Who says zombie horror comics can't have a little humor?) Cullen Bunn, writer of the fan-favorite Deadpool Killogy, brings us one of Deadpool's darkest tales ever...and we're not just saying that because it's in black and white (and red)! So ring the dinner bell and nail shut the door, as Deadpool takes on the undead! COLLECTING: Night of the Living Deadpool 1-4

    this wasn't quite what Jennie had in mind after graduating with a shiny degree in Sequential Art(though it may have been what was in everyone else's). As life overwhelmed her and her drawing hand withered away, Jennie made a promise to herself to stay in practice by drawing a new comic every single day.This first volume is a compilation of those comics. From dating and clubbing to trying to make it as an artist, follow along as Jennie chronicles her daily struggles, sorrows, joys and WTFs in life.

    It's about being a strong, silent type, oozing with confidence, charisma, and other fine qualities such as not being trapped in your own office. It's about having a working phone. A real desk. Not one, but two steak dinners. And some hysterical broad on the line, yackin' about some fella she's got troubles with. It's always the same thing with dames. You comfort yourself in your sublime fantasy by now and then saying things into the phone such as, "Now calm down a second, toots..." and "Hey, take it easy, sweetheart. I can barely understand a word you're sayin'..." Being a hard boiled problem sleuth is what this book is all about.

    Unfortunately, for NASA, this goal is scarcely even addressed and the book focuses more on extramarital affairs, bank robbing owls, big gross swollen heads, ghost cow heads, olde-tyme boxers, tigers eating cheeseburgers in the Crab Nebula, buffalo judges and tons of aggressive swearing. Not as much a superhero book as it is a parody of basically everything and a celebration of weird that is jam-packed with references to Robo-Cop and Die Hard.

    Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun—just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that.This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content.When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist.Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears.On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson.--Lucy Shelton Caswell, Professor and Curator The Ohio State University Cartoon Research Library, June 2001

    And someone will! Billy Butcher, Wee Hughie, Mother's Milk, The Frenchman, and The Female are The Boys: A CIA-backed team of very dangerous people, each one dedicated to the struggle against the most dangerous force on Earth - superpower! Some superheroes have to be watched. Some have to be controlled. And some of them - sometimes - need to be taken out of the picture. That's when you call in The Boys! After the opening story arc introducing Hughie to the team (issues 1-6), Dark avenger Tek-Knight and his ex-partner Swingwing are in trouble (issues 7-14). Big trouble. One has lost control of his terrifyingly overactive sex-drive, and the other might just be a murderer. It's up to Hughie and Butcher to work out which is which, in Get Some. Then, in Glorious Five-Year Plan, The Boys travel to Russia - where their corporate opponents are working with the mob, in a super-conspiracy that threatens to spiral lethally out of control. Good thing our heroes have Love Sausage on their side. Featuring some ever-so-slight tweaks the creators have meticulously restored, The Boys Omniobus Volume 1 also features bonus art materials, the script to issue #1 by Garth Ennis, a complete cover gallery, and more!

    

    — Shen"You know how, since the dawn of humanity, great philosophers and poets have dedicated their entire lives to exploring concepts like love, life itself, logic, and sorrow? Well, those great philosophers and poets are dead now, so I win." — Shen Emotions Explained With Buff Dudes is your fully illustrated guide to the hyper-conflicted, tragicomic feelings of our age. Featuring the resilient, shaggy-haired Shen, this debut collection of Owlturd Comix is a tale of triumph and survival — of getting your ass kicked by sleep deprivation and student loans, but never losing hope. Most of all, it's an amusing, instructive journey through a vast array of emotions, including those best explained with dudes who are buff.

    

    ChuckyTPB Equivalent: First Cut (volume 1), Death by Sequel (volume 2) and a portion of Friday the 31st (volume 3). Omnibus 1 is the only place Hack/Slash vs. Evil Ernie is collected.Extras: Sketchbook, cover and pin-up gallery, article about the Hack/Slash play, and Psychofiles of The Lunch Lady, Bobby, Laura and Father Wrath, Lloyd and Jimmy, Acid Angel, Ashley, Blackfin, Hibachi Devil, Mortimer Strick, Waking Man, X-O, Dr. Gross, Chucky, Six Sixx, and Evil Ernie.

    But she has a secret nobody knows. She has the power to make people fall in love! Anyone. With anything. She’s a cupid in plaid. With a Tumblr. There’s only one catch—it doesn’t work on herself. She’s gonna have to find love the old-fashioned way, and in the meantime, figure out how to distract herself from the real emotions she inevitably has to face when her powers go wrong… Written by Sam Humphries and illustrated by Caitlin Rose Boyle, this charming tale is sure to appeal to romantics and cynics alike.

    Koark, the last member of a society of story-collectors, has been given the task of finding one story whose importance surpasses all others. In seeking the Account of the Ascent of the Bone Ziggurat, Koark finds instead a strange being made of glass, and becomes pulled into a secret conflict involving a mysterious Machine Man, blackbird warriors, and thousands of years of violent history. This book contains the entire comic as originally published online, and an extensive world-internal appendix.

    Adric Fell leads a band of heroes in a world where civilization has been reduced to a few scattered points of light amid a rising tide of shadows.

    'Illiad' Frazer. " Some say it's a cartoon about Open Source; some say it's about the rift between technical and nontechnical staff; others say its about the pain that technical people suffer when dealing with the stubbornly unintelligent; some even say that User Friendly is a cartoon about Internet Workers. User Friendly addresses all those issues, but I don't think that's what it's about, strictly speaking. User Friendly's universe revolves around the simple idea that technology brings out both the best and the worst in people, no matter who they are."User Friendly reads like Dilbert for the Open Source community. With a massive online following, it provides outsiders a light-hearted look at the world of the hard core geek, and allows those who make their living dwelling in this world a chance to laugh at themselves.

    For all you fellow agonizers, fretters, and nervous wrecks, this book is for you. Read it and weep...with laughter