Worse yet, the steriods are having an unexpected effect, turning hot gridiron hunks into mindless flesh-eating zombies. No one is safe--not her cute crush Aaron, not her dorky brother, Jonah . . . not even Kate! She's got to find an antidote--before her entire high school ends up eating each other. So Kate, her best girlfriend, Rocky, and Aaron stage a frantic battle to save their town  . . . and stay hormonally human.

    At least, she does until her disastrous performance in her school's staging of The Taming of the Shrew. Humiliated, Miranda skips the opening-night party. All she wants to do is hide. Fellow cast member, Stephen Langford, has other plans for Miranda. When he steps out of the backstage shadows and asks if she'd like to meet Shakespeare, Miranda thinks he's a total nutcase. But before she can object, Stephen whisks her back to 16th century England—the world Stephen's really from. He wants Miranda to use her acting talents and modern-day charms on the young Will Shakespeare. Without her help, Stephen claims, the world will lost its greatest playwright. Miranda isn't convinced she's the girl for the job. Why would Shakespeare care about her? And just who is this infuriating time traveler, Stephen Langford? Reluctantly, she agrees to help, knowing that it's her only chance of getting back to the present and her "real" life. What Miranda doesn't bargain for is finding true love . . . with no acting required.

    Will she be able to give this classic tragedy a happy ending?

    But then—as every good adventure begins—the king swoops into port, and Jonathan and his father are enlisted to find the cure to a deadly plague. Jonathan discovers that he's a prodigy at working with a new chemical called fantillium, which creates shared hallucinations—or illusions. And just like that, Jonathan is knocked off his path. Through richly developed parallel worlds, vivid action, a healthy dose of humor, and gorgeous writing, Heather Dixon spins a story that calls to mind The Night Circus and Pixar movies, but is wholly its own.

    They've been best friends almost as long—at least, up until last November, when Josh did something that changed everything. Things have been weird between them ever since, but when Josh's family gets a free AOL CD in the mail, his mom makes him bring it over so that Emma can install it on her new computer. When they sign on, they're automatically logged onto their Facebook pages. But Facebook hasn't been invented yet. And they're looking at themselves fifteen years in the future.By refreshing their pages, they learn that making different decisions now will affect the outcome of their lives later. And as they grapple with the ups and downs of what their futures hold, they're forced to confront what they're doing right—and wrong—in the present.

    Or Fate. But there's something weird about the dusty unicorn tapestry she discovers in a box of old books. She finds the creature woven within it compelling and frightening. After the tapestry comes into her possession, Tessa experiences dreams of the past and scenes from a brutal hunt that she herself participated in. When she accidentally pulls a thread from the tapestry, Tessa releases a terrible centuries old secret. She also meets William de Chaucy, an irresistible 16th-century nobleman. His fate is as inextricably tied to the tapestry as Tessa's own. Together, they must correct the wrongs of the past. But then the Fates step in, making a tangled mess of Tessa's life. Now everyone she loves will be destroyed unless Tessa does their bidding and defeats a cruel and crafty ancient enemy.From the Trade Paperback edition.

    Something supernatural. Her instincts are proven correct a few minutes later when, bullied by his classmates, Jarrod unknowingly conjures up a freak thunderstorm "inside" their classroom.Jarrod doesn't believe in the paranormal. When Kate tries to convince him that he has extraordinary powers that need to be harnessed, he only puts up with her "hocus pocus" notions because he finds her captivating. However, the dangerous, uncontrolled strengthening of his gift finally convinces Jarrod that he must take Kate's theories seriously. Together, they embark on a remarkable journey -- one which will unravel the mystery that has haunted Jarrod's family for generations and pit the teens against immense forces in a battle to undo the past and reshape the future.

    But it all becomes horrifyingly real when a murder in the past destroys the foundation of Kate’s present-day life. Suddenly, that medallion is the only thing protecting Kate from blinking out of existence.Kate learns that the 1893 killing is part of something much more sinister, and Kate’s genetic ability to time-travel makes her the only one who can stop him. Risking everything, she travels to the Chicago World’s Fair to try to prevent the killing and the chain of events that follows.Changing the timeline comes with a personal cost, however—if Kate succeeds, the boy she loves will have no memory of her existence. And regardless of her motives, does she have the right to manipulate the fate of the entire world?

