Her mother, Mrs. Bobbin, isn't feeling so well and can't possibly deliver the beautiful ball gown she's made for the duchess to wear that very evening. So plucky Irene volunteers to get the gown to the palace on time, in spite of the fierce snowstorm that's brewing-- quite an errand for a little girl. But where there's a will, there's a way, as Irene proves in the danger-fraught adventure that follows. She must defy the wiles of the wicked wind, her most formidable opponent, and overcome many obstacles before she completes her mission. Surely, this winning heroine will inspire every child to cheer her on."Brave Irene" is a 1986 New York Times Book Review Best Illustrated Book of the Year.

    With commentary by the author. “A must for mythology shelves.”--Booklist

    It has everything a classic epic tale should have: rags and riches, hags and heroism, magic and mystery, a curse and a quest, wicked trolls, a shape-shifting bear, and finally, a happy ending. Kate Greenaway Medalist P.J. Lynch has created a luminous backdrop worthy of this grand adventure, transporting readers to a world of fantasy and imagination.

    Told and retold for hundreds of years, this young-reader's version of these folktales retains the original humor and wisdom, com- plemented by spirited, full-color illustrations by Don Daily.

    She eats up the littlest panda’s rice porridge, breaks his rocking chair, and rumples all the blankets on his futon. When Goldy takes responsibility for her actions, she makes a new friend (and a whole plate of turnip cakes!) just in time for Chinese New Year.

    Barker, see on their fairy-tale adventure? Peek through from scene to scene to guess who they might meet next.Lucy is reading a fairy tale to Mr. Barker, but her dog has other ideas. When he jumps out the window — landing in a cottage with a broken chair, three bowls of porridge, and a little golden-haired girl — Lucy is right behind him. Goldilocks would rather not be there when the bears return, so she joins Lucy and Mr. Barker as they continue on their way, adding a trio of pigs, a boy with a goose, and a just-awakened princess during their journey. What happens next? Cutout windows throughout add visual surprises to this lighthearted fractured fairy tale.

    The countless lupines that bloom along the coast of Maine are the legacy of the real Miss Rumphius, the Lupine Lady, who scattered lupine seeds everywhere she went. Miss Rumphius received the American Book Award in the year of publication.To celebrate the thirtieth anniversary of two-time Caldecott winner Barbara Cooney's best-loved book, the illustrations have been reoriginated, going back to the original art to ensure state-of-the-art reproduction of Cooney's exquisite artwork. The art for Miss Rumphius has a permanent home in the Bowdoin College Museum of Art.

    . . thanks to some help from their cranky teacher, a little bit of logic, and a lot of amusing misadventure.Yes, Rufus wrote CAIUS IS A DUMBBELL on his tablet at school, but no, he did not break into the schoolroom, did not tie up his teacher, and certainly did not paint his slur about Caius on the Temple of Minerva (even if it is in Rufus's own handwriting). Rufus is doomed unless his six classmates can find out who is really responsible. Every hour seems to bring a new, confusing clue . . . until the boys finally stumble upon someone who is not what he appears to be.

    Her family, like most Dutch families, must patch their old worn clothing and go without everyday things like soap and milk. Then one spring morning when the tulips bloom "thick and bright," Postman Kleinhoonte pedals his bicycle down Katje's street to deliver a mysterious box – a box from America! Full of soap, socks, and chocolate, the box has been sent by Rosie, an American girl from Mayfield, Indiana. Her package is part of a goodwill effort to help the people of Europe. What's inside so delights Katje that she sends off a letter of thanks – beginning an exchange that swells with so many surprises that the girls, as well as their townspeople, will never be the same.This inspiring story, with strikingly original art, is based on the author's mother's childhood and will show young readers that they, too, can make a difference.Boxes for Katje is a 2004 Bank Street - Best Children's Book of the Year.

    If you lived in the mountains of southern Spain, your bedroom might be carved out of a mountain. If you lived in a village in South Africa, the outside of your house might tell the story of your family. And if you lived in a floating green house in the Netherlands, you could rotate your house to watch both the sunrise and sunset. With intricate bas-relief collages, Giles Laroche uncovers the reason each home was constructed the way it was, then lets us imagine what it would be like to live in homes so different from our own. Showing the tremendous variety of dwellings worldwide—log cabins, houses on stilts, cave dwellings, boathouses, and yurts—this book addresses why each house is built the way it is. Reasons—such as blending into the landscape, confusing invaders, being able to travel with one's home, using whatever materials are at hand—are as varied as the homes themselves.

    In their tiny home, matchboxes double as roomy dressers and postage stamps hang on the walls like paintings. Whatever the Clocks need they simply "borrow" from the "human beans" who live above them. It's a comfortable life, but boring if you're a kid. Only Pod is allowed to venture into the house above, because the danger of being seen by a human is too great. Borrowers who are seen by humans are never seen again. Yet Arrietty won't listen. There is a human boy up there, and Arrietty is desperate for a friend.

    Adults will find that, like most classic fairy tales, this one rewards periodic rethinking." --New York Times Book Review"Zelinsky's smooth retelling and glowing pictures cast the story in a new and beautiful light." -- School Library Journal

    From its opening pages, the book suggests that we are intimately connected to the natural world; it compares the way we learn to speak to the way baby birds learn to sing, and the growth of human bodies to the growth of forests. Award-winning author Elin Kelsey — along with a number of concerned parents and educators around the world — believes children are losing touch with nature. This innovative picture book aims to reintroduce children to their innate relationship with the world around them by sharing many of the surprising ways that we are all connected to the natural world.Grounded in current science, this extraordinary picture book provides opportunities for children to use their imaginations and wonder about some big ideas. Soyeon Kim’s incredible diorama art enhances the poetic text, and her creative process is explored in full on the reverse side of the book’s jacket, which features comments from the artist. Young readers will want to pore over each page of this book, exploring the detailed artwork and pondering the message of the text, excited to find out just how connected to the Earth they really are.

    A spider tricks other animals into thinking a melon can talk.

    Along the way, the children encounter all sorts of animals including elephants, lions and monkeys, while counting from one to ten in both English and Swahili. The lively, rhyming text is accompanied by an illustrated guide to counting in Swahili, a map, notes about each of the animals, and interesting facts about Tanzania and the Maasai people. A portion of the proceeds from the sale of each book will be donated to the African Wildlife Foundation, to aid their wildlife conservation and community building efforts in Tanzania. (Softcover) 32pp;10.25 x 10 inches