The Devil is on a mission to steal a child’s soul, but is distracted when he develops a massive crush on the day-care worker. A man stands in the shower contemplating his future when he discovers tiny mushrooms growing in his body’s various nooks and crannies.Fawcett’s wry humour and prodigious imagination are an addictive mix. The weird becomes normal, and the normal, fascinating. Subverting expectations at every turn, her matter-of-fact style and narrative skill make this collection a must-read for any lover of short fiction.

    Fear of loss, fear of pain, fear of madness, fear of being trapped, fear of the inescapable, unspeakable horrors that fester deep within the soul.... No matter who or where you are, fear is always with you, always ready to attack from behind the masks of thought and dream.Let David Morrell tell you a story...A Trap for the Unwary • (1999)Black and White and Red All Over • (1985)Black Evening • (1981)But at My Back I Always Hear • (1983)Dead Image • (1985)For These and All My Sins • (1984)Mumbo Jumbo • (1985)Orange Is for Anguish, Blue Is for Insanity • (1999)The Beautiful Uncut Hair of Graves • (1991)The Dripping • (1972)The Hidden Laughter • (1981)The Partnership • (1981)The Road to Damascus • (1999)The Shrine • (1992)The Storm • (1984)The Typewriter • (1983)

    She’s done this before, working her shake tent, filling his head deep at night with images he can’t quite make out through the mist. She warned him about kikwaakew.” 25 years after the war of Three Day Road, Joseph Boyden revisits Xavier Bird, who looks to his sons to help defeat an old foe on the trap lines. Kikwaakew first appeared in the July/August 2012 issue of The Walrus magazine. Three Day Road is winner of the Amazon/Books in Canada First Novel Award and the Roger’s Writers Trust Fiction Prize.

    As a boy growing up in the tiny backwater town of Forty-Five, South Carolina (where everybody is pretty much one beer short of a six-pack), all Mendal Dawes wants is out. It's not just his hometown that's hopeless. Mendal's father is just as bad. Embarrassing his son to death nearly every day, Mr. Dawes is a parenting guide's bad example. He buries stuff in the backyard—fake toxic barrels, imitation Burma Shave signs (BIRD ON A WIRE, BIRD ON A PERCH, FLY TOWARD HEAVEN, FIRST BAPTIST CHURCH), yardstick collections. He calls Mendal "Fuzznuts" and makes him recite Marx and Durkheim daily and befriend a classmate rumored to have head lice. Mendal Dawes is a boy itching to get out of town, to take the high road and leave the South and his dingbat dad far behind—just like those car-chasing dogs. But bottom line, this funky, sometimes outrageous, and always very human tale is really about how Mendal discovers that neither he nor the dogs actually want to catch a ride, that the hand that has fed them has a lot more to offer. On the way to watching that light dawn, we also get to watch the Dawes's precarious relationship with a place whose "gene pool [is] so shallow that it wouldn't take a Dr. Scholl's insert to keep one's soles dry." To be consistently funny is a great gift. To be funny and cynical and empathetic all at the same time is George Singleton's special gift, put brilliantly into play in this new collection.

    In a California of the ’60s and ’70s, characters examine the contents of deceased relatives’ freezers, tape-record high-school locker-room chatter, or collect a community’s gossip while cleaning the teeth of its inhabitants. Mr. Darcy is the captain of the football team, Mansfield Park materializes in a suburb of L.A., bake sales replace balls, and station wagons, not horse-drawn carriages, are the preferred mode of transit. The stories of traversing class, race, and gender leap into our modern world with wit and humor.

     These 12 all new and original stories from Rusty Wilson, the World’s Greatest Bigfoot Storyteller, will keep you intrigued, hanging onto the edge of your seat, or wishing you could travel up north and see what all the excitement’s about for yourself. Come read about a young man who finally gets his wish to visit one of the world’s wildest places, where he quickly realizes that maybe his parents were right after all—then read about the strange case where a Sasquatch discovers a rare fossilized dinosaur skeleton—and then, if you dare, read about a woman who stops for a break on a remote Canadian backroad and ends up taking something home with her that she really doesn’t want—and there’s the Sasquatch that ends up saving peoples’ lives by stealing all their food in the dead of winter—and a Sasquatch that brings a couple together through its death—one who decides it wants to be in a painting—another who likes the taste of loons—and a man who discovers a secret Bigfoot food source—all these and more great campfire tales are guaranteed to make you happy you’re safe and sound in your house instead of listening to a Sasquatch screaming in the darkness from inside your thin nylon tent, deep in the Canadian wilds. Or, if you’re truly the adventurous type, maybe you’ll want to buy a thin nylon tent and head to British Columbia or Alberta. Fly-fishing guide Rusty Wilson spent years collecting these stories from his clients around the campfire, stories guaranteed to scare the pants off you—or make you want to meet the Big Guy! “I suspect that Canada has more wild things than we could imagine in our wildest dreams. If you take a look at a map, you’ll see just how immense and rugged many parts of this country are, especially those regions in the north and around the Canadian Rockies and Coastal Mountains. I’m sure there are things out there we could only imagine, one of them being Bigfoot—or Sasquatch, as our northern friends call him.” —Rusty Wilson

    The Horrors is presented abecedarian-style, despoiling a beloved children's book tradition in order to explore personal hangups that range from the slightly awkward to the down-right terrible.Beginning with ‘A’ for ‘Adolescence,’ Demers recalls his sexless teenage years spent in a Trotskyist sect, and ‘B’ for‘Bombing’ offers a first-person account of the agonies of stand- up comedy gone wrong. ‘E’ for ‘End of the World’ exploresthe wacky world of Preppers (YouTube how-to-prepare-for- the-apocalypse experts), while ‘F’ for ‘Fat’ explains what life is like for those with both testicles and breasts. Other essays creep toward the pain side of the hilarity/agony line: ‘D’ for‘Depression’ and ‘M’ for ‘Motherlessness’ traverse topics that more balanced minds might hesitate to make light of.Fortunately, Demers does not let tact or sensibility deter him from pushing humour to its hysterical limit in orderto examine our deepest fears. With artful insight, he never minimizes the very real pain inherent in some topics and uses comedy as a catharsis rather than a numbing agent. Dark, smart and funny, in the sunny world of The Book of Awesome and The Happiness Project, The Horrors will be a shadow...or at least a shadow puppet.

