It begins in 2010 and moves backward and forward in time, from the present day to twentieth-century Poland, France, Germany, England, and America, ending in the courtroom of the Palace of Justice at the International Military Tribunal in Nuremberg in 1945. The book opens with the author being invited to give a lecture on genocide and crimes against humanity at Lviv University, welcomed as the first international law academic to give a lecture there on such subjects in fifty years. Sands accepted the invitation with the intent of learning about the extraordinary city with its rich cultural and intellectual life, home to his maternal grandfather, a Galician Jew who had been born there a century before and who’d moved to Vienna at the outbreak of the First World War, married, had a child (the author’s mother), and who then had moved to Paris after the German annexation of Austria in 1938. It was a life that had been shrouded in secrecy, with many questions not to be asked and fewer answers offered if they were. As the author uncovered, clue by clue, the deliberately obscured story of his grandfather’s mysterious life and of his flight first to Vienna and then to Paris, and of his mother’s journey as a child surviving Nazi occupation, Sands searched further into the history of the city of Lemberg and realized that his own field of humanitarian law had been forged by two men—Rafael Lemkin and Hersch Lauterpacht—each of whom had studied law at Lviv University in the city of his grandfather’s birth, each of whom had come to be considered the finest international legal mind of the twentieth century, each considered to be the father of the modern human rights movement, and each, at parallel times, forging diametrically opposite, revolutionary concepts of humanitarian law that had changed the world. In this extraordinary and resonant book, Sands looks at who these two very private men were, and at how and why, coming from similar Jewish backgrounds and the same city, studying at the same university, each developed the theory he did, showing how each man dedicated this period of his life to having his legal concept—“genocide” and “crimes against humanity”—as a centerpiece for the prosecution of Nazi war criminals. And the author writes of a third man, Hans Frank, Hitler’s personal lawyer, a Nazi from the earliest days who had destroyed so many lives, friend of Richard Strauss, collector of paintings by Leonardo da Vinci. Frank oversaw the ghetto in Lemberg in Poland in August 1942, in which the entire large Jewish population of the area had been confined on penalty of death. Frank, who was instrumental in the construction of concentration camps nearby and, weeks after becoming governor general of Nazi-occupied Poland, ordered the transfer of 133,000 men, women, and children to the death camps. Sands brilliantly writes of how all three men came together, in October 1945 in Nuremberg—Rafael Lemkin; Hersch Lauterpacht; and in the dock at the Palace of Justice, with the twenty other defendants of the Nazi high command, prisoner number 7, Hans Frank, who had overseen the extermination of more than a million Jews of Galicia and Lemberg, among them, the families of the author’s grandfather as well as those of Lemkin and Lauterpacht. A book that changes the way we look at the world, at our understanding of history and how civilization has tried to cope with mass murder. Powerful; moving; tender; a revelation.

    He was the last casualty of one civil war, the first casualty of the next, which would end the Roman Republic, inaugurating the Empire. Why was Caesar killed? For political reasons, mainly. The conspirators wanted to return Rome to the days when the Senate ruled, but Caesar hoped to pass along his new powers to his family, especially Octavian. The principal plotters were Brutus, Cassius (former allies of Pompey) & Decimus. The killers left the body in the Senate & Caesar’s allies held a public funeral. Mark Antony made a brilliant inflammatory speech that caused a riot. The conspirators fled Rome. Brutus & Cassius raised an army in Greece. Antony & Octavian defeated them.

    This book recounts the stirring saga of the Knights Templar, the Christian warrior-monks who occupied the sacred Mount in the aftermath of the butchery of the First Crusade. Recruited to a life intended to lead only to martyrdom, they were totally dedicated to the pious paradox that the wholesale slaughter of non-believers would earn the eternal gratitude of the Prince of Peace. The Templars amassed great wealth, which they used to finance their 200 years of war against Moslems on the desert battlefields. The Templar's reward for those two centuries of military martyrdom was to be arrested by Pope and King, tortured and finally decreed out of existence. But their legend and legacy just would not die.

