and pride. The extent of the empire was now wider than before. He contained the enemy. Swami sketches the personal life of the Peshwa and specially poignant are the parts covering the discomfort he feels when Raghunathrao is a thorn in his flesh, and his untimely death. The novel throws light on the political, social and cultural history of the mid Peshwa era. The portrayal of the bond between Madhavrao and his wife, Ramabai, is a special feature.Ranjit Desai (1928-1992) tackled the genre of novels with such ease that his collection includes all types of novels: historical, social, mythological, and biographical. He was also a playwright and has to his credit short stories.

    It is a story based on the life of famous Russian writer, Fyodor Dostoyevsky and his wife Anna.

    The story reflects the social, political and religious scene in Bengal at the turn of the century. The forces that were operating in Bengal at that time were one of the intense nationalism and revival of ancient spiritual values and also that of liberal western thought. What makes Gora a great prose epic is not only its social content but also its brilliant story of self-searching, of resolution, of conflicts and of self discovery.

    The curtain has been brought down on it. Two life-sentences have been run. And I have brought together my recollections of them within the cover of this book. They are narrated in brief and put together within the narrowest.When I came into this world, God sent me here possibly on a sort of life-sentence. It was the span of life allotted to me by time to stay in this ‘prison-house of life’. This story is but a chapter of that book of life, which is a longer story not yet ended. You can finish reading the book in a day, while I had to live it for 14 long years of transportation. And if the story is so tiresome, unendurable and disgusting to you, how much must have been the living of it for me! Every moment of those 14 years in that jail has been an agony of the soul and the body to me, and to my fellow convicts in that jail. It was not only fatiguing, unbearable and futile to us all, it was equally or more excruciating to them as to me. And it is only that you may know it and feel the fatigue, the disgust and the pain of it as we have felt it, that I have chosen to write it for you. —Excerpts from this bookThis is the story of Swatantrayaveer Vinayak Damodar Savarkar—a great revolutionary, politician, poet and seer who tried to free India from the British yoke!British policy was to torture and persecute the political prisoners/revolutionaries so that they would reveal the names of all their colleagues or go mad or commit suicide. My Transportation for Life is a firsthand story of the sufferings and humiliation of an inmate of the infamous Cellular Jail of Andamans, the legendary Kala Paani. The physical tortures inside the high walls were made all the more insufferable by the sickening attitude of the men who mattered—the native leaders back home. This is a running commentary on the prevalent political conditions in India and a treatise for students of revolution. It is a burning story of all Tapasvis who were transported to Andaman.

    Mahanayak is the outcome of the meticulous, assiduous and painstaking research of Sahitya Akademi Winner author Vishwas Patil. It took him across Japan, Myanmar (then Burma) and the other countries of Southeast Asia trailing the footprints of its hero Subhashchandra Bose. Mahanayak was originally written and published in Marathi in 1998. It has been ruling the imagination of Indian readers for almost twenty years.

    Growing up in an environment where such transactions were made daily, witnessing the wretchedness of such a life at close quarters, and its repercussions on him gave Kishore the will and the determination to free himself through education and an amazing strength to transcend circumstances that at times seemed overwhelmingly black.In this book, Kishore Kale unfolds a sad and shocking story of his early years and youth with a rare simplicity and directness. Far from rancour, it instead affirms and inspires the reader to never lose hopea precept that propels Kale as today he goes about tending to prostitutes and AIDS victims doing his utmost to help those who rescued him from going under.

    This is an account of a youth from interior Maharashtra. He fights his way through just to complete his secondary education. His landless father tilling lands for others, thinks his son's education not only unaffordable but unwise also, He helplessly watches his mothr permanently fated to thankless labour, contineously working for an evergrowing family deep in the cluthes of customs and superstitions. He had to wrestle with hardships and hunger to complete his school education. This autobiographical novel is an authentic tale as much of the author and his family as of any of the hundreds of landless families from rural interiors.

    These are just some of the poignant and eye-opening stories about people from all over the country that Sudha Murty recounts in this book. From incredible examples of generosity to the meanest acts one can expect from men and women, she records everything with wry humour and a directness that touches the heart.First published in 2002, Wise and Otherwise has sold over 30,000 copies in English and has been translated into all the major Indian languages. This revised new edition is sure to charm many more readers and encourage them to explore their inner selves and the world around us with new eyes.

    She is considered one of the outstanding Indian poets writing in English, although her popularity in Kerala is based chiefly on her short stories and autobiography. Much of her writing in Malayalam came under the pen name Madhavikkutty. She was born on March 31, 1934 in Malabar in Kerala, India. She is the daughter of V.M. Nair, a former managing editor of the widely-circulated Malayalam daily Mathrubhumi, and Nalappatt Balamani Amma, a renowned Malayali poetess. In 1984, she was short-listed for the Nobel Prize for Literature along with Marguerite Yourcenar, Doris Lessing, and Nadine Gordimer. Kamala Das is probably the first Hindu woman to openly and honestly talk about sexual desires of Indian woman, which made her an iconoclast of her generation. The fact that the book has run into thirty editions is proof enough to appreciate the popularity of the book

    The book is about how army rule works, how he try to achieve what he desired to do at raarang dhang. Interaction with various peoples from different location and grade. Whether he succeed in his goal.... Do read...