She has long been interested in various aspects of magic but is searching for something more. Her search leads her to people of great wisdom, who begin to teach Brida about the spiritual world. She meets a wise man who dwells in a forest, who teaches her about overcoming her fears and trusting in the goodness of the world; and a woman who teaches her how to dance to the music of the world, and how to pray to the moon. As Brida seeks her destiny, she struggles to find a balance between her relationships and her desire to become a witch. This enthralling novel incorporates themes that fans of Paulo Coelho will recognize and treasure—it is a tale of love, passion, mystery, and spirituality from the master storyteller.

    Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then a neighbor, Big Foot, turns up dead. Soon other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind . . .A deeply satisfying thriller cum fairy tale, Drive Your Plow over the Bones of the Dead is a provocative exploration of the murky borderland between sanity and madness, justice and tradition, autonomy and fate. Whom do we deem sane? it asks. Who is worthy of a voice?Duration: 11 hours 39 minutes.

    Leôncio sends Isaura to the fields to force her to yield, but Isaura flees instead with her father to Recife. There Isaura meets and falls in love with a well-to-do young man, Álvaro, but at a ball, she is recognized, and Leôncio takes her back to his farm, and orders her to marry Belchior, the gardener. But Leôncio is practically bankrupt, so Álvaro purchases his debts, freeing Isaura and leading Leôncio to commit suicide.

    To compensate for the physical void which temporarily stalls their caresses, Brausen eavesdrops on the conversation of his neighbors, a husband and wife, imagining their gestures and their expressions. But he not only wishes to imagine himself as someone else, he also seeks release from the world he knows. He leads many lives, some real and some fantastic, in order to experience a moment of psychic weightlessness.

    This powerful exploration of the path to womanhood and lost innocence won Mexico's two most prestigious literary prizes.

    The woman at the center wavers between stasis and movement, between the need to belong and the refusal to form lasting ties. The city she calls home, an engaging backdrop to her days, acts as a confidant: the sidewalks around her house, parks, bridges, piazzas, streets, stores, coffee bars. We follow her to the pool she frequents and to the train station that sometimes leads her to her mother, mired in a desperate solitude after her father's untimely death. In addition to colleagues at work, where she never quite feels at ease, she has girl friends, guy friends, and "him," a shadow who both consoles and unsettles her. But in the arc of a year, as one season gives way to the next, transformation awaits. One day at the sea, both overwhelmed and replenished by the sun's vital heat, her perspective will change. This is the first novel she has written in Italian and translated into English. It brims with the impulse to cross barriers. By grafting herself onto a new literary language, Lahiri has pushed herself to a new level of artistic achievement.

    Drawn to what lies beyond the range of reason, they all reach for the beautiful and fleeting, whether through humor, music, poetry, or unspoken words. Across his encounters with each of them, the narrator—a Guatemalan literature professor and writer named Eduardo Halfon—pursues his most enigmatic subject: himself.Mapping the geography of identity in a world scarred by a legacy of violence and exile, The Polish Boxer marks the debut of a major new Latin American voice in English.Eduardo Halfon has been cited as among the best young Latin American writers by the Hay Festival of Bogotá and is the recipient of Spain’s prestigious José María de Pereda Prize for the Short Novel. In 2011 he received a Guggenheim Fellowship to continue the story of The Polish Boxer, which is his first novel to be published in English. He travels frequently to his native Guatemala and lives in Nebraska.

     Sudden Death begins with a brutal tennis match that could decide the fate of the world. The bawdy Italian painter Caravaggio and the loutish Spanish poet Quevedo battle it out before a crowd that includes Galileo, Mary Magdalene, and a generation of popes who would throw Europe into the flames. In England, Thomas Cromwell and Henry VIII behead Anne Boleyn, and her crafty executioner transforms her legendary locks into the most sought-after tennis balls of the time. Across the ocean in Mexico, the last Aztec emperors play their own games, as conquistador Hernán Cortés and his Mayan translator and lover, La Malinche, scheme and conquer, fight and f**k, not knowing that their domestic comedy will change the world. And in a remote Mexican colony a bishop reads Thomas More’s Utopia and thinks that instead of a parody, it’s a manual.   In this mind-bending, prismatic novel, worlds collide, time coils, traditions break down. There are assassinations and executions, hallucinogenic mushrooms, utopias, carnal liaisons and papal dramas, artistic and religious revolutions, love stories and war stories. A dazzlingly original voice and a postmodern visionary, Álvaro Enrigue tells a grand adventure of the dawn of the modern era in this short, powerful punch of a novel. Game, set, match.

