The cast of characters in The Evil B.B. Chow and Other Stories includes a wealthy family certain they have been abducted by space aliens, a sexy magazine editor who falls for a worldclass cad, and a beleaguered dentist who refuses to read his best friend’s novel. Michael Jackson and Abraham Lincoln make cameos, as do a variety of desperate and beautiful loonies, all of whom are laid bare, often literally. In these twelve stories, Almond refuses to let his characters off the hook, or to abandon them, until we have seen the full measure of ourselves within their struggle.

    A father struggles to forge an independent identity as his blind daughter prepares for college. A mother comes to terms with her adult daughter’s infidelity, even as she keeps a disturbing secret of her own. An artist mourns the end of a romance while painting a dying man’s portrait. An accident on a trip to Italy and an unexpected connection with a stranger cause a woman to question her lifelong assumptions about herself.Brilliant, hopeful, and fearlessly honest, If I Loved You, I Would Tell You. This illuminates the truths of human relationships, truths we come to recognize in these characters and in ourselves.

    I am Daniel Handler, the author of this book. Did you know that authors often write the summaries that appear on their book's dust jacket? You might want to think about that the next time you read something like, "A dazzling page-turner, this novel shows an internationally acclaimed storyteller at the height of his astonishing powers.""Adverbs" is a novel about love -- a bunch of different people, in and out of different kinds of love. At the start of the novel, Andrea is in love with David -- or maybe it's Joe -- who instead falls in love with Peter in a taxi. At the end of the novel, it's Joe who's in the taxi, falling in love with Andrea, although it might not be Andrea, or in any case it might not be the same Andrea, as Andrea is a very common name. So is Allison, who is married to Adrian in the middle of the novel, although in the middle of the ocean she considers a fling with Keith and also with Steve, whom she meets in an automobile, unless it's not the same Allison who meets the Snow Queen in a casino, or the same Steve who meets Eddie in the middle of the forest. . . .It might sound confusing, but that's love, and as the author -- me -- says, "It is not the nouns. The miracle is the adverbs, the way things are done." This novel is about people trying to find love in the ways it is done before the volcano erupts and the miracle ends. Yes, there's a volcano in the novel. In my opinion a volcano automatically makes a story more interesting.

    And if the moment does pass, it never goes that far. It stands in the distance, ready for whenever you want it back. Sometimes it's even there when you thought you were searching for something else, like an escape route, or your lover's face.How does one talk about love? Do we even have the right words to describe something that can be both utterly mundane and completely transcendent, pulling us out of our everyday lives and making us feel a part of something greater than ourselves? Taking a unique approach to this problem, the nameless narrator of David Levithan's The Lover's Dictionary has constructed the story of his relationship as a dictionary. Through these short entries, he provides an intimate window into the great events and quotidian trifles of being within a couple, giving us an indelible and deeply moving portrait of love in our time.

    

    No wonder the Atlanta Journal-Constitution calls her "one of the best in the new generation of Southern writers."

    In three stunning books of stories, she has established a voice as unique and recognizable as the photographs of Cindy Sherman or the brushstrokes of Robert Motherwell. The Dog of the Marriage, Hempel's fourth collection, is about sexual obsession, relationships gone awry, and the unsatisfied longings of everyday life. In "Offertory," a modern-day Scheherazade entertains and manipulates her lover with stories of her sexual encounters with a married couple as a very young woman. In "Reference # 388475848-5," a letter contesting a parking ticket becomes a beautiful and unnerving statement of faith. In "Jesus Is Waiting," a woman driving to New York sends a series of cryptically honest postcards to an old lover. And the title story is a heartbreaking tale about the objects and animals and unmired desires that are left behind after death or divorce. These nine stories teem with wisdom, emotion, and surprising wit. Hempel explores the intricate psychology of people falling in and out of love, trying to locate something or someone elusive or lost. Her sentences are as lean, original, and startling as any in contemporary fiction.

    Glen David Gold, author of the best seller Carter Beats the Devil, now gives us a grand entertainment with the brilliantly realized figure of Charlie Chaplin at its center: a novel at once cinematic and intimate, heartrending and darkly comic, that captures the moment when American capitalism, a world at war, and the emerging mecca of Hollywood intersect to spawn an enduring culture of celebrity.Sunnyside opens on a winter day in 1916 during which Charlie Chaplin is spotted in more than eight hundred places simultaneously, an extraordinary delusion that forever binds the overlapping fortunes of three men: Leland Wheeler, son of the world’s last (and worst) Wild West star, as he finds unexpected love on the battlefields of France; Hugo Black, drafted to fight under the towering General Edmund Ironside in America’s doomed expedition against the Bolsheviks; and Chaplin himself, as he faces a tightening vise of complications—studio moguls, questions about his patriotism, his unchecked heart, and, most menacing of all, his mother.The narrative is as rich and expansive as the ground it covers, and it is cast with a dazzling roster of both real and fictional characters: Mary Pickford, Douglas Fairbanks, Adolph Zukor, Chaplin’s (first) child bride, a thieving Girl Scout, the secretary of the treasury, a lovesick film theorist, three Russian princesses (gracious, nervous, and nihilist), a crew of fly-by-the-seat-of-their-pants moviemakers, legions of starstruck fans, and Rin Tin Tin.By turns lighthearted and profound, Sunnyside is an altogether spellbinding novel about dreams, ambition, and the dawn of the modern age.

