Eliot for his godchildren and friends in the thirties. They have delighted generations of children since, and inspired Andrew Lloyd Webber's brilliant musical Cats.

    Disillusioned and loveless, a chain-smoking art history professor who spends her spare time singing in nightclubs and tending to her young daughter finds herself pursued by an erratic, would-be librettist.

    From maple ice cream to Z-shaped fire escapes, these poems carry a flashlight you'll want to follow: unexpected as night swimming, entertaining as a music video in sign language.

    Now, in her first novel, she builds on that early promise.Mona Gray was ten when her father contracted a mysterious illness and she became a quitter, abandoning each of her talents just as pleasure became intense. The only thing she can’t stop doing is math: She knocks on wood, adds her steps, and multiplies people in the park against one another. When Mona begins teaching math to second-graders, she finds a ready audience. But the difficult and wonderful facts of life keep intruding. She finds herself drawn to the new science teacher, who has an unnerving way of seeing through her intricately built façade. Bender brilliantly directs her characters, giving them unexpected emotional depth and setting them in a calamitous world, both fancifully surreal and startlingly familiar.

    Doughty’s poems are at once absurdist and matter-of-fact; the images he conjures are thrown into high relief through cutting wordplay. In a series of prose poems about showbiz, he reimagines Cookie Monster as a burned-out suicide, and cheesy talk-show host Joe Franklin as a cross-dressing witness to the apocalypse. And in “For Charlotte, Unlisted,” he wrenchingly tracks the elusive memory of a faded romance.

    Fans are going to love it, and newcomers will be pleased and startled by his intensity and originality. The images are vivid and the voice is honest and powerful.”—Stephen King, author of Duma Key“Ryan Adams writes with equal parts precision and recklessness; the blood he draws from the text is easily as unnerving as its unapologetic tenderness. He is proof that poetry will find its writer.”—Mary-Louise Parker, actress“Infinity Blues is Ryan Adams at his personal, unforgettable best. Strong and beautiful and funny and pure. Like all his work, it’s soul poetry of the highest order.”—Cameron Crowe, filmmaker“This is much better than reading a friend’s journal. It’s more like watching somebody you love in the bathtub talking to himself. You’re like, wow, he’s even good at taking a bath. After reading Infinity Blues (which I think is a great title), I give Ryan Adams the best compliment I ever got—and the only reason for reading anyone’s poetry. Ryan, I really like your mind.”—Eileen Myles, author of Cool for YouRyan Adams may be known primarily for acclaimed albums such as Cardinology, Heartbreaker, Gold (which includes the popular hit songs “When the Stars Go Blue” and “New York, New York”), Love Is Hell, Cold Roses, Jacksonville City Nights, and Easy Tiger, but the world renowned singer/songwriter has always been a poet and fiction writer at heart. With the release of Infinity Blues, his nonmusical writing is for the first time ever unveiled in book form. Mr. Adams’s work rings of an emotional authenticity that provides perhaps an even deeper insight into the man than is revealed through the songs that have resonated with his hundreds of thousands of fans the world over.RYAN ADAMS is usually performing in some city on the globe at any given moment with his longtime band the Cardinals. Adams is known for his prolific nature, which in the last ten years has produced various international hit albums. Adams has also produced Willie Nelson’s Songbird album and contributed to records by Toots and the Maytals, Beth Orton, the Wallflowers, Counting Crows, and Cowboy Junkies; additionally, he has appeared on CMT’s Crossroads with Elton John. He was a longtime Manhattan resident before relocating to France in 2009, and he listens to A LOT of heavy metal.

    Best known for his controversial plays and films, his short fiction has appeared in The New Yorker and Playboy. Seductive and provocative, each potent and pithy tale in Seconds of Pleasure finds men and women exploiting -- or at the mercy of -- the hidden fault lines that separate them: In “Time Share,” a woman leaves her family at their vacation home after discovering her husband in a compromising situation; a middle-aged man obsesses over a scab on the calf of a pretty young girl in “Boo-Boo”; and a vain Hollywood actor gets his comeuppance in “Soft Target.” LaBute infuses Seconds of Pleasure with his trademark wit and black humor, and unleashes his imagination in stories that offer unflinching insight into our very human shortcomings and impure urges with shocking candor.

    Love can be shit. Whatever has happened to you, whatever will happen to you, whatever might happen to you, whatever hasn't happened to you, well . . . you're not alone. Andre Jordan's drawings and prose are culled from a life of heartache and unrequited love. Simple, sad, clever, and darkly hilarious, they tell of both dismal places and hopeful realizations.

    What begins as a platonic intellectual and spiritual exchange between writer Maggie and poet James, gradually transforms into an emotional and erotically charged bond that challenges Maggie's sense of loyalty and morality, drawing her deeper into the darkness of desire.

