Now in paperback, John Updike's dazzling collection of poetry--as varied as the 40 years in which they were written--including nearly every poem from his five previously published collections, and more than 70 new poems and his light verse.

    Please note this is the only release of these titles in hardback, as the mass market release for all three title was done in PB only. Includes - The Joiner King, The Unseen Queen, and The Swarm War.

    You will find us living our best lives, trying (and occasionally succeeding) to be kind to each other. The cat is quite nice but can be a little bit selfish. Teddy can come across as very nice, with his squeaky voice and looking so tiny and helpless. But I must warn you, Teddy can be a vicious little backstabber, actually.This is a book of nice illustrations and some words from which you will likely gain some sort of inspiration. Like:‘Just because you’re struggling, it doesn’t mean you’re failing… But it might do.’‘Nothing beats kindness,’ said the cat. ‘Gin does’, said Panda.‘If you don’t stop saying inspirational things to me, I’m going to punch you up the hooter.’‘You OK, hun?’ asked Panda, but he was just taking the piss.‘We’re just so, so lucky to have each other as friends, and it’s going to make a marvellous book.’

    

    6, Sankarea, and Until The Full Moon.

    This compilation includes A Country Doctor, The Hunger Artist, In the Penal Colony, and Metamorphosis.

    As violent gusts tossed the wooden ship, the crew fought to save their beloved Bounty—and finally to save themselves. When waves, wind, and encroaching water finally overtook the ship in an area known as the Graveyard of the Atlantic, the crew was suddenly tossed into the churning sea. The Bounty was gone, but their fate was still to be determined. The men and women of a Coast Guard station in North Carolina summoned the courage to fly into hundred-mile-per-hour winds while the residents of the Eastern Seaboard were fleeing or bracing for the hurricane’s impact. Through hours of white-knuckle flying, with crew members thrown about their aircraft and rescue swimmers jumping into thirty-foot seas, the Coast Guard accomplished one of its most memorable rescues ever. Based on interviews with Bounty survivors and unfettered access to Coast Guard rescue team members, The Gathering Wind offers not only the first but the most complete account of this heartbreaking, thrilling, and inspirational story.INCLUDES PHOTOS

    

    In a world where genetically engineered animals are run of the mill Jerry and his sponsor, the 'World's Richest Woman,' decide that it is time to stand up for anthropoids' rights. In Jerry is a Man Grand Master Robert A. Heinlein explores what it means to be human and the importance of civil liberties.

    Read about the origin of the fork, strange pet lawsuits, first-lady firsts, astounding Earth science, and the chimp that saved TV! Uncle John's fans will find hours of entertainment in over 700 pages of forgotten history, pop culture, humor, quotes, science, and unusual people, and much more.

    Now, in Silver's first colt, a palomino, Connie sees her dream of starting a famous stud farm, bearing results. A mystery runs through the story - the mystery of the ancestry of a sad bit of horse flesh that Connie bought out of pity (and with a faint hope that the mare had... More seen better days). What with this constant building to a climax - and sound riding and training and showing material - and Wesley Dennis line drawings, Golden Sovereign will be a winner. - Editorial Review - Kirkus Reviews

    The daughter of a beloved local football coach, her seemingly senseless murder sparked intense scrutiny that lingers today. Award-winning author Blaine Pardoe and his daughter, Victoria Hester, crack open three decades of material on this mysterious tragedy, exposing dark secrets and political in-fighting that tore at the Battle Creek legal system for years. Compiled from documents, videos and interviews, this book presents the facts and clues of the case to the public for the first time.

    The Allies are wildly out maneuvered and sent home in disgrace. Back in the States things are looking rather grim as the ultra-secret Manhattan Project runs into snafus that greatly delay the final production of the atomic bomb. President Roosevelt's approval ratings drop dramatically. Congress is desperate and the country cries out for a hero. That hero might just be Douglas MacArthur, who vowed that he would return to his beloved Philippines. He plans to do so with the backing of the entire US Armed Forces.MacArthur's plan of action is simple: take the war back to the Japanese, island by bloody island, until standing on the shores of Japan, he can proclaim victory. And possibly gain the leadership of the United States as well.

    Features a full-color foil binding attractive enough to leave unwrapped, an inscribed removable bookmark, ribbon tie, and delicate full-color illustrations--all enhancing a classic and enduring short story.

    It is more musical than verbal, and it is the characteristic signature of a person, of a soul.” “[Raymond Chandler] did not write about crime or detection. He wrote about the corruption of the human spirit.”—George V. Higgins   Raymond Chandler never wrote a memoir or autobiography. The closest he came to writing either was in—and around—his novels, shorts stories, and letters. There have been books that describe and evaluate Chandler’s life, but to find out what he himself felt about his life and work, Barry Day, editor of The Letters of Noël Coward (“There is much to dazzle here in just the way we expect . . . the book is meticulous, artfully structured—splendid” —Daniel Mendelsohn; The New York Review of Books), has cannily, deftly chosen from Chandler’s writing, as well as the many interviews he gave over the years as he achieved cult status, to weave together an illuminating narrative that reveals the man, the work, the worlds he created. Using Chandler’s own words as well as Day’s text, here is the life of “the man with no home,” a man precariously balanced between his classical English education with its immutable values and that of a fast-evolving America during the years before the Great War, and the changing vernacular of the cultural psyche that resulted. Chandler makes clear what it is to be a writer, and in particular what it is to be a writer of “hardboiled” fiction in what was for him “another language.” Along the way, he discusses the work of his contemporaries: Dashiell Hammett, James M. Cain, Hemingway, Fitzgerald, Agatha Christie, W. Somerset Maugham, and others (“I wish,” said Chandler, “I had one of those facile plotting brains, like Erle Gardner”). Here is Chandler’s Los Angeles (“There is a touch of the desert about everything in California,” he said, “and about the minds of the people who live here”), a city he adopted and that adopted him in the post-World War I period . . . Here is his Hollywood (“Anyone who doesn’t like Hollywood,” he said, “is either crazy or sober”) . . . He recounts his own (rocky) experiences working in the town with Billy Wilder, Howard Hawks, Alfred Hitchcock, and others. . .We see Chandler’s alter ego, Philip Marlowe, private eye, the incorruptible knight with little armor who walks the “mean streets” in a world not made for knights (“If I had ever an opportunity of selecting the movie actor who would best represent Marlowe to my mind, I think it would have been Cary Grant.”) . . . Here is Chandler on drinking (his life in the end was in a race with alcohol—and loneliness) .  .  . and here are Chandler’s women—the Little Sisters, the “dames” in his fiction, and in his life (on writing The Long Goodbye, Chandler said, “I watched my wife die by half inches and I wrote the best book in my agony of that knowledge . . . I was as hollow as the places between the stars.” After her death Chandler led what he called a “posthumous life” writing fiction, but more often than not, his writing life was made up of letters written to women he barely knew.) Interwoven throughout the text are more than one hundred pictures that reveal the psyche and world of Raymond Chandler. “I have lived my whole life on the edge of nothing,” he wrote.  In his own words, and with Barry Day’s commentary, we see the shape this took and the way it informed the man and his extraordinary work.