    On the way John Moschos and his pupil Sophronius the Sophist stayed in caves, monasteries, and remote hermitages, collecting the wisdom of the stylites and the desert fathers before their fragile world finally shattered under the great eruption of Islam. More than a thousand years later, using Moschos's writings as his guide, William Dalrymple sets off to retrace their footsteps and composes an evensong for a dying civilization --Kirkus Reviews, starred review

    Yet this major subject is not well known and is little understood. That is why the publication of James Falkner's absorbing new study is so timely and important. In a clear and perceptive narrative he describes and analyses the complex political manoeuvres and a series of military campaigns which also involved the threat posed by Ottoman Turks in the east and Sweden and Russia in the north. Fighting took place not just in Europe but in the Americas and Canada, and on the high seas. All European powers, large and small, were involved - France, Spain, Great Britain, Holland, Austria and Portugal were the major players. The end result of eleven years of outright war was a French prince firmly established on the throne in Madrid and a division of the old Spanish empire. More notably though, French power, previously so dominant, was curbed for almost ninety years.

    The first writer in English to go back to the original European sources, Adam Zamoyski’s portrait of Napoleon is historical biography at its finest.Napoleon inspires passionately held and often conflicting visions. Was he a god-like genius, Romantic avatar, megalomaniac monster, compulsive warmonger or just a nasty little dictator?Whilst he displayed elements of these traits at certain times, Napoleon was none of these things. He was a man, and as Adam Zamoyski presents him in this landmark biography, a rather ordinary one at that. He exhibited some extraordinary qualities during some phases of his life but it is hard to credit genius to a general who presided over the worst (and self-inflicted) disaster in military history and who single-handedly destroyed the great enterprise he and others had toiled so hard to construct. A brilliant tactician, he was no strategist.But nor was Napoleon an evil monster. He could be selfish and violent but there is no evidence of him wishing to inflict suffering gratuitously. His motives were mostly praiseworthy and his ambition no greater than that of contemporaries such as Alexander I of Russia, Wellington, Nelson, Metternich, Blucher, Bernadotte and many more. What made his ambition exceptional was the scope it was accorded by circumstance.Adam Zamoyski strips away the lacquer of prejudice and places Napoleon the man within the context of his times. In the 1790s, a young Napoleon entered a world at war, a bitter struggle for supremacy and survival with leaders motivated by a quest for power and by self-interest. He did not start this war but dominated his life and continued, with one brief interruption, until his final defeat in 1815.Based on primary sources in many European languages, and beautifully illustrated with portraits done only from life, this magnificent book examines how Napoleone Buonaparte, the boy from Corsica, became ‘Napoleon’; how he achieved what he did, and how it came about that he undid it. It does not justify or condemn but seeks instead to understand Napoleon’s extraordinary trajectory.

    Little did he know that among those released was Abu Musab al-Zarqawi, a man who would go on to become a terrorist mastermind too dangerous even for al-Qaeda and give rise to an Islamist movement bent on dominating the Middle East.     Zarqawi began by directing hotel bombings and assassinations in Jordan from a base in northern Iraq, but it was the American invasion of that country in 2003 that catapulted him to the head of a vast insurgency. By identifying him as the link between Saddam and bin Laden, the CIA inadvertently created a monster. Like-minded radicals saw him as a hero resisting the infidel occupiers and rallied to his cause. Their wave of brutal beheadings and suicide bombings continued for years until Jordanian intelligence provided the Americans with the crucial intelligence needed to eliminate Zarqawi in a 2006 airstrike.     But his movement endured, first called al-Qaeda in Iraq, then renamed Islamic State of Iraq and Syria, or ISIS, seeking refuge in unstable, ungoverned pockets on the Iraq-Syria border. And as the Syrian civil war broke out in 2011, ISIS seized its chance to pursue Zarqawi's dream of a sweeping, ultra-conservative Islamic caliphate.      Drawing on unique access to CIA and Jordanian sources, Joby Warrick weaves together heart-pounding, moment-by-moment operational details with overarching historical perspectives to reveal the long trajectory of today's most dangerous Islamic extremist threat.From the Hardcover edition.

