Exhumed from dust, Manto’s unpublished novel surfaces in Lucknow. Is it real or is it a fake? In this dastan, Manto and Ghalib converse, entwining their lives in shared dreams. The result is an intellectual journey that takes us into the people and events that shape us as a culture. As one writer describes it, ‘I discovered Rabisankar Bal like a torch in the darkness of the history of this subcontinent. This is the real story of two centuries of our own country.’ Rabisankar Bal’s audacious novel, told by reflections in a mirror and forged in the fires of hell, is both an oral tale and a shield against oblivion. An echo of distant screams. Inscribed by the devil’s quill, Dozakhnama is an outstanding performance of subterranean memory.

    Virmati, a young woman born in Amritsar into an austere and high-minded household, falls in love with a neighbour, the Professor--a man who is already married. That the Professor eventually marries Virmati, installs her in his home (alongside his furious first wife) and helps her towards further studies in Lahore, is small consolation to her scandalised family. Or even to Virmati, who finds that the battle for her own independence has created irrevocable lines of partition and pain around her.

    Against the unsettling backdrop of Mau Mau violence, Vic and his sister Deepa, the grandchildren of an Indian railroad worker, search for their place in a world sharply divided between Kenyans and the British. We follow Vic from a changing Africa in the fifties, to the hope of the sixties, and through the corruption and fear of the seventies and eighties. Hauntingly told in the voice of the now exiled Vic, The In-Between World of Vikram Lall is an acute and bittersweet novel of identity and family, of lost love and abiding friendship, and of the insidious legacy of the British Empire.--back cover

    Ayyan Mani, one of the thousands of dalit (untouchable caste) men trapped in Mumbai’s slums, works in the Institute of Theory and Research as the lowly assistant to the director, a brilliant self-assured astronomer. Ever wily and ambitious, Ayyan weaves two plots, one involving his knowledge of an illicit romance between his married boss and the institute’s first female researcher, and another concerning his young son and his soap-opera-addicted wife. Ayyan quickly finds his deceptions growing intertwined, even as the Brahmin scientists wage war over the question of aliens in outer space. In his debut novel, Manu Joseph expertly picks apart the dynamics of this complex world, offering humorous takes on proselytizing nuns and chronicling the vanquished director serving as guru to his former colleagues. This is at once a moving portrait of love and its strange workings and a hilarious portrayal of men’s runaway egos and ambitions. .

    Her marriage to KK is perfect precisely because she is not in love with him, and their life on a tea plantation in the picturesque Anamalai hills is idyllic. Then, one rainy morning, a man arrives to take up temporary residence in the homestay they run. Shoola Pani is south Indian cinema's heartthrob, an actor in flight from his own superstardom, and the last thing he is looking for is emotional entanglement. But when Lena and he meet, something flares between them that neither could have anticipated. She becomes his Lee and he her Ship, and the place they inhabit Arcadia. Told partly from the point of view of Komathi, whose own relationship with Lena is fraught with buried truths from the past, this searing tale of unexpected passion and adultery reaffirms the magical power of love in all our lives.

    Between Em, the mother, driven frequently to hospital after her failed suicide attempts, and The Big Hoom, the father, trying to hold things together as best he could, they tried to be a family.

    This is his second time in Mayong, in rural Assam, since 1998, when he had come for a few days to attend his father's best friend's funeral. As the wedding preparations gather pace, Pablo is amused as well as disturbed by squabbling aunts, dying grandmothers, cousins planning to elope for love and hysterical gossips. And on this heady theatre of tradition and modernity hovers the sinister shadow of insurgency and the army's brutal measures to quell militancy. In the days leading up to the wedding, which ends in an unspeakable tragedy, Pablo finds first love, discovers family intrigues and goes through an extraordinary rite of passage. Written with clinical precision, this gripping first novel announces the arrival of one of the most original voices from India's North-East.

