A few short weeks before, Aasha’s grandmother Paati passed away under mysterious circumstances and her older sister, Uma, departed for Columbia University--leaving Aasha alone to cope with her mostly absent father, her bitter mother, and her imperturbable older brother.Beginning with Aasha’s grandfather’s ascension from Indian coolie to illustrious resident of the Big House on Kingfisher Lane, and going on to tell the story of how Appa, the family’s Oxford-educated patriarch, courted Amma, the humble girl next door, Evening Is the Whole Day moves gracefully backward and forward in time to answer the many questions that haunt the family: What was Chellam’s unforgivable crime? Why was Uma so intent on leaving? How and why did Paati die? What did Aasha see? And, underscoring all of these mysteries: What ultimately became of Appa’s once-grand dreams for his family and his country? Sweeping in scope, sumptuously lyrical, and masterfully constructed, Evening Is the Whole Day offers an unflinching look at relationships between parents and children, brothers and sisters, the wealthy and the poor, a country and its citizens--and the ways in which each sometimes fails the other. Illuminating in heartbreaking detail one Indian immigrant family’s secrets and lies while exposing the complex underbelly of Malaysia itself, Preeta Samarasan’s debut is a mesmerizing and vital achievement sure to earn her a place alongside Arundhati Roy, Kiran Desai, and Zadie Smith.

    Her mother is a maalish wali, paid to massage the tired bones of rich women. But Anita's life will change forever when she meets her elderly neighbour, a man whose shelves of books promise an escape to a different world.On the other side of Karachi lives Monty, whose father owns half the city and expects great things of him. But when a beautiful and rebellious girl joins his school, Monty will find his life going in a very different direction.Sunny's father left India and went to England to give his son the opportunities he never had. Yet Sunny doesn't fit in anywhere. It's only when his charismatic cousin comes back into his life that he realises his life could hold more possibilities than he ever imagined.These three lives will cross in the desert, a place where life and death walk hand in hand, and where their closely guarded secrets will force them to make a terrible choice.

    From getting irrepressibly high in the mysterious Malana Valley in the Himalayas to starting a shack on the bewitching Om Beach on the West Coast, they do it all. But their adrenaline-charged adventure takes a turn when Rishi meets Kyra, a beautiful and enigmatic gamer. As passions surge and sparks fly, Rishi gets drawn to Kyra . . . unaware of who she is and where she comes from.What follows next is something nobody could have ever dreamed of . . .Who is Kyra and why are the paparazzi after her? Can Rishi connect the dots in his life to protect the love of his life? While the world becomes a spectator, can he mastermind the fall of a ruthless giant to become a global icon or will he become the biggest loser?

    In Volga’s retelling, it is Sita who, after being abandoned by Purushottam Rama, embarks on an arduous journey to self-realization. Along the way, she meets extraordinary women who have broken free from all that held them back: Husbands, sons and their notions of desire, beauty and chastity. The minor women characters of the epic as we know it – Surpanakha, Renuka, Urmila and Ahalya – steer Sita towards an unexpected resolution. Meanwhile, Rama too must reconsider and weigh out his roles as the king of Ayodhya and as a man deeply in love with his wife. A powerful subversion of India’s most popular tale of morality, choice and sacrifice, The Liberation of Sita opens up new spaces within the old discourse, enabling women to review their lives and experiences afresh. This is Volga at her feminist best.

    

    Somlata has just married into the dynastic but declining Mitra family. At eighteen, she expects to settle into her role as a devout wife in this traditional, multi-generational family. But then Somlata, wandering the halls of the grand, decaying Mitra mansion, stumbles upon the body of her great aunt-in-law, Pishima.A child bride widowed at twelve, Pishima has finally passed away at the ripe old age of seventy. But she isn’t letting go just yet. Pishima has long harbored a grudge against the Mitras for keeping her in perpetual widowhood, never allowed to fall in love.. Now, her ghost intends to meddle in their lives, making as much mischief as possible. Pishima gives Somlata the keys to her mysterious box of gold to keep it out of the Mitras’ hands. However, the selfless Somlata, witnessing her new family waste away their wealth to the brink of bankruptcy, has her own ideas.