Like most young women, they’ve struggled with their bodies and food since childhood, and high school finds them turning to food—or not—to battle the waves of insecurity and the yearning for popularity. But their connection can be as destructive as it is supportive, a yin to yang. when Rose stops eating, Lily starts—consuming everything Rose won’t or can’t.Within a few years, Rose is about to mark her one-year anniversary in a rehabilitation facility for anorexics. Lily, her sole visitor, is the only thing tethering her to a normal life.But Lily is struggling, too. A kindergarten teacher, she dates abusive men, including a student’s married father, in search of the close yet complicated companionship she lost when she became separated from Rose. When Lily joins a cult diet group led by a social media faux feminist, whose eating plan consists of consuming questionable non-caloric foods, Rose senses that Lily needs her help. With her sister’s life in jeopardy, Rose must find a way to rescue her—and perhaps, save herself.Illuminating some of the most fraught and common issues confronting women, Thin Girls is a powerful, emotionally resonant story, beautifully told, that will keep you turning the pages to the gratifying, hopeful end.

    She is not nihilistic; she is prematurely exhausted. Since her parents OD'd on designer drugs when she was eleven, she has lived with well-meaning but inexperienced foster parents, while her grandfather, her only living relative, tries ever more ingenious ways of committing suicide in his retirement home. Here are the last two weeks of Stella's senior year in Orange County, California: the intensive AP final exams; the childish, celebratory trips; the totemic importance attached to graduation. Beneath Stella's mordantly funny take on her life is the decisiveness with which she disengages from it, planting clues and providing explanations for those who will try to understand the act she is about to commit. With perfect pitch, remarkable wit, and a spare, vivid prose, Stella turns her farewell to suburbia into a wry philosophical inquiry.

    A persistent thumping noise has roused her. When she goes to investigate, what she finds will change everything she thought she knew about her life, her friends, and everything in between. As Liz begins to unravel the circumstances surrounding her birthday night, she will find that no one around her, least of all Liz herself, was perfect-or innocent. Critically acclaimed author Jessica Warman brings readers along on a roller-coaster ride of a mystery, one that is also a heartbreaking character study, a touching romance, and ultimately a hopeful tale of redemption, love, and letting go.

    And yet, for Anya Balanchine, the sixteen-year-old daughter of the city's most notorious (and dead) crime boss, life is fairly routine. It consists of going to school, taking care of her siblings and her dying grandmother, trying to avoid falling in love with the new assistant D.A.'s son, and avoiding her loser ex-boyfriend. That is until her ex is accidentally poisoned by the chocolate her family manufactures and the police think she's to blame. Suddenly, Anya finds herself thrust unwillingly into the spotlight--at school, in the news, and most importantly, within her mafia family.Engrossing and suspenseful, All These Things I've Done is an utterly unique, unputdownable read that blends both the familiar and the fantastic.

    Being thirteen is like being in the middle of nowhere. Which was accentuated by the fact that I was in the middle of nowhere. In a house that wasn’t mine. in a city that wasn’t mine, in a country that wasn’t mine, with a one-man family that, in spite of the intersections and intentions (all very good), wasn’t mine.When her mother dies, thirteen-year-old Vanja is left with no family and no sense of who she is, where she belongs, and what she should do. Determined to find her biological father to fill the void that has so suddenly appeared in her life, Vanja decides to leave Rio de Janeiro to live in Colorado with her stepfather, a former guerrilla notorious for his violent past. From there she goes in search of her biological father, tracing her mother’s footsteps and gradually discovering the truth about herself.Rendered in lyrical and passionate prose, Crow Blue is a literary road trip through Brazil and America, and through dark decades of family and political history.

    I tell him stories. About the Jellicoe School and the Townies and the Cadets from a school in Sydney. I tell him about the war between us for territory. And I tell him about Hannah, who lives in the unfinished house by the river. Hannah, who is too young to be hiding away from the world. Hannah, who found me on the Jellicoe Road six years ago.Taylor is leader of the boarders at the Jellicoe School. She has to keep the upper hand in the territory wars and deal with Jonah Griggs—the enigmatic leader of the cadets, and someone she thought she would never see again.And now Hannah, the person Taylor had come to rely on, has disappeared. Taylor's only clue is a manuscript about five kids who lived in Jellicoe eighteen years ago. She needs to find out more, but this means confronting her own story, making sense of her strange, recurring dream, and finding her mother—who abandoned her on the Jellicoe Road.The moving, joyous and brilliantly compelling new novel from the best-selling, multi-award-winning author of Looking for Alibrandi and Saving Francesca.

    Each story is charged with her powerful, original language and the dramatic engagement of the intelligent mind with the craving body — or the intelligent body with the craving mind — that is characteristic of Gaitskill's fiction. Her settings are a surprising mix of real and surreal: in the urban fairy tale "Mirror Ball" a young man steals a girl's soul during a one-night stand, while in the stunning "The Arms and Legs of the Lake" the fallout of the Iraq War becomes painfully immediate for a group of characters who collide by chance on a train going up the Hudson River.As spirited and intense as the now-classic Bad Behavior, Don't Cry shows us how our social conscience has evolved while basic truths — "the crude cinder blocks of male and female down in the basement, holding up the house," as one character puts it — remain unchanged.