    Adina is a young schoolteacher. Paul is a musician. Clara works in a wire factory. Pavel is Clara’s lover. But one of them works for the secret police and is reporting on all of the group.One day Adina returns home to discover that her fox fur rug has had its tail cut off. On another occasion it’s the hindleg. Then a foreleg. The mutilated fur is a sign that she is being tracked by the secret police—the fox was ever the hunter.Images of photographic precision combine into a kaleidoscope of terror as Adina and her friends struggle to keep mind and body intact in a world pervaded by complicity and permeated with fear, where it’s hard to tell victim from perpetrator.In The Fox Was Always a Hunter, Herta Müller once again uses language that displays the "concentration of poetry and the frankness of prose"—as the Swedish Academy noted upon awarding her the Nobel Prize—to create a hauntingly cinematic portrayal of the corruption of the soul under totalitarianism.

    There she becomes Hilda Hurricane, an erotic force of nature no man can resist. The exception is reporter-narrator Roberto Drummond, who attempts to unravel the mystery of why the girl in the gold bikini would forego a comfortable life to join the world's oldest profession. While some in Belo Horizonte cheer Hilda's liberated lifestyle, others seek to have her moved outside the city limits, and a would-be saint cannot seem to finish the exorcism he began outside the Hotel Marvelous. Set against the social and political upheaval of the 1960s, Hilda's story seduces even as Drummond becomes aware of more ominous forces approaching Belo Horizonte.Hilda Hurricane was both a critical and a commercial success in Brazil, with more than 200,000 copies sold. (The DVD of the television adaptation has sold more than a million copies.) Admirers of Kurt Vonnegut will revel in Drummond's similarly sharp satire and playful digressions, particularly about left-wing politics, which blur the boundary between fiction and autobiography. Yet the real genius of the author's interventions may be that they never slow the story long enough to lose sight of this mysterious beauty swept up in the turmoil of the times.

    Her wandering hero refuses to conform to the established order that descends into military terror and machismo.

    Now available in paperback, this highly-acclaimed book is a playful and ingenious gathering of interwoven stories. "At once terribly moving and wildly funny".--A.S. Byatt.

    The writer's job is to tidy it up: he rants, "that was what my work was all about, cleaning up and giving a manicure to the Catholic hands that were piously getting ready to squeeze the balls of the military tiger." Mesmerized by the strange Vallejo-like poetry of the Indians' phrases ("the houses they were sad because no people were inside them"), the increasingly agitated and frightened writer is endangered twice over: by the spell the strangely beautiful heart-rending voices exert over his tenuous sanity, and by real danger—after all, the murderers are the very generals who still run this unnamed Latin American country.

    He builds on those bricks of tedium a greatly enjoyable and splendidly well-written suburban farce.” —Yuri HerreraRodrigo likes his vacant lot, its resident chicken, and being left alone. But when passivity finds him accidentally married to Cecilia, he trades Mexico City for the sun-bleached desolation of his hometown and domestic life with Cecilia for the debauched company of a poet, a philosopher, and Micaela, whose allure includes the promise of time travel. Earthy, playful, and sly, Among Strange Victims is a psychedelic ode to the pleasures of not measuring up. Daniel Saldaña París (born Mexico City, 1984) is an essayist, poet, and novelist whose work has been translated into English, French, and Swedish and anthologized, most recently in Mexico20: New Voices, Old Traditions, published in the United Kingdom by Pushkin Press. Among Strange Victims is his first novel to appear in the United States. He lives in Montreal, Quebec.

    She's a small, crumbling Baroque church in the heart of Seville, Spain. And at least one person -- a computer hacker nicknamed Vespers -- believes that she kills to defend herself. In Arturo Perez-Reverte's stylish and entertaining The Seville Communion, Rome sends handsome Father Lorenzo Quart to investigate. He meets a feisty parish priest, a beautiful aristocrat, an ambitious banker, and three of the most touching, wonderfully ineffectual crooks to ever dabble in a life of crime. There are mysteries as well, from another death at the church to the secrets of the human heart. -- Nancy Pate