    Here are some of the remarkable features of Barnes & Noble Classics:New introductions commissioned from today's top writers and scholarsBiographies of the authorsChronologies of contemporary historical, biographical, and cultural eventsFootnotes and endnotesSelective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the workComments by other famous authorsStudy questions to challenge the reader's viewpoints and expectationsBibliographies for further readingIndices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. One of history’s greatest political philosophers, Niccolò Machiavelli is notorious for his treatise The Prince, which has become a cornerstone of modern political theory. Written in 1513 and published in 1532, after Machivelli’s death, The Prince immediately provoked controversy that has continued unabated to this day. Defining human nature as inherently selfish, Machiavelli proposes that social conflict and violence are natural phenomena that help determine the ablest, most versatile form of government. Asserting that idealism has no place in the political arena, The Prince primarily addresses a monarch’s difficulties in retaining authority. Considered the first expression of political realism, it has often been accused of advocating a political philosophy in which “the end justifies the means.” Indeed the emphasis in The Prince on practical success, at the expense even of traditional moral values, earned Machiavelli a reputation for ruthlessness, deception, and cruelty. Many scholars contend, however, that the author’s pragmatic views of ethics and politics reflected the realities of his time, as exemplified by the Medici family of Florence. Debates about Machiavelli’s theories are as lively today as they were 450 years ago, but no one questions the importance of his fundamental contribution to Western political thought. This newly translated edition also includes Machiavelli’s Letter to Francesco Vettori, The Life of Castruccio Castracani, and excerpts from the Discourses on Livy.Wayne A. Rebhorn, Celanese Centennial Professor of English at the University of Texas, has authored numerous studies of Renaissance European literature. His Foxes and Lions: Machiavelli’s Confidence Men won the Howard R. Marraro Prize of the Modern Language Association of America in 1990.

    Only four men in American history have been promoted to the five-star rank of Admiral of the Fleet: William Leahy, Ernest King, Chester Nimitz, and William Halsey. These four men were the best and the brightest the navy produced, and together they led the U.S. navy to victory in World War II, establishing the United States as the world's greatest fleet. In THE ADMIRALS, award-winning historian Walter R. Borneman tells their story in full detail for the first time. Drawing upon journals, ship logs, and other primary sources, he brings an incredible historical moment to life, showing us how the four admirals revolutionized naval warfare forever with submarines and aircraft carriers, and how these men-who were both friends and rivals-worked together to ensure that the Axis fleets lay destroyed on the ocean floor at the end of World War II.

    But for much of the rest of Europe this was a day with no meaning, as a continuing, nightmarish series of conflicts engulfed country after country.In The Vanquished, a highly original and gripping work of history, Robert Gerwarth asks us to think again about the true legacy of the First World War. In large part it was not the fighting on the Western Front that proved so ruinous to Europe's future, but the devastating aftermath, as countries on both sides of the original conflict were savaged by revolutions, pogroms, mass expulsions, and further major military clashes. In the years immediately after the armistice, millions would die across central, eastern, and southeastern Europe before the Soviet Union and a series of rickety and exhausted small new states would come into being. It was here, in the ruins of Europe, that extreme ideologies such as fascism would take shape and ultimately emerge triumphant.As absorbing in its drama as it is unsettling in its analysis, The Vanquished is destined to transform our understanding of not just the First World War but the twentieth century as a whole.

