As the body count begins a reasonable explanation cannot be found. A local backwoodsman puts Jeremy onto a possibility that seems too farfetched to be plausible. The Warden quickly learns that considering the impossible is the only way to combat what has shown up on his doorstep. And the only way to prevent more loss of life, including the woman he loves.

    The discomforts of travel on trains, large and heavy suitcases that must be carried by unwilling porters, standing in line at the post office (then to learn that your package is improperly tied), malicious fogs that blot out the race track at the last lap, the sand that gets kicked into one's face at the beach, vitamins and their puffery, and all the petty annoyances that we grumble about ourselves but laugh at when they befall others.The 39 prodigal pieces greatly enlarge the corpus of the best Benchley. Forty-four original illustrations, mostly by Peter Arno, are included.

    Devastated, Sophia, a naïve farm girl, is forced to marry a young man named Domenic and leave for the United States. As part of a large Italian exodus heading to the United States looking for a better life, Sophia must adjust to being in a strange country and build a life as a young immigrant bride in New York City. Can Sophia overcome her fears and learn to build a life for herself and the ones she loves when fate steps in and steals her happiness away once more? And will she be strong enough to move forward when destiny hands her a new adventure?

    

    No matter how you look at it, fishing in Alaska is a deadly way to make a living.

    A charming tale for young and old captures the spirit of the ancient Principality of Liechtenstein and creates an enduring legend of this enchanting country.

    Inspired by the familiar lines from William Wordsworth, “To me the meanest flower that blows can give / Thoughts that do often lie too deep for tears,” she uncovers the evidence presented to us daily by nature, in rivers and stones, willows and field corn, the mockingbird’s “embellishments,” or the last hours of darkness.From the Trade Paperback edition.

    And that’s kinda how she likes it—until the day Atlanta is drawn into a battle against two groups of bullies and saves a pair of new, unexpected friends. But actions have consequences, and when another teen turns up dead—by an apparent suicide—Atlanta knows foul play is involved. And worse: she knows it’s her fault.You go poking rattlesnakes, maybe you get bit.Afraid of stirring up the snakes further by investigating, Atlanta turns her focus to the killing of a neighborhood dog. All paths lead to a rural dogfighting ring, and once more Atlanta finds herself face-to-face with bullies of the worst sort. Atlanta cannot abide letting bad men do awful things to those who don’t deserve it. So she sets out to unleash her own brand of teenage justice.Will Atlanta triumph? Or is fighting back just asking for a face full of bad news?

    Dorie is eager to introduce her sister’s genius to the public, but Catherine is a cloistered nun with a vow of silence who adamantly refuses to show or sell the paintings she dedicates to God. Hoping to get to know her sister and research the potential story, Dorie poses as an aspiring nun at the convent where Catherine lives. Her growing relationship with Catherine helps Dorie come to terms with her adoption, but soon the sisters’ shared biological past and uncertain futures collide as they clash over the meaning and purpose of art. Will they remain side-by-side for the rest of their lives, or will their conflicts change the course of the future?

    By birth a native of Georgia and a Roman Catholic, O'Connor depicts, in all its comic and horrendous incongruity, the limits of worldly wisdom and the mysteries of divine grace in the "Christ-haunted" Protestant South. This Library of America collection, the most comprehensive ever published, contains all of her novels and short-story collections, as well as nine other stories, eight of her most important essays, and a selection of 259 witty, spirited, and revealing letters, twenty-one published here for the first time.Her fiction brilliantly explores the human obsession with seemingly banal things. It might be a new hat or clean hogs or, for Hazel Motes, hero of Wise Blood (1952), an automobile. "Nobody with a good car needs to be justified," Hazel assures himself while using its hood for a pulpit to preach his "Church Without Christ." As in O'Connor's subsequent work, the characters in this novel are driven to violence, even murder, and their strong vernacular endows them with the discomforting reality of next-door neighbors. "In order to recognize a freak," she remarks in one of her essays, "you have to have a conception of the whole man."In the title story of her first, dazzling collection of stories, A Good Man Is Hard to Find (1955), the old grandmother discovers the comic irrelevance of good manners when she and her family meet up with the sinister Misfit, who claims there is "no pleasure but meanness." The terror of urban dislocation in "The Artificial Nigger," the bizarre baptism in "The River," or one-legged Hulga Hopewell's encounter with a Bible salesman in "Good Country People"--these startling events give readers the uneasy sense of mysteries about to be revealed.Her second novel, The Violent Bear It Away (1960), casts the shadow of the Old Testament across a landscape of backwoods shacks, modern towns, and empty highways. Caught between the prophetic fury of his great-uncle and the unrelenting rationalism of his uncle, fourteen-year-old Francis Tarwater undergoes a terrifying trial of faith when he is commanded to baptize his idiot cousin.The nine stories in Everything That Rises Must Converge (1965) show O'Connor's powers at their height. The title story is a terrifying, heart-rending drama of familial and racial misunderstanding. "Revelation" and "The Enduring Chill" probe further into conflicts between parental figures and recalcitrant offspring, where as much tension is generated from quiet conversation as from the physical violence of gangsters and fanatics.