    Sometimes we tell these stories to make people laugh. Sometimes we tell them to make people think. Sometimes we tell them so we can increase the chances we'll see the other person naked.Paul Shirley's stories are about an adulthood spent all over the world: living in Spain, playing in the NBA, and having his heart (and spleen) broken. But they're also stories about growing up in small-town Kansas: triumphant spelling bees, catastrophic middle school dances, and a Sex Ed. class taught by his mother.They're funny stories. They're vulnerable stories. Most of all, they're universal stories, just as the stories we tell on dates should be.

    Then the story abruptly shifts back in time to the day Simon Bell returns to his childhood home in Sherwood, Alabama, haunted by the deaths of his parents. It is a hot, unmoving summer day when he begins an affair with Delia Holladay. Delia is young, beautiful, and married. Their illicit liaison will bring about a final reckoning no one could have anticipated -- not Delia nor Simon nor Delia's husband, Sam, a teacher many years her senior who thought he knew all the history of the world ... until he met Delia. This major work by gifted writer Michael Knight is a moving exploration of the power of love and the consequences of betrayal.

    April, a stripper, has brought her daughter to work at the Puma Club for Men. There she encounters Bassam, a foreign client both remote and too personal and free with his money. Meanwhile, another man, AJ, has been thrown out of the club, and he’s drunk, angry, and lonely. From these explosive elements comes a relentless, raw, and page-turning narrative that seizes the reader by the throat with psychological tension, depth, and realism.

    Across the yard of a Victorian poorhouse, a man is too ashamed to acknowledge the son he gave away. In a 19th-century French village, an old servant understands - suddenly and with awe - the meaning of the Bible story her master is reading to her. On a summer evening in the Catskills in 1971, a skinny girl steps out of a Chevy with a guitar and with a song that will send shivers through her listeners' skulls. A few years from now, in Italy, a gifted scientist discovers links between time and the human brain and between her lover's novel and his life. Throughout the five masterpieces of fiction that make up A Possible Life, exquisitely drawn and unforgettable characters risk their bodies, hearts and minds in pursuit of the manna of human connection. Between soldier and lover, parent and child, servant and master, and artist and muse, important pleasures and pains are born of love, separations and missed opportunities. These interactions - whether successful or not - also affect the long trajectories of characters' lives. Provocative and profound, Sebastian Faulks's dazzling new novel journeys across continents and centuries not only to entertain with superb old-fashioned storytelling but to show that occasions of understanding between humans are the one thing that defines us - and that those moments, however fluid, are the one thing that endures.

    But when he retires, his Irish-born wife, Mary, wants to leave America and go home -- where the ocean is near and the butter has flavor.Somewhat grudgingly, Lyle agrees, but during their years in Galway, they discover that the surprises of life are not over. Going home is more complicated than butter and the bay, and thirty content years does not mean that a couple is immune to romantic intrigue. In this new life, while Mary and Lyle are rediscovering each other and building a richer life together, an unexpected event forces Lyle to decide where his home truly is.Told in "quiet stories with emotions like old stepping-stones that have sunk beneath the surface" (Christian Science Monitor), Beth Lordan's evocative and heartfelt novel explores the complex emotional terrain of mature marital relationships.

    A world of speakeasies and dancing girls where a gambler or bootlegger is perfectly normal and respectable in every way. Those familiar with "Guys and Dolls" know what to expect!

    . . Will stand by itself as one of our funniest, most telling anatomies of human love and vulnerability.” —The New York Times Book Review, cover).These eight masterly stories reveal Lorrie Moore at her most mature and in a perfect configuration of craft, mind, and bewitched spirit, as she explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom.In “Debarking,” a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see—in all its irresistible wit and darkness—the perils of divorce and what can follow in its wake . . .In “Foes,” a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest themselves at a fund-raising dinner in Georgetown . . . In “The Juniper Tree,” a teacher visited by the ghost of her recently deceased friend is forced to sing “The Star-Spangled Banner” in a kind of nightmare reunion . . . And in “Wings,” we watch the inevitable unraveling of two once-hopeful musicians, neither of whom held fast to their dreams nor struck out along other paths, as Moore deftly depicts the intricacies of dead-ends-ville and the workings of regret . . .Here are people beset, burdened, buoyed; protected by raising teenage children; dating after divorce; facing the serious illness of a longtime friend; setting forth on a romantic assignation abroad, having it interrupted mid-trip, and coming to understand the larger ramifications and the impossibility of the connection . . . stories that show people coping with large dislocation in their lives, with risking a new path to answer the desire to be in relation—to someone . . .Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud—the hallmark of life in Lorrie-Moore-land.--jacket