Fifteen years on the inside for a victimless crime, under the care of a warden whose penchant for violence is legendary -- surely nothing could be worse. But when an unbelievably Samaritan act by a psychologist he's never met places Cosgrove in the care of Roland "Doc" Luther, Cosgrove's not so sure he hasn't traded the frying pan for the fire after all. On the one hand, Doc claims that Cosgrove owes him nothing, and seems at times like the most decent man alive. But at other times, Doc's potential for cruelty seems unimaginable. As it turns out, freedom's not as freeing as he thought it would be -- especially when it might end up getting him killed.

    It is a haunting and often devastating foray into a world where no one has anything left to lose and survival itself is an act of malice.

    A Phi Beta Kappa scholar succeds in turning himself into a vicious and completely immoral criminal - a man whose contempt for law, order, and human life drives him relentlessly into a career of unrelieved evil. He escapes from a chain gang to join a pack of gangsters and a millionaire?s daughter falls in love with him, but eventually his past overtakes him. Kiss Tomorrrow Goodbye is McCoy?s most ambitious work and the basis for one of the great gangster movies, starring James Cagney.

    Confidential" and "White Jazz".

    It contains two full length novels (I Married a Dead Man and Waltz into Darkness) and five short stories, including "Rear Window" -- works in which one of the genre's consumate "poets of terror" explores all the classic noir themes of loneliness, despair, futility, and occasionally redemption.CONTENTSRear WindowPost MortemThree O'ClockChange of MurderMomentumI MARRIED A DEAD MANWALTZ INTO DARKNESS

    In the crowded train car she meets happy newlyweds Patrice Hazzard, also expecting, and Hugh. They are on their way to visit Hugh’s parents, whom Patrice is meeting for the first time. After Patrice hands Helen her wedding band so she can wash her hands in the rest room, the train crashes, killing the Hazzards, but Helen survives. When she regains consciousness in the hospital, she discovers she has been mistaken for Patrice. Patrice’s wealthy in-laws send for Helen, and she decides for the sake of her son to go along with the misunderstanding. They welcome her into the fold and her “brother-in-law” Bill even shows signs of romantic interest. But when her husband tracks her down and threatens her with blackmail, her dream turns into a nightmare.

    One of them had slain a helpless man to hide the secret of his identity. And he was quite prepared to kill the girl if she tried to double-cross him. But he’d reckoned without that terrible accident — and he was totally unprepared for the insane murderer who made death a ritual with a silver-handled knife.

    in the heyday of Henry Luce. One day, before heading home to his wife in the suburbs, Stroud has a drink with Pauline, the beautiful girlfriend of his boss, Earl Janoth. Things happen. The next day Stroud escorts Pauline home, leaving her off at the corner just as Janoth returns from a trip. The day after that, Pauline is found murdered in her apartment.Janoth knows there was one witness to his entry into Pauline’s apartment on the night of the murder; he knows that man must have been the man Pauline was with before he got back; but he doesn’t know who he was. Janoth badly wants to get his hands on that man, and he picks one of his most trusted employees to track him down: George Stroud, who else?How does a man escape from himself? No book has ever dramatized that question to more perfect effect than The Big Clock, a masterpiece of American noir.

    A heart - a human heart - slithering down outside the window of a train travelling between London Bridge and Blackfriars. Someone must have thrown it out from a carriage in front. Kumiko is determined to find out who - and why. But Skelton was sitting next to Kumiko on the train and he saw it too, so he also wants to get to the bottom of the mystery. Or he says he does, but really he just wants Kumiko back, because she's walked out on him, just like that, and left him heartbroken. Each for their own reasons, Kumiko and Skelton set out - separately - on a bizarre trail of discovery. Darting between dingy student pubs, the roofs of Borough Market and the corridors and car-parks of Guy's Hospital, they become embroiled in the seedy world of young medical students, until eventually the gossip and the stories lead them both to the hospital's infamous dissection lecturer - known behind his back as 'King Death'...

    He is also a top-notch reporter. Aroused by the naked beauty of the Ripper's fourth victim--or near-victim--Sweeney pulls himself together and goes after the killer. As he puts questions and answers together, he finds himself face to face with madness and death.

    The official story was that the Roswell crash was a balloon. But the real story is that Project Bluebook became Project Blueprint and helped start WWIII. Tex Murphy has never been good at staying out of trouble . . . and this time he's in for lots of trouble

    For years, Interpol have tried, and failed, to find her. But now Scotland Yard, MI5 and Witch obsessive Dominic Elder are all out to hunt the hunter. Suddenly she’s vulnerable—and visible.Bleeding HeartsHit man Michael Weston has a problem. His latest job has been carried out with habitual, cool precision but now the police are on to him. Has he been set up? Weston knows his reputation, and his life, are at stake as never before.Blood HuntGordon Reeve is a survival expert in the Scottish Highlands with an SAS past well behind him. Then his brother is murdered in San Diego and all the signs point to Reeve heading towards the same fate. The difference is that Reeve is a trained killer, now forced back into an all too familiar way of life.

    Opening with the exotic Lady Death entering the gumshoe-writer's seedy office in pursuit of a writer named Celine, this novel demonstrates Bukowski's own brand of humour and realism, opening up a landscape of seamy Los Angeles.

    Nothing more has been heard of him. Gerry Kells, the antihero of his shocking, brutal novel, is equally mysterious. A loner with a reputation but without a visible past, Kells simply appears, arranges the lives of the Los Angeles underworld, and then is heard no more.Only the strong prosper in the world of the depression. Seemingly amoral, Kells does prosper. He strikes to survive, kills without conscience, with­out time for conscience. But he never becomes a mere killing machine. His integrity, his humanity, abides in a code demanding that he pay for all services: those rendered for him, those rendered against him.Fast paced and very readable, the novel limns a true character who should take his place in our national literature, if only for his representation of the individual will to survive in one of the toughest times in American life.

    Cain uses his favorite form of narration, the first-person confessional, in relating this unusual tale of deceit, incest, and murder.Jess Tyler is a church-going mountain man. One day out of the blue, his estranged daughter, Kady, shows up at his cabin and starts throwing herself at him in a most undaughterly way. At least that's the way Jess tells it. Cain leaves a few hints that Jess may not be 100% accurate as a narrator. For example, he claims to be a God fearing teetotaler. Yet he quickly shows himself to be a seasoned expert when it comes to constructing and operating a commercial still.