    His visitor is Jasper Jones, an outcast in the regional mining town of Corrigan.Rebellious, mixed-race and solitary, Jasper is a distant figure of danger and intrigue for Charlie. So when Jasper begs for his help, Charlie eagerly steals into the night by his side, terribly afraid but desperate to impress. Jasper takes him to his secret glade in the bush, and it's here that Charlie bears witness to Jasper's horrible discovery.With his secret like a brick in his belly, Charlie is pushed and pulled by a town closing in on itself in fear and suspicion as he locks horns with his tempestuous mother; falls nervously in love and battles to keep a lid on his zealous best friend, Jeffrey Lu.And in vainly attempting to restore the parts that have been shaken loose, Charlie learns to discern the truth from the myth, and why white lies creep like a curse.In the simmering summer where everything changes, Charlie learns why the truth of things is so hard to know, and even harder to hold in his heart.

    As the weather continues to rage out of control, and Sweepers clean the streets of plague victims, Lucy survives alone in the wilds of Central Park. But when she's rescued from a pack of hunting dogs by a mysterious boy named Aidan, she reluctantly realizes she can't continue on her own. She joins his band of survivors, yet, a new danger awaits her: the Sweepers are looking for her. There's something special about Lucy, and they will stop at nothing to have her.

    Even within their large, disorderly family—all descendants of a famous actress—their intensity and passion for theater sets them apart. It makes them a little dangerous. When they are cast in their school’s production of Twelfth Night, they are forced to face their separate talents and futures, and their future together.This stunning short novel, winner of the World Fantasy Award, is the perfect introduction to Elizabeth Hand’s singular voice. Her many novels offer a window into what it means to create art, to experience it, to feel passionately about the world. Illyria throws her talent into high relief—it is magic on paper.

    At this point, what Stella needs to control most is keeping herself away from anyone or anything that might pass along an infection and jeopardize the possibility of a lung transplant. Six feet apart. No exceptions.The only thing Will Newman wants to be in control of is getting out of this hospital. He couldn’t care less about his treatments, or a fancy new clinical drug trial. Soon, he’ll turn eighteen and then he’ll be able to unplug all these machines and actually go see the world, not just its hospitals.Will’s exactly what Stella needs to stay away from. If he so much as breathes on Stella she could lose her spot on the transplant list. Either one of them could die. The only way to stay alive is to stay apart. But suddenly six feet doesn’t feel like safety. It feels like punishment.What if they could steal back just a little bit of the space their broken lungs have stolen from them? Would five feet apart really be so dangerous if it stops their hearts from breaking too?

    After all, her much older sister, Hannah, left home eight years ago, and Caro barely remembers her. So when Caro’s parents drop the bombshell news that Hannah is returning to live with them, Caro feels as if an interloper is crashing her family. To her, Hannah’s a total stranger, someone who haunts their home with her meek and withdrawn presence, and who refuses to talk about her life and why she went away. Caro can’t understand why her parents cut her sister so much slack, and why they’re not pushing for answers.Unable to understand Hannah, Caro resorts to telling lies about her mysterious reappearance. But when those lies alienate Caro’s new boyfriend and put her on the outs with her friends and her parents, she seeks solace from an unexpected source. And when she unearths a clue about Hannah’s past — one that could save Hannah from the dark secret that possesses her — Caro begins to see her sister in a whole new light.

    First-time novelist Swati Avasthi has created a riveting and remarkably nuanced portrait of what happens after. After you’ve said enough, after you’ve run, after you’ve made the split—how do you begin to live again? Readers won’t be able to put this intense page-turner down.Reading Level: Age 14 and Up

    She’s lived in Corpus Christi, Texas, ever since her parents sought asylum there when she was a baby. Now a citizen, Millie devotes herself to school and caring for her younger siblings while her mom works as a housekeeper for the wealthy Wheeler family. With college on the horizon, Millie is torn between attending her dream school and staying close to home, where she knows she’s needed. She’s disturbed by what’s happening to asylum-seekers at the U.S.-Mexico border, but she doesn’t see herself as an activist or a change-maker. She’s just trying to take care of her own family.Then Mr. Wheeler, a U.S. Senate candidate, mentions Millie’s achievements in a campaign speech about “deserving” immigrants. It doesn’t take long for people to identify Millie’s family and place them at the center of a statewide immigration debate. Faced with journalists, trolls, anonymous threats, and the Wheelers' good intentions―especially those of Mr. Wheeler's son, Charlie―Millie must confront the complexity of her past, the uncertainty of her future, and her place in the country that she believed was home.

    And the further they travel, the more Shelby questions everything about her past—and her current reality. Forced to take advantage of the kindness of unsuspecting travelers, Shelby grapples with what’s real, what isn’t, and who she can trust . . . if anybody.Award-winning author Nick Lake proves his skills as a master storyteller in this heart-pounding new novel. This emotionally charged thrill ride leads to a shocking ending that will have readers flipping back to the beginning.