The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    Christ has just been crucified, and they are heartbroken—until a third man joins them on the road and comforts them. Once they reach Emmaus and break bread, the pair realizes they have been walking with Christ himself. But in the moment they recognize him, he disappears. Spencer Reece draws on this tender story in his mesmerizing collection—one that fearlessly confronts love and its loss, despair and its consolation, and faith in all of its various guises.Reece’s central figure in The Road to Emmaus is a middle-aged man who becomes a priest in the Episcopal Church; these poems follow him to New York City, to Honduras, to a hospital where he works as a chaplain, to a prison, to an Alcoholics Anonymous meeting. With language of simple, lyrical beauty that gradually accrues weight and momentum, Reece spins compelling dramas out of small moments: the speaker, living among a group of orphans, wondering "Was it true, what they said, that a priest is a house lit up?"; two men finding each other at a Coming Out Group; a man trying to become visible after a life that had depended on not being seen.A yearning for connection, an ache of loneliness, and the instant of love disappearing before our eyes haunt this long-awaited second collection from Spencer Reece.

    Important, so inspiring... Please read this book" -Sonny Moore, Recording Artist "There are very few ways to get inside the mind of a lyricist. One way is through reading their diaries, the other through sleeping with them. Eric's book is the more entertaining of the options. It's a raw look inside the heart and mind of a rock 'n' roll spiritualist whose struggles with love (Chaplin) and versus the world (Keaton) are laid out bare like an exhibitionist on a double-dare." -Mike Shea, Founder, AP Magazine "Coma Therapy" is the sound of a powerful new voice in contemporary American literature. Victorino's brand of punchy prose often draws comparisons to the likes of Charles Bukowski and Hunter S. Thompson. This debut collection of poems and short stories draws a dangerously thin line between the heartwarming and the horrifying... Eric Victorino then mischievously walks that line all the way to the last page. Defiant, triumphant, hopeful and wise.

    Things changed for her when the family moved to Oxfordshire. Lew was a doting, loving father who turned into an alcoholic and mentally and physically abused Agnes, his wife. She spent time in prison for a crime she didn’t commit, that’s when it all started. At the age of twelve Tina was being bullied at school, sexually, mentally and physically abused by Lew, and as a punishment he sodomised her. Over a period of two years he persistently raped her and beat her. When Agnes was released from prison Lew carried on raping Tina. Agnes never knew. Eventually Agnes plucked up the courage to divorce him. Tina couldn’t tell Agnes about the abuse, thinking she may not be believed. Everything got too much for Tina, she ran away from home and hitched hiked up to Scotland where the rest of the family lived, but got caught by the police in Edinburgh and returned home. She kept running away and ended up in Birmingham, where she got raped and impregnated by the rapist, she had a baby girl who died eight hours after birth. Tina was kept being put in hostels but kept absconding from them. She had a relationship with Alan and had his child but he denied it was his because his mother told him Tina had an affair with a black man and the baby was black. She met Dan and got into a relationship with him, she had his child and he ended up beating her. Tina married Keith who took on the two eldest children as his own. Tina found him out to be a serial adulterer and had a messy divorce with him going for custody of Naomi and not the other four. Tina married Omar, an Egyptian. He took her into hospital for an operation and after she came round they told her she had cervical cancer. Omar disappeared and came back two days later with no explanation where he’d been, and when she came home no one had seen him for a week. She phoned his friends to find out if they had seen him, they told her that he’d gone back to Egypt for a couple of weeks because his family needed him. The marriage lasted for another two years and eventually ended in divorce. Tina found out her abuser - her father - was in hospital dying with cancer. She went to make sure he was dying and ask him why he did what he did? She went to his funeral just to make sure he was dead and buried. As she passed his coffin she spat on it. Twenty-five years later the truth came out. Tina wasn’t a victim anymore, but the truth divided the family. Ann and Marie called Tina a liar and wouldn’t believe her because Marie asked Lew and he blamed Tina.

