And a very strange, very English obsession. But where did this fixation develop? And what does it tell us about ourselves?In The Art of the English Murder, Lucy Worsley explores this phenomenon in forensic detail, revisiting notorious crimes like the Ratcliff Highway Murders, which caused a nationwide panic in the early nineteenth century, and the case of Frederick and Maria Manning, the suburban couple who were hanged after killing Maria's lover and burying him under their kitchen floor. Our fascination with crimes like these became a form of national entertainment, inspiring novels and plays, prose and paintings, poetry and true-crime journalism. At a point during the birth of modern England, murder entered our national psyche, and it's been a part of us ever since.The Art of the English Murder is a unique exploration of the art of crime and a riveting investigation into the English criminal soul by one of our finest historians.

    Susan Chandler decides to use her daily radio talk show to explore the phenomenon of women who disappear and are later found to have become victims of killers who prey on the lonely and insecure, she has no idea that she is exposing herself -- and those closest to her -- to the very terror that she hopes to warn others against.Susan sets out to determine who is responsible for an attempt on the life of a woman who called in to the show offering information on the mysterious disappearance from a cruise ship, years before, of Regina Clausen, a wealthy investment advisor. Soon Susan finds herself in a race against time, for not only does the killer stalk these lonely women, but he seems intent on eliminating anyone who can possibly further Susan's investigation.As her search intensifies, Susan finds herself confronted with the realization that one of the men who have become important figures in her life might actually be the killer. And as she gets closer to uncovering his identity, she realizes almost too late that the hunter has become the hunted, and that she herself is marked for murder.In its review of her previous novel "Pretend You Don't See Her," the "Detroit News" said of Mary Higgins Clark, "What's amazing...is how expertly [she] manages to keep us hooked time after time, and even better, create new plots, each as fresh as a mountain stream.""You Belong to Me" is Mary Higgins Clark at her thrilling best.

    All of the first-class carriages except the one carrying Dickens are smashed to bits in the valley below. When Dickens descends into that valley to confront the dead and dying, his life will be changed forever. And at the core of that ensuing five-year nightmare is…Drood… the name that Dickens whispers to his friend Wilkie Collins. A laudanum addict and lesser novelist, Collins flouts Victorian sensibilities by living with one mistress while having a child with another, but he may be the only man on Earth with whom Dickens can share the secret of…Drood. Increasingly obsessed with crypts, cemeteries, and the precise length of time it would take for a corpse to dissolve in a lime pit, Dickens ceases writing for four years and wanders the worst slums and catacombs of London at night while staging public readings during the day, gruesome readings that leave his audiences horrified. Finally he begins writing what would have been the world’s first great mystery masterpiece, The Mystery of Edwin Drood, only to be interrupted forever by…Drood.Based on actual biographical events, Drood explores the still-unresolved mysteries of one of our greatest writer’s dark final days in a profoundly original tale that confirms Lincoln Child’s assessment of New York Times bestselling author Dan Simmons as “a giant among novelists.”

    There was no apparent motive for the crime, and there were almost no clues. As Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, he generates both mesmerizing suspense and astonishing empathy. At the center of his study are the amoral young killers Perry Smith and Dick Hickcock, who, vividly drawn by Capote, are shown to be reprehensible yet entirely and frighteningly human. In Cold Blood is a seminal work of modern prose, a remarkable synthesis of journalistic skill and powerfully evocative narrative.