    Protocol pressures her to tell their 1860 hosts that he is her brother, and when Casey finds she has a handsome, wealthy (and unwanted) suitor, something changes in Nate. Are those romantic sparks or is it just "brotherly" protectiveness?When they return to the present, things go back to the way they were before: Casey parked on the bottom of the rung of the social ladder and Nate perched high on the very top. Except this time her heart is broken. Plus, her best friend is mad, her parents are split up, and her younger brother gets escorted home by the police. The only thing that could make life worse is if, by some strange twist of fate, she took Nate back to the past again.Which of course, she does.

    She's never walked its hedge maze nor found its secret chambers; she's never glimpsed the shades that haunt it, nor hunted for lost diamonds in its walls. But all of that is about to change. After her grandmother passes away, Sarah and her friend Jackson decide to search for the diamonds--and the house comes alive. She discovers that she can see visions of the house's past, like the eighteenth-century sea captain who hid the jewels, or the glamorous great-grandmother driven mad by grief. She grows closer to both Jackson and a young man named Richard Hathaway, whose family histories are each deeply entwined with her own. But when the visions start to threaten the person she holds most dear, Sarah must do everything she can to get to the bottom of the house's secrets, and stop the course of history before it is cemented forever.

    It's quite another to learn to curtsy and throw a knife at the same time. Welcome to Finishing School.Fourteen-year-old Sophronia is a great trial to her poor mother. Sophronia is more interested in dismantling clocks and climbing trees than proper manners--and the family can only hope that company never sees her atrocious curtsy. Mrs. Temminnick is desperate for her daughter to become a proper lady. So she enrolls Sophronia in Mademoiselle Geraldine's Finishing Academy for Young Ladies of Quality. But Sophronia soon realizes the school is not quite what her mother might have hoped. At Mademoiselle Geraldine's, young ladies learn to finish...everything. Certainly, they learn the fine arts of dance, dress, and etiquette, but they also learn to deal out death, diversion, and espionage--in the politest possible ways, of course. Sophronia and her friends are in for a rousing first year's education.

    Now she's Ayla Monroe, daughter of the same mother but a different father - and she's the gorgeous, rich queen bee of her high school.In this universe, Ayla lives in glitzy Miami instead of dreary Pittsburgh and has beaucoup bucks, courtesy of her billionaire - if usually absent - father. Her friends hit the clubs, party backstage at concerts, and take risks that are exhilarating . . . and illegal. Here she's got a date to lose her V-card with the hottest guy she's ever seen.But on the inside, Ayla is still Annie.So when she's offered the chance to leave the dream life and head home to Pittsburgh, will she take it?The choice isn't as simple as you think.

    Goodbye, Callie the clumsy geek-girl, hello popularity! But before she knows what’s hit her, Callie wobbles, trips, conks her head...and wakes up in the year 1815!She stumbles about until she meets the kind-hearted Emily, who takes Callie in, mistaking her for a long-lost friend. Sparks soon fly between Callie and Emily’s cousin, Alex, the maddeningly handsome - though totally arrogant - Duke of Harksbury. Too bad he seems to have something sinister up his ruffled sleeve...From face-planting off velvet piano benches and hiding behind claw-foot couches to streaking through the estate halls wearing nothing but an itchy blanket, Callie’s curiosity about Alex creates all kinds of trouble.But the grandfather clock is ticking on her 19th Century shenanigans. Can Callie save Emily from a dire engagement, win a kiss from Alex, and prove to herself that she’s more than just a loud-mouth klutz before her time there is up?

    But as Caitlyn unearths the history of the castle, nothing scares her as badly as the secret she learns about herself, and the reason she was chosen to come to the Fortune School.And nothing breaks her heart as badly as falling in love with a dead guy.

    . .Emma Townsend has always believed in stories--the ones she reads voraciously, and the ones she creates. Perhaps it's because she feels like an outsider at her exclusive prep school, or because her stepmother doesn't come close to filling the void left by her mother's death. And her only romantic prospect--apart from a crush on her English teacher--is Gray Newman, a long-time friend who just adds to Emma's confusion. But escape soon arrives in an old leather-bound copy of Jane Eyre. . .Reading of Jane's isolation sparks a deep sense of kinship. Then fate takes things a leap further when a lightning storm catapults Emma right into Jane's body and her nineteenth-century world. As governess at Thornfield, Emma has a sense of belonging she's never known--and an attraction to the brooding Mr. Rochester. Now, moving between her two realities and uncovering secrets in both, Emma must decide whether her destiny lies in the pages of Jane's story, or in the unwritten chapters of her own. . .