But this selection brings old favorites to those fans in a sparkling package and will introduce new readers to the funniest writer in the English language. Right Ho, Jeeves; Joy in the Morning; and Very Good, Jeeves follow the adventures of two magnificently improbable characters. Bertie Wooster is an amiable young gentleman of excellent and ancient family—so he says—with plenty of money and no professional ambitions. Jeeves is his gentleman's gentleman, the soul of discretion, and a deep thinker, at least compared to Wooster. Jeeves brings tea and hangover cures in the morning, tempers his master's dubious taste in clothes, and invariably manages to extricate Wooster from fantastic predicaments of his own devising. Without Jeeves, Wooster would either be in jail or married to one or another terrifying young woman of his Aunt Agatha's choosing. Unlike life, a Wodehouse story always works out well in the end.

    Lacking the ability to measure their longitude, sailors throughout the great ages of exploration had been literally lost at sea as soon as they lost sight of land. Thousands of lives, and the increasing fortunes of nations, hung on a resolution.The scientific establishment of Europe—from Galileo to Sir Issac Newton—had mapped the heavens in both hemispheres in its certain pursuit of a celestial answer. In stark contrast, one man, John Harrison, dared to imagine a mechanical solution—a clock that would keep precise time at sea, something no clock had ever been able to do on land. Longitude is a dramatic human story of an epic scientific quest and Harrison's forty-year obsession with building his perfect timekeeper, known today as the chronometer. Full of heroism and chicanery, it is also a fascinating brief history of astronomy, navigation, and clock-making, and opens a new window on our world.On its 10th anniversary, a gift edition of this classic book, with a forward by one of history's greatest explorers, and eight pages of color illustrations.

     With the German Luftwaffe flying overhead, he had entered it in the midst of the Blitz. He would stay in Britain for the next four months. With his distinctive writing style, that would later earn him a Pulitzer Prize, he vividly depicts Great Britain in her darkest hour. With France defeated and America not yet in the war, the future did not look bright for Churchill’s country. Yet, as Pyle finds out, this was not a country resigned to defeat, instead it was carrying on as best it could, determined that it would not buckle under the pressure of Hitler’s aerial raids. He spends much time in London where he sees the city, “ringed and stabbed with fire,” but also travels the length and breadth of the country, from some areas that have hardly been affected like Edinburgh, to others like Coventry that suffered greatly under the bombardment. Pyle’s inquisitive nature leads him to spend time with dockworkers of Glasgow, R.A.F. pilots in a bomber station, miners of Wales, policemen of London and families across the nation to uncover how the ordinary men and women were coping under the pressure. Ernie Pyle in England is a fascinating account of Britain during one of its darkest periods, and how with amazing resilience the British people survived. Ernest Taylor Pyle was a Pulitzer Prize winning American journalist. As a roaming correspondent for the Scripps-Howard newspaper chain he earned wide acclaim for his accounts of ordinary people, including the likes of Harry Truman. He was killed on Iejima in the Pacific theater of war during the Battle of Okinawa on April 18, 1945. This book was first published in 1941.

    It scrutinizes its symbolistic dimensions and stylistic excellence while keeping an undeviating focus on the poignant classic of love in the time of war. This study further demonstrates how the novel appeals at different levels like the other works of Hemingwayas a story of war, a story of love, a story of the growth of the heros soul, a story of memorable characters and a work of artistic excellence. The present book will definitely prove useful to students, researchers as well as teachers of English Literature interested in the study of Hemingway and his works.

    She is excited, exhausted—and about to meet royalty. . . .So begins the unforgettable story of Charlotte Bill, who would care for a generation of royals as their parents never could. Neither Charlotte—LaLa, as her charges dub her—nor anyone else can predict that eldest sons David and Bertie will each one day be king. LaLa knows only that these children, and the four who swiftly follow, need her steadfast loyalty and unconditional affection.But the greatest impact on Charlotte’s life is made by a mere bud on the family tree: a misunderstood soul who will one day be known as the Lost Prince. Young Prince John needs all of Lala’s love—the kind of love his parents won’t…or can’t…show him.From Britain’s old wealth to the glittering excesses of Tsarist Russia; from country cottages to royal yachts, and from nursery to ballroom, Charlotte Bill witnesses history. The Royal Nanny is a seamless blend of fact and fiction—an intensely intimate, yet epic tale spanning decades, continents, and divides that only love can cross.