    Years after Rosa’s shadowy death, Leela has learned to deal with her in-between status, and she marries Balu Bhat, a man from a family of purebred Hindu Brahmins, thus acquiring status and a tenuous stability. However, when Balu insists on emigrating to Canada, Leela must trade her newfound comfort for yet another beginning. Once in Vancouver with her husband and two children, Leela’s initial reluctance to leave home gradually evolves.While Bibi-ji gains access to a life of luxury in Canada, her sister Kanwar, left behind to weather the brutal violence of the Partition of India and Pakistan in 1947, is not so fortunate. She disappears, leaving Bibi-ji bereft and guilt-ridden.Meanwhile, a little girl, who just might be Kanwar’s six-year-old daughter Nimmo, makes her way to Delhi, where she is adopted, marries and goes on to build a life with her loving husband, Satpal. Although this existence is constantly threatened by poverty, Nimmo cherishes it, filled as it is with love and laughter, and she guards it fiercely.Across the world, Bibi-ji is plagued by unhappiness: she is unable to have a child. She believes that it is her punishment for having stolen her sister’s future, but tries to drown her sorrows by investing all her energies into her increasingly successful restaurant called the Delhi Junction. This restaurant becomes the place where members of the growing Vancouver Indo-Canadian community come to dispute and discuss their pasts, presents and futures.Over the years, Bibi-ji tries to uncover her sister Kanwar’s fate but is unsuccessful until Leela Bhat – carrying a message from Satpal, Nimmo’s husband – helps Bibi-ji reconnect with the woman she comes to believe is her niece – Nimmo. Used to getting whatever she has wanted from life, Bibi-ji subtly pressures Nimmo into giving up Jasbeer, her oldest child, into her care.Eight-year old Jasbeer does not settle well in Vancouver. Resentful of his parents’ decision to send him away, he finds a sense of identity only in the stories , of Sikh ancestry, real and imagined, told to him by Bibi-ji’s husband, Pa-ji. Over the years, his childish resentments harden, and when a radical preacher named Dr. Randhawa arrives in Vancouver, preaching the need for a separate Sikh homeland, Jasbeer is easily seduced by his violent rhetoric.Can You Hear the Nightbird Call? elegantly moves back and forth between the growing desi community in Vancouver and the increasingly conflicted worlds of Punjab and Delhi, where rifts between Sikhs and Hindus are growing. In June 1984, just as political tensions within India begin to spiral out of control, Bibi-ji and Pa-ji decide to make their annual pilgrimage to the Golden Temple in Amritsar, the holiest of Sikh shrines. While they are there, the temple is stormed by Indian government troops attempting to contain Sikh extremists hiding inside the temple compound. The results are devastating.Then, in October of the same year, Indira Gandhi is murdered by her two Sikh bodyguards, an act of vengeance for the assault on the temple. The assassination sets off a wave of violence against innocent Sikhs.The tide of anger and violence spills across borders and floods into distant Canada, and into the lives of neighbours Bibi-ji and Leela. Can You Hear the Nightbird Call? weaves together the personal and the political – and beautifully brings the reader into the reality of terrorism and religious intolerance. Bibi-ji turned to gaze out at the street. They could become far more prosperous, she was sure of that. Opportunities lay around them like pearls on these streets. But they were visible only to people with sharp eyes.“What are you looking at, Bibi-ji?” Lalloo asked, coming around to the front with a box full of pickle jars. He lowered it carefully on the floor and stared out the window.“What am I looking for, Lalloo, for,” Bibi-ji corrected. “I am looking for pearls.”“I don’t see anything there, Bibi-ji,” Lalloo remarked after a few moments.She laughed. “Neither do I, but I will. I know I will.” The war had left the whole world poorer: why had Pa-ji not thought of opening a used-clothing store instead of this Indian grocery shop? She wondered whether the shop would do better in Abbotsford or in Duncan, where there were more Sikhs than here in Vancouver. But no, she had a feeling that it was a city with a future, one in which she would be wise to invest her money and her hard work.–from Can You Hear the Nightbird Call?From the Hardcover edition.

    Millions displaced, thousands slaughtered, families divided and redefined, as home became alien land and the unknown became home. So much has been said about it but there is still no writer, storyteller or poet who has been able to explain the madness of Partition. Using the oral narratives of four generations of people - mainly Pakistanis but also some Indians - Anam Zakaria, a Pakistani researcher, attempts to understand how the perception of Partition and the 'other' has evolved over the years. Common sense dictates that the bitter memories of Partition would now be forgotten and new relationships would have been forged over the years, but that is not always the case. The memories of Partition have been repackaged through state narratives, and attitudes have only hardened over the years. Post-Partition events - wars, religious extremism, terrorism - have left new imprints on 1947. This book documents the journey of Partition itself - after Partition.