    In these stories, Brian Evenson unsettles us with the everyday and the extraordinary—the terror of living with the knowledge of all we cannot know.

    Join fifteen of today’s most talented writers of young adult literature on a thrill ride through history with American girls charting their own course. They are monsters and mediums, bodyguards and barkeeps, screenwriters and schoolteachers, heiresses and hobos. They're making their own way in often-hostile lands, using every weapon in their arsenals, facing down murderers and marriage proposals. And they all have a story to tell.With stories by:J. Anderson CoatsAndrea CremerY. S. LeeKatherine LongshoreMarie LuKekla MagoonMarissa MeyerSaundra MitchellBeth RevisCaroline Tung RichmondLindsay SmithJessica SpotswoodRobin TalleyLeslye WaltonElizabeth Wein

    Thammavongsa is a master at homing in on moments like this -- moments of exposure, dislocation, and messy feeling that push us right up against the limits of language.The stories that make up How to Pronounce Knife focus on characters struggling to find their bearings in unfamiliar territory, or shuttling between idioms, cultures, and values. A failed boxer discovers what it truly means to be a champion when he starts painting nails at his sister's salon. A young woman tries to discern the invisible but immutable social hierarchies at a chicken processing plant. A mother coaches her daughter in the challenging art of worm harvesting.In a taut, visceral prose style that establishes her as one of the most striking and assured voices of her generation, Thammavongsa interrogates what it means to make a living, to work, and to create meaning.How to pronounce knife --Paris --Slingshot --Randy Travis --Mani pedi --Chick-a-chee! --The universe would be so cruel --Edge of the world --The school bus driver --You are so embarassing --Ewwrrkk --The gas station --A far distant thing --Picking worms

    The magic mirror sees all but can do nothing. A cloned savior solves a fanatically-inspired murder. Three Irish siblings thieve treasures with bad poetry and the aid of the Queen of Cats.With these captivating initial glimpses into her storytelling psyche, Jo Walton shines through subtle myths and reinvented realities. Through eclectic stories, subtle vignettes, inspired poetry, and more, Walton soars with humans, machines, and magic—rising from the every day into the universe itself.

    In one of the three sketches, which form part of this collection, the author brilliantly reveals himself to the world in a schizophrenic piece titled 'Saadat Hasan' calling 'Manto the writer' a liar, a thief and a failure! And in another titled 'In a Letter to Uncle Sam', Manto superbly couches his anti-imperialistic views in an innocent letter from a poor nephew to a capitalist and prosperous uncle in America.

    In the short story collection Beautiful Blemish, Sampsell dives deep into the human psyche to reveal the layers of secret desire, loneliness and hope buried in our hearts. The stories in Beautiful Blemish display an American voice that mixes humor, experimentation, and unflinching pathos to full effect.

    Quietly, precisely, he has created a body of work that is among the greatest to appear in English in the last fifty years.A book-besotted patriarch releases his only son from the obligations of the sea. A father provokes his young son to violence when he reluctantly sells the family horse. A passionate girl who grows up on a nearly deserted island turns into an ever-wistful woman when her one true love is felled by a logging accident. A dying young man listens to his grandmother play the old Gaelic songs on her ancient violin as they both fend off the inevitable. The events that propel MacLeod's stories convince us of the importance of tradition, the beauty of the landscape, and the necessity of memory.

    . . Bradbury?You might see rockets to Mars. Or bizarre circuses where otherworldly acts whirl in the center ring. Perhaps you travel to a dystopian future, where books are set ablaze . . . or to an out-of-the-way sideshow, where animated illustrations crawl across human skin. Or maybe, suddenly, you're returned to a simpler time in small-town America, where summer perfumes the air and life is almost perfect . . . "almost."Ray Bradbury--peerless storyteller, poet of the impossible, and one of America's most beloved authors--is a literary giant whose remarkable career has spanned seven decades. Now twenty-six of today's most diverse and celebrated authors offer new short works in honor of the master; stories of heart, intelligence, and dark wonder from a remarkable range of creative artists.TABLE OF CONTENTSSam Weller and Mort Castle - IntroductionRay Bradbury - Second HomecomingNeil Gaiman - The Man Who Forgot Ray BradburyMargaret Atwood - HeadlifeJay Bonansinga - HeavySam Weller - The Girl In The Funeral ParlorDavid Morrell - The CompanionsThomas F. Monteleone - The ExchangeLee Martin - Cat on a Bad CouchJoe Hill - By The Silver Water Of Lake ChamplainDan Chaon - Little AmericaJohn McNally - The Phone CallJoe Meno - Young PilgrimsRobert McCammon - Children Of The Bedtime MachineRamsey Campbell - The Page Mort Castle - LightAlice Hoffman - ConjureJohn Maclay - MaxJacqueline Mitchard - Two Of A KindGary Braunbeck - Fat Man And Little BoyBonnie Jo Campbell - The TattooAudrey Niffenegger - Backwards In SevilleCharles Yu - Earth: (A Gift Shop)Julia Keller - Hayleigh's DadDave Eggers - Who Knocks?Bayo Ojikutu - Reservation 2020Kelly Link - Two HousesHarlan Ellison - Weariness