    He shares a book-laden Victorian house with his loving wife, Zipper. He owns two suits, one of which he was married in. He is a courageous eater, save brussels sprouts. His knowledge of wine is vague and best defined as Napa, good; Australian, better; French, better still. Kir royale is his drink of occasion. For an Englishman he makes a poor cup of tea. He believes women are quantifiably wiser than men, and would never give Zipper the slightest reason to mistrust him or question his love. Zipper simply describes Ambrose as the only man she has ever loved. Without adjustment.Then, just as he is turning fifty, Ambrose is told by his doctor that he has one month to live. Reeling from the news, he and Zipper embark on a whirlwind expedition to the places he has most loved or has always longed to visit, from A to Z, Amsterdam to Zanzibar. As they travel to Italian piazzas, Turkish baths, and other romantic destinations, all beautifully evoked by the author, Zipper struggles to deal with the grand unfairness of their circumstances as she buoys Ambrose with her gentle affection and humor. Meanwhile, Ambrose reflects on his life, one well lived, and comes to understand that death, like life, will be made bearable by the strength and grace of their devotion. Richardson’s lovely prose comes alive with an honesty and intensity that will leave you breathless and inspired by the simple beauty and power of love. The End of the Alphabet is a timeless, resonant exploration of the nature of love, loss, and life.

    You'll not find six more remarkable characters: a cashier-turned motivational speaker, an undertaker with a toenail fetish, a girl wrapped in dreams, a man who communicates with whales, a garbage man with a peculiar sense of smell, and a Guinness Book of World Records representative.

    Howard was both a successful author of popular boxing stories and an avid amateur boxer himself. The sixteen stories and three poems collected in this volume show the full range of his talents for action, humor, and fistic philosophy. Ten of the stories feature the sailor Steve Costigan, a lovable, hard-fisted, and innocent semipro pugilist, who takes on dastardly villains in exotic ports of call. Howard’s brilliant blue-collar humor belies his preoccupation with the real-life issues near and dear to his heart—death, honor, pride, and a man’s love for his dog Other stories are more dramatic and somber, including “Iron Men,” which Howard called “the best fight story I ever wrote—in many ways the best story of any kind I ever wrote.” Severely edited and truncated for its original publication in 1930 in Fight Stories magazine, the tale has never been published in its original form—until now. It appears here, completely restored from Howard’s original typescript, in an authoritative version that Howard fans everywhere will appreciate. In these stories Howard created a realistic, richly populated boxing universe, with intertwining characters and histories that carry on from tale to tale. With them he takes his place in a tradition of American boxing writers but always with a uniquely Howardian twist, a gritty brooding atmosphere, and a reserve of humor that captures the often brutal ambiance of the 1930s.

    The pieces that comprise Non-Fiction prove just how different, in ways both highly entertaining and deeply unsettling. Encounters with alternative culture heroes Marilyn Manson and Juliette Lewis; the peculiar wages of fame attendant on the big budget film production of the movie Fight Club; life as an assembly-line drive train installer by day, hospice volunteer driver by night; the really peculiar lives of submariners; the really violent world of college wrestlers; the underground world of anabolic steroid gobblers; the harrowing circumstances of his father's murder and the trial of his killer - each essay or vignette offers a unique facet of existence as lived in and/or observed by one of America's most flagrantly daring and original literary talents.

    This collection from Australia and around the world gives us stories that are sad and happy, thoughtful and humourous, but always abounding with the author's trade mark generosity of spirit. Families, friends, lovers and the lonely, all are drawn with affection and wisdom.* Elsa makes a Christmas wish at the Statue of Liberty which comes true in a most unexpected way.* Amy opts for the simple life when Dan bites off more than he can chew.* Frankie uses an unexpected trip with Robert to find out what she really wants from their relationship.* Victor, a self-confessed hopeless romantic, accompanies a friend to Australia with no thought of love on his mind.* Nick and Janet meet at the Sydney Fish Markets...everything seems perfect, what could go wrong?* Victoria imagines what it would mean to her widowed father to join her in his beloved Paris for a weekend.* Bran enters a competition to broaden his horizons.

    A bond punctuated by absence and distance...Two continents. Two cities. Two people.And letters. Hundreds of them.Over years. Across oceans. Between hearts.Between Abhi, who is training to be a neurosurgeon in London, and Uma, who is just stepping into the world of medicine in Kolkata. As they ink their emotions onto paper, their lives get chronicled in this subtly nuanced conversation through letters ... letters about dreams, desires, heartbreaks, and longings... about a proverbial good life falling apart, about a failed marriage, a visceral loss, and about a dream that threatens social expectations...Letters that talk. And don't. Letters about this and that. Letters about everything...Letters with a story you would never expect.