    Thinking that they have mastered the art of robbing banks, they decide to do the unthinkable. Focusing only on the money, they forgot about all the problems that came with it. Big Moe is on the hunt for revenge. Tracking their every move, he waits for the opportunity to get his money back and avenge the deaths of his cousins. Lil Man knows that the Eastside Crazy Crew are responsible for the death of his brother, and he is going to do everything to make them feel his wrath. He teams up with someone that hates the crew just as much as he does. Together, Lil Man and Big Moe come up with a plan that could ultimately lead to the crew’s demise. They came up together. Are they bad enough to take over the streets of Chicago together? Come ride back through the Eastside and find out just how powerful they have become, but watch out… They are not alone!

    Weil comes the first three books in the Slaver Wars series. Over 400,000 copies sold.The Hocklyns were a cruel and callous race. World after world fell to the onslaught of their powerful warfleets. Populations were ruthlessly reduced with the remainder becoming slaves working for the benefit of the Hocklyn Slave Empire. For thousands of years this had been the way of life for the Hocklyns, but now they had encountered an adversary who refused to bow down to their powerful fleets. The Human Federation of Worlds would not become slaves.It was up to Fleet Admiral Hedon Streth to stop the advance of the Hocklyns. If he failed, then the Human Federation of Worlds would be no more, and the entire galaxy would fall to the conquering Hocklyn war machine.

    0-935906-02-9$5.00 / Javan Press

    She was a teacher, and it was morning on the first day of school. In this haunting new collection of poems, Taylor Mali, once a teacher himself, explores her life and their love as well as the shape and texture of his own guilt and resilience.

    each poem is incredibly impactful and beautifully written. stories of love, heartbreak, suffering, and healing come alive on the page in an incredible way. let this book of poetry touch your soul and help you feel free. join trevor capiro on this journey towards healing.

    I referred them to Doctor Who's Tardis.'Frank Skinner wants you to read more poetry. Wait, wait - don't stop reading. Whether you're a frequent poetry reader or haven't read any since sixth form, Frank's infectious passion for language, rhythm and metre will win you over and provide you with the basic tools you need to tackle any poem.In this short, easy-to-digest and delightful book, Frank guides us through the twists and turns of 'Pad, pad' by Stevie Smith, a short, seemingly simple poem that contains multitudes of meaning and a deceptive depth of emotion. Revel in the mastery of Stevie Smith's choice of words, consider the eternal mystery of the speaker of the poem and be moved by rhyming couplets like you never have before.Give it a go. You never know, you might even enjoy it.

    Desperate for something solid to believe in, Capps still mistrusts authority, feeling disenchanted with God, family, eros, even her own impulsive self. And yet while the absence of faith hints at despair, these poems often achieve, almost inspite of themselves, an odd buoyancy. Playful, fearless, wary, there's a dazzling resilience in this book. One poem can make a grand and eccentric claim, "I forgive the afterlife," while another takes as its title something humbler and more poisonous, "God Bless Our Crop-Dusted Wedding Cake." No matter how adrift this poet may feel, poetry itself remains her anchor and lifeline.

    The semi-autobiographical book is divided into two parts and takes place between two countries; Part I, “is a cloud a living thing?”, takes place during the Author’s tumultueuse teen years with tropical Florida as a backdrop. Part II, “Inside my Shell”, explores themes of transformation as the Author creates a new life in Paris, France. ​The poems in this collection explore the surreal rollercoaster of youth, the performance of identity, being an outsider and the tension between romantic idealism and the dystopic world in which the author finds herself. Her approach to her work as a visual artist is mirrored in her poetry style, which is accompanied by all original illustrations by the Author.

    

    Eminescu (1850-1889) was a complex personality; at once a philosopher, politician, journalist, and prose writer, but above all a poet -- he is 'an expression of the Romanian soul'. The selection in this volume includes English language versions of some of Eminescu's best-known poems and is illustrated with original drawings by the Romanian artist A Bordenache and graphics from the princeps edition of Eminescu's poems published in 1883.

    Using the events of his life as starting points, Gerald Stern deals with time and loss, with the dichotomy of light and darkness, and—always—with the possibility of joy. This stunning collection moves from autobiography to the visionary in surges of memory and language that draw the reader from one poem to the next.