    The first of these came out in 1946: the ever famous "How to be an Alien." Later he enlarges the picture with "How to be inimitable" and "How to be Decadent." All three books were illustrated by the master of the cartoonists' art, the late Nicolas Bentley. Here they are, all in one volume, which will make life much easier for today's would-be Brits than it was for those who pervaded them. It is said that a few of the latter actually failed to become indistinguishable from the genuine British article because they found it too tiresome to seek out three separate books: a misfortune that need never again occur to anyone.

    1537. Henry VIII’s beloved third wife, Jane Seymour, has just died in childbirth. The king needs a new wife. Shown a flattering portrait of Anne of Cleves, Henry commits himself to marrying her. As soon as she arrives in England the lovesick and impatient king rides through the night to meet his future wife. This rushed and unplanned rendezvous has shocking results. He thinks that she looks nothing like the sweet and innocent Anne he saw in the portrait; she is shocked at his coarse and impulsive behaviour. Now Henry wants to renege on his promise - but the king must also do right by his kingdom. Thomas Cromwell, his wily adviser, is asked by Henry to provide a solution to his problem. The fate of Anne hangs in the balance. Will the blameless and wronged wife have her hopes fulfilled, or will she be sent to the Tower and share Anne Boleyn end? Recommended for fans Alison Weir, Philippa Gregory and The Tudors. Praise for 'Anne of Cleves: Unbeloved'. …very easy and enjoyable read, filling in my ignorance of one of Henry’s lesser-known wives. Iain K. Burns. Past Chief Executive of Macmillan Group (Worldwide) D.Lawrence-Young is the author of numerous historical novels, including 'Six Million Accusers', 'Catherine Howard' and 'Arrows over Agincourt'. Praise for Anne of Cleves: Unbeloved. …very easy and enjoyable read, filling in my ignorance of one of Henry’s lesser-known wives. Iain K. Burns. Past Chief Executive of Macmillan Group (Worldwide)

    Almost two hundred years after her death, Austen remains a hot topic, constantly open to revival and reinterpretation and known to millions of people through film and television adaptations as much as through her books. In Jane's Fame, Claire Harman gives us the complete biography―of both the author and her lasting cultural influence―making this essential reading for anyone interested in Austen's life, works, and remarkably potent fame.

    One of Paine's greatest and most widely read works, considered a classic statement of faith in democracy and egalitarianism, defends the early events of the French Revolution, supports social security for workers, public employment for those in need of work, abolition of laws limiting wages, and other social reforms.

    In Jane Austen, Shields follows this superb and beloved novelist from her early family life in Steventown to her later years in Bath, her broken engagement, and her intense relationship with her sister Cassandra. She reveals both the very private woman and the acclaimed author behind the enduring classics Sense and Sensibility, Pride and Prejudice, and Emma. With its fascinating insights into the writing process from an award–winning novelist, Carol Shields’s magnificent biography of Jane Austen is also a compelling meditation on how great fiction is created.

    Since then, she's written eight more, three of which have been short-listed for England's prestigious Booker Prize, and one of which, Offshore, won. Now she's back with her tenth and best book so far, The Blue Flower. This is the story of Friedrich von Hardenberg--Fritz, to his intimates--a young man of the late 18th century who is destined to become one of Germany's great romantic poets. In just over 200 pages, Fitzgerald creates a complete world of family, friends and lovers, but also an exhilarating evocation of the romantic era in all its political turmoil, intellectual voracity, and moral ambiguity. A profound exploration of genius, The Blue Flower is also a charming, wry, and witty look at domestic