    Married for political advantage at the age of seven to her six-year-old Hungarian cousin, Joanna saw her brilliant, cultivated world shattered twelve years later by the brutal assassination of her husband. Accused of the murder by her powerful in-laws, Joanna was forced to flee her kingdom and stand trial for her life before the papal court at Avignon on March 15, 1348. The account of how, despite her youth and sex, she triumphed over her enemies, raised an army, and took back her realm makes for one of the most compelling sagas of any age.Joanna went on to rule for a further thirty years, weathering war, plague, and treason to become one of the most powerful and influential leaders in Italy. Dedicated to the welfare of her subjects and realm, she reduced crime, built hospitals and churches, encouraged the licensing of women physicians, and expertly navigated the dangerous complexity of papal politics. Her elegant court became a window on the century, luring some of the most important writers and artists of the period, including Giovanni Boccaccio, author of the The Decameron, and Francesco Petrarch. Her reign rivaled that of Elizabeth I in power and scope - until the violence and treachery of the medieval world ultimately betrayed her.As she did in her acclaimed Four Queens, Nancy Goldstone takes us back to the turbulent Middle Ages, and with skill and passion brings fully to life one of history's most remarkable women. Her research is impeccable, her eye for detail unerring. From the pageantry and splendor of the royal court to the ferocity of the battlefield and the intricacy of medieval politics, The Lady Queen paints a captivating portrait of medieval royalty, and reclaims the life of a woman notorious throughout history for a crime she did not commit.

    They first came into existence as an idea, before they had a common ruler and before the country they lived in even had a name. They have lasted as a recognizable entity ever since, and their defining national institutions can be traced back to the earliest years of their history.The English have come a long way from those precarious days of invasion and conquest, with many spectacular changes of fortune. Their political, economic and cultural contacts have left traces for good and ill across the world. This book describes their history and its meanings from their beginnings in the monasteries of Northumbria and the wetlands of Wessex to the cosmopolitan energy of today's England. Robert Tombs draws out important threads running through the story, including participatory government, language, law, religion, the land and the sea, and ever-changing relations with other peoples. Not the least of these connections are the ways the English have understood their own history, have argued about it, forgotten it, and yet been shaped by it. These diverse and sometimes conflicting understandings are an inherent part of their identity. Rather to their surprise, as ties within the United Kingdom loosen, the English are suddenly beginning a new period in their long history. Especially at times of change, history can help us to think about the sort of people we are and wish to be. This book, the first single-volume work on this scale for more than half a century, and which incorporates a wealth of recent scholarship, presents a challenging modern account of this immense and continuing story, bringing out the strength and resilience of English government, the deep patterns of division, and yet also the persistent capacity to come together in the face of danger.

    Karl, a former soldier and successful businessman, dutifully answers the call to defend his country, while contemplative academic Gerhard is coerced into informing for the Gestapo. Soon the brothers are serving in the SS, and as Hitler’s hateful agenda brings about unspeakable atrocities, they find themselves with innocent blood on their hands.Following Germany’s eventual defeat, Karl and Gerhard are haunted by their insurmountable guilt, and each seeks a way to escape from wounds that will never heal. They survived the war and its revelation of systematic horrors, but can they survive the unshakable knowledge of their own culpability?

    

    With the feared Napoleon Bonaparte presumably defeated and exiled to the small island of Elba, heads of some 216 states gathered in Vienna to begin piecing together the ruins of his toppled empire. Major questions loomed: What would be done with France? How were the newly liberated territories to be divided? What type of restitution would be offered to families of the deceased? But this unprecedented gathering of kings, dignitaries, and diplomatic leaders unfurled a seemingly endless stream of personal vendettas, long-simmering feuds, and romantic entanglements that threatened to undermine the crucial work at hand, even as their hard-fought policy decisions shaped the destiny of Europe and led to the longest sustained peace the continent would ever see.Beyond the diplomatic wrangling, however, the Congress of Vienna served as a backdrop for the most spectacular Vanity Fair of its time. Highlighted by such celebrated figures as the elegant but incredibly vain Prince Metternich of Austria, the unflappable and devious Prince Talleyrand of France, and the volatile Tsar Alexander of Russia, as well as appearances by Ludwig van Beethoven and Emilia Bigottini, the sheer star power of the Vienna congress outshone nearly everything else in the public eye.An early incarnation of the cult of celebrity, the congress devolved into a series of debauched parties that continually delayed the progress of peace, until word arrived that Napoleon had escaped, abruptly halting the revelry and shrouding the continent in panic once again.Vienna, 1814 beautifully illuminates the intricate social and political intrigue of this history-defining congress–a glorified party that seemingly valued frivolity over substance but nonetheless managed to drastically reconfigure Europe’s balance of power and usher in the modern age.