Olga Grushin is dealing with issues of women’s identity, of women’s choices, that no modern novel has explored so deeply. “Forty rooms” is a conceit: it proposes that a modern woman will inhabit forty rooms in her lifetime. They form her biography, from childhood to death. For our protagonist, the much-loved child of a late marriage, the first rooms she is aware of as she nears the age of five are those that make up her family’s Moscow apartment. We follow this child as she reaches adolescence, leaves home to study in America, and slowly discovers sexual happiness and love. But her hunger for adventure and her longing to be a great poet conspire to kill the affair. She seems to have made her choice. But one day she runs into a college classmate. He is sure of his path through life, and he is protective of her. (He is also a great cook.) They drift into an affair and marriage. What follows are the decades of births and deaths, the celebrations, material accumulations, and home comforts—until one day, her children grown and gone, her husband absent, she finds herself alone except for the ghosts of her youth, who have come back to haunt and even taunt her. Compelling and complex, Forty Rooms is also profoundly affecting, its ending shattering but true. We know that Mrs. Caldwell (for that is the only name by which we know her) has died. Was it a life well lived? Quite likely. Was it a life complete? Does such a life ever really exist? Life is, after all, full of trade-offs and choices. Who is to say her path was not well taken? It is this ambiguity that is at the heart of this provocative novel.

    to a major scandal, they are desperate to show they’ve reformed. Who better to present their redemption to the world than a country vicar with a reputation for being annoyingly good? Reverend Tom Goodman is ousted from his job as a country vicar for allowing a homeless family to stay in the church hall. Meanwhile, a major bank is trying to rescue its image after the latest in a long string of financial scandals. It seems like the perfect match and Goodman is hastily appointed as the bank’s new C.E.O. All they have to do now, is promote him as the new face of Shadeys Bank whilst at the same time, keeping him away from the day-to-day business of dubious banking. However, Tom Goodman has other ideas. He’s not going to be satisfied with being used as an empty puppet for a PR stunt. Unfortunately for Shadeys, Tom is planning on actually making a difference. And so begins an epic battle of wills. The might of a multi-billion pound bank versus a seemingly naïve country vicar. No contest. “Yes Minister meets The Vicar of Dibley.”

    If there's a line between the real and the digital, between meat and the game, between past and present, then hold this book close to your mouth and whisper it into the pages. Please. Maybe the kid in there'll hear you. His name is Nolan Dugatti. He's lost, see, running down hall after hall, something both ancient and not-yet born galloping up behind him on a hundred legs, each individual footfall a sound he knows, a way of shuffling that he's always known. His father? Except it can't be. Unless of course this is another novel from Stephen Graham Jones. Not quite horror, not quite science fiction, but like his five or six other books, a story trembling at some pupal stage between meat and the game, where words will sometimes stop their crawl across the page and crane their neck around at the sky, nod about what they see there--you--then unfold their wings, drift up into another world altogether.

    even from beyond the grave! All-new BONUS FEATURES include: the complete SCREENPLAY of the feature film and hundreds of on-set/behind-the-scenes PHOTOS giving you an inside glimpse of the making of the film!OFFICER DOWNE is (TM) and (c) Joe Casey & Chris Burnham, 2010. All Rights Reserved.

    But what if one man decided to use a social network for one of the most idiotic causes in human history? Join the hopeless and brain damaged Andy Boring in his quest to FILL THE GRAND CANYON AND LIVE FOREVER!!!!

    With red crosses on their arms and medical equipment strapped to their backs, they thunder into battle in a Chinook helicopter – straight into areas everyone else is desperate to get away from.In the middle of the fiercest fighting British troops have seen since the Falklands War, the medics are the last defence from death on the ground in some corner of a foreign field. But in Afghanistan, where a hostile is only obvious when they raise a weapon, there's no such thing as a non-combatant. And not all enemies are on the other side.Despite the heroic efforts of the medics on the ground and in the air, someone in the field hospital is determined to finish what the Taliban has started. Wounded soldiers – who should be living – are dying. Their deadliest enemy is much closer to home than they realise.As the death toll and the temperature rise, can the medics finish their tour of duty, or will it finish them?

    Badge of Evil is the first novel in a bold new thriller series from the writing team of private investigator Bill Stanton and award-winning journalist Craig Horowitz.All eyes are on New York City’s police commissioner Lawrence Brock after his hands-on role in a raid on a potential terrorist cell that turns into a blazing shootout. There’s even talk that he may be headed to Washington to take over Homeland Security.Investigative journalist A. J. Ross wants to expose the ruthless opportunist behind Brock’s heroic image. Freewheeling private investigator Frank Bishop is hired by the family of the lone surviving suspect, desperate to prove the young man’s innocence. A. J. and Bishop hate each other at first sight, but they’ll need to learn to work together quickly if they want to take down the commissioner—because Lawrence Brock will do anything to ensure the dark secrets of his past remain hidden.Badge of Evil introduces a dynamic new voice in thriller fiction, in the spirit of such bestselling authors as Harlan Coben and David Baldacci. It is a novel of our times and for our times—an all too familiar story of corruption and abuse at the highest levels, and how the lust for power can drive men to commit the most shocking acts.

