She speaks honestly about issues of race, poverty, institutional responsibility, and white privilege by engaging the reader in the experiences of a day in the classroom with some of her remarkable students.Throughout the day, we meet bigotry head-on, struggle with questions of racial identity, and find cultural conflict in the corridors of the school building. Along the way, we come face to face with Tyrone, a young African-American student grappling with the realities of discrimination in suburbia. We encounter Sheila, a teenage mother struggling to raise her baby in poverty, and we get to know Sarah, a white girl living on the streets of Minneapolis.Through the author's eyes, we begin to understand the complexities of teaching in today's society and we learn within the pages of this book, if only just for a moment, what it feels like to be the other.

    Linda Tirado, in her signature brutally honest yet personable voice, takes all of these preconceived notions and smashes them to bits. She articulates not only what it is to be working poor in America (yes, you can be poor and live in a house and have a job, even two), but what poverty is truly like—on all levels. Frankly and boldly, Tirado discusses openly how she went from lower-middle class, to sometimes middle class, to poor and everything in between, and in doing so reveals why “poor people don’t always behave the way middle-class America thinks they should.”

    She managed a medical research project, ate dog, became pregnant, and responded to spells placed on her. Thirty years later she returned to Pohnpei to learn what had happened there since her first visit. Were islanders still casual about sex? Were they still obsessed with titles and social rank? Was the island still lush and beautiful? Had the inhabitants remained healthy?" This second edition of Ward's best-selling account is a rare, longitudinal study that tracks people, processes, and a place through decades of change. It is also an intimate record of doing fieldwork that immerses readers in the sights, smells, tastes, sounds, and the sensory richness of Pohnpei. Ward addresses the ageless ethnographic questions about family life, politics, religion, traditional medicine, magic, and death together with contemporary concerns about postcolonial survival, the discontinuities of culture, and adaptation to the demands of a global age. Her discoveries illuminate the evolution of a culture possibly distant from yet important to people living in other parts of the world.

    Common People will see writers who have made that leap reach back to give a helping hand to those coming up behind.We read because we want to experience lives and emotions beyond our own, to learn, to see with others’ eyes – without new working class voices, without the vital reflection of real lives, or role models for working class readers and writers, literature will be poorer.Working-class stories are not always tales of the underprivileged and dispossessed. Common People is a collection of essays, poems and memoir written in celebration, not apology: these are narratives rich in barbed humor, reflecting the depth and texture of working-class life, the joy and sorrow, the solidarity and the differences, the everyday wisdom and poetry of the woman at the bus stop, the waiter, the hairdresser. Here, Kit de Waal brings together thirty-three established and emerging writers who invite you to experience the world through their eyes, their voices loud and clear as they reclaim and redefine what it means to be working class. Original Pieces Contributed by:Damian BarrMalorie Blackman OBELisa BlowerJill DawsonLouise DoughtyStuart MaconieChris McCruddenLisa McInerneyPaul McVeighDaljit NagraDr Dave O’BrienCathy RentzenbrinkAnita SethiAdelle StripeTony WalshAlex Wheatleand more

    This unique book redresses the balance. Lisa Mckenzie lived on the St Ann’s estate in Nottingham for more than 20 years. Her ‘insider’ status enables us to hear the stories of its residents, often wary of outsiders. St Ann's has been stigmatised as a place where gangs, guns, drugs, single mothers and those unwilling or unable to make something of their lives reside. Yet in this same community we find strong, resourceful, ambitious people who are 'getting by', often with humour and despite facing brutal austerity.

    In 1975, Tempestt Saville and her family are chosen by lottery to "move on up" to Lakeland: one square mile of sparkling apartment towers and emerald lawns where the Black elite live sheltered from the ghetto by a ten-foot-tall, ivy-covered wrought-iron fence.  Eleven-year-old Temmy doesn't enjoy the privilege, however, and thinks Lakeland is the "kingdom of the drab."  Instead, she is drawn to the vivid world outside the fence: to 35th Street, where the saved and the sinners are both so "done up" you can't tell one from the other.  Tempestt's curiosity soon leads her down a dangerous path, however, and after witnessing the death of a friend, she sets into motion a chain of events that will send 35th Street up in flames.

    They have to find ways to bring in new customers, especial after Perk Up, a big chain coffee and pastry shop, opens across the street. To make a bad matter worse, Dane, the cute new boy at school is the son of Perk Up’s CEO. She should hate him...but he’s really sort of sweet. How’s a girl supposed to deal? Ali begins to create incredible cake pops using her deceased mom’s cookbook.

    This book's elegant design, lyrical language, and abundant white space offer striving readers lots of time to co-create the story. Blank Space by Beth Bacon is a simple yet powerful exploration of the act of reading. The story asks, where exactly does reading happen? It happens somewhere between the words on the page and the reader’s heart and mind. The themes in this easy-to-read story can aid teachers, parents, reading specialists, and librarians in sparking discussions on reading strategies. Children who are reluctant to read will see themselves in this hi-lo book for intermediate readers. Like Beth Bacon’s other books, I Hate Reading, The Book No One Wants To Read, and The Worst Book Ever, this book validates the experience of today’s striving readers.

    Building on the legacy of two previous editions of The New American History, this volume presents an entirely new group of contributors and a reconceptualized table of contents.The new generation of historians showcased in American History No posed new questions and developed new approaches to scholarship to revise the prevailing interpretations of the chronological periods from the colonial era to the Reagan years. Covering the established subfields of women's history, African American history, and immigration history, the book also considers the history of capitalism, Native American history, environmental history, religious history, cultural history, and the history of "the United States in the world."American History Now provides an indispensable summation of the state of the field for those interested in the study and teaching of the American past.

    She’s been moved around the system since she left home at sixteen. She’s also been called a stain on society. And she’s caught in a poverty trap.Skint Estate is the hard-hitting debut memoir about impoverishment, loneliness and violence – set against a grim landscape of sink estates, police cells, refuges and peepshows.

    It is her Uncle Derek who’s stolen the body of their family dog to take to Charleston to prove the water in their creek has been poisoned. With perfectly poised equanimity,Jos witnesses both her grandfather’s grief and her uncle’s rage at his parents for signing this leasing deal, done in part, simply to be neighborly.Ann Pancake’s ear for dialect of these mountain people is perfect, her respect that of one who writes from the heart of this world. These are folks caught in the complexities of rural economies where there are no quick fixes to questions surrounding right livelihood. With first-hand knowledge of this world and her exquisite depictitions of its natural history she may put you in mind of Daniel Woodrell.