    As Bonamy Dobree said, "It releases us into a different and quite complete world. Mr. Ahmed Ali makes us hear and smell Delhi...hear the flutter of pigeons’ wings, the cries of itinerant vendors, the calls to prayer, the howls of mourners, the chants of qawwals, smell jasmine and sewage, frying ghee and burning wood." The detail, as E.M. Forster said, is "new and fascinating," poetic and brutal, delightful and callous. First published by the Hogarth Press in 1940. Twilight in Delhi was widely acclaimed by critics and hailed in India as a major literary event. Long since considered a landmark novel, it is now available in the U.S. as a New Directions Classic. Twilight in Delhi has also been translated into French, German, Portuguese, Spanish, and Urdu.

    A chronicle of the final seven days of a town that is about to be razed to the ground by an invading army. The lonely voyage of an elephant from Kerala to a princess’s palace in Morocco. A fabled cook who flavours his food with precious stones. A coterie of international diplomats trapped in near-Earth orbit. These, and the other stories can be found in this collection.

    The East India Company is seeking to make inroads into the region and the local people—in particular the Abor and Mishmee tribes—fear their coming and are doing all they can to keep them out of their territories. The author takes a recorded historical event—the mysterious disappearance of a French priest, Father Nicolas Krick in the 1850s and the execution of Kajinsha from the Mishmee tribe for his murder—and woven a gripping, densely imagined work of fiction around it. And, even as the novel tells the story of an impossible journey and an elopement, it explores the themes of the lure of unknown worlds, the love people have for each other and their land and the forces of history. Gimur, a girl from the Abor tribe, runs away with Kajinsha from the Mishmee tribe, and they settle down on his land near the Tibetan border. Father Krick’s attempts to reach Tibet to set up a Jesuit mission are foiled repeatedly by the local people not because of any personal animus towards the priests or their work, but because they feel—rightly—that once the priests come, the British, with their guns and their garrisons will follow. The story revolves around events in Gimur’s and Kajinsha’s villages and is also seen from the point of view of Father Krick, a gentle, intelligent man, devout but no bigot, whose determination to reach Tibet no matter what the cost, impacts tragically on all those who encounter him.

    For this reason, she's obliged her old-fashioned grandmother by not doing well in school. She’s also resigned to remaining unwed; with three girls in the family, there’s simply not enough dowry to go around.Then a wedding alliance arrives for her oldest sister—a fair-skinned beauty. There's great rejoicing in their household. And, why not? The prospective father-in-law is the right-hand man of an important politician. As Pullamma helps ready the house for the bride-viewing—by washing the cow, by stringing flowers along doorways—she prays for the alliance to go through. Then something happens.Something so inconceivable, it will shape Pullamma's future in ways even the local soothsayer couldn’t have foretold.Tell A Thousand Lies is a sometimes sassy, sometimes sad but, ultimately, realistic look at how superstition, and the colour of a girl's skin, rules India's hinterlands.

    Now, twenty years later, in the heat of a New Mexican summer, Thomas has begun having bizarre conversations with his dead relatives and it's up to Amina-a photographer in the midst of her own career crisis-to figure out what is really going on. But getting to the truth is far harder than it seems. From Thomas's unwillingness to talk, to Kamala's Born Again convictions, to run-ins with a hospital staff that seems to know much more than they let on, Amina finds herself at the center of a mystery so thick with disasters that to make any headway at all, she has to unravel the family's painful past.

    At fourteen, she finds herself traded in marriage to a stranger across the ocean in the fascinating land of Malaysia. Duped into thinking her new husband is wealthy, she instead finds herself struggling to raise a family with a man too impractical to face reality and a world that is, by turns, unyielding and amazing, brutal and beautiful. Giving birth to a child every year until she is nineteen, Lakshmi becomes a formidable matriarch, determined to wrest from the world a better life for her daughters and sons and to face every new challenge with almost mythic strength.By sheer willpower Lakshmi survives the nightmare of World War II and the Japanese occupation -- but not unscathed. The family bears deep scars on its back and in turn inflicts those wounds on the next generation. But it is not until Lakshmi's great-granddaughter, Nisha, pieces together the mosaic of her family history that the legacy of the Rice Mother bears fruit.