    Tsar Nicholas never wanted to be Tsar, was never trained to be Tsar, and indeed proved to be catastrophically inept in the role. Empress Alexandra was stunningly beautiful but socially and physically clumsy to the point of being repellent to her mother-in-law, Dowager-Empress Marie, most of the Russian court, and therefore by extension to the Russian people at large.When King George V of Britain heard of the executions, he remarked that, as they regarded Nicholas and Alexandra, they were probably for the best, but the children's deaths were truly tragic. The British Ambassador to France, Lord Bertie, reported that seasoned diplomatic observers considered Nicholas to have been criminally weak and Alexandra to have been criminally insane.So what is the truth, and what was the truth as Empress Alexandra saw it? Pulling together what is known about Empress Alexandra and her family, and indeed much that is little known, in the 'Autobiography of Empress Alexandra' series Kathleen McKenna Hewtson is placing the reader in Empress Alexandra's shoes and behind her eyes from the moment she first met the heir to the Russian throne, Nicholas Romanov, when she was twelve, to the early morning that she and all five of their children died violently at his side.All six volumes are (planned) as follows:1. 'The Funeral Bride' 1884-1894 - published November 20152. 'The Empress of Tears' 1895-1904 - published March 20163. 'The Shaken Throne' 1904-1907 - published July 20164. 'The Pride of Eagles' 1907-1913 - published May 20175. 'No Greater Crown' 1914-1917 - published September 20186. ' The Far Kingdom' 1917 - 1918 - to be published Spring 2020

    Offers a selecttion of the master of human comedy's short stories from the 1930s and 1940s.

    Written in Soviet Moscow in the 1920s—but considered too subversive even to show to a publisher—the seven tales included here attest to Sigizmund Krzhizhanovsky’s boundless imagination, black humor, and breathtaking irony: a man loses his way in the vast black waste of his own small room; the Eiffel Tower runs amok; a kind soul dreams of selling “everything you need for suicide”; an absentminded passenger boards the wrong train, winding up in a place where night is day, nightmares are the reality, and the backs of all facts have been broken; a man out looking for work comes across a line for logic but doesn’t join it as there’s no guarantee the logic will last; a sociable corpse misses his own funeral; an inventor gets a glimpse of the far-from-radiant communist future.

    In between he experiences tempests at sea, on land and in the mind; and relatives who kill for love and lovers who sacrifice their bodies; as all the while he moves ever closer to the central mystery of his and all existence. First Blast is Eric McCormack at his finest.

    The caller, KEVIN RIKER, reports that a man has been killed up on the plateau above the West Fork of Oak Creek Canyon. Kevin leads the two lawmen on the trail through the West Fork Canyon. The trail is busy with hikers enjoying the autumn colors that are at their peak on November first. After several miles of hiking, a wade through the cold creek water, and a steep climb to the canyon rim, the group rests. Kevin explains that he had lost the normal trail when he found a strange circular grove of ponderosa pines where he discovered the gruesome body.

    For Joe, a 12-year-old boy suddenly alone and 600 miles from home, it's a nightmare come true. This adventure story is a tale of a special friendship that only comes along once in a lifetime. Joe, who is white, and Peter, sixteen and a free Black, become unlikely friends and learn to depend on each other as they try to escape the desperate Confederate South. Follow these two as they trek through a war-torn countryside and witness war at its worst, up close and personal. They travel through a landscape that has been decimated by brutal battles, and they encounter people that have suffered the extreme hardships and depredation of three years of war. All the while they learn to depend on each other and grow a binding love as special as any two brothers. They will need each other more than they know-unknown to them, they are being pursued by a deranged killer. Also read John Gschwend's historical novel, Spirit In The Red Amber and his science fiction novel, Portal To The Forgotten. Scroll up, click the buy button, and enter this moving Civil War novel. johngschwend.com

    Channeling "the primal vision of Hart Crane" (Harold Bloom), Adam Fitzgerald helped welcome the modernist aethetic into the twenty-first century. Part Technicolor, part nitrous oxide, Fitzgerald's chimerical poems confront "a surging ocean of sound and language" (Maureen McLane). In these forty-eight poems, he conducts a madcap symphony of language, memory, and fantasy with the "exhilarating assurance of nonstop invention" (Timothy Donnelly).

    While the teacher, the recluse, the advertising whizz-kid and the African woman and her young son run, rush, dart and dash, she knows for sure that she will never have anything worth dashing to. But sometimes all it takes is a little magic to bring people together. And, in Lavender Square, where the lavender grows in mysterious abundance and colours the air with a musky sense of love, magic is never very far away. The neighbours, who once passed each other by in detached universes, find themselves thrown together when they are obliged to take care of young Patrick Kimba. His mother is seriously ill and no one knows when or if she is ever coming home. At first they resist the tiresome interruption, until quite by accident Patrick’s dream of becoming a football star and finding his long-lost father becomes theirs, and their lives and heartaches become woven together in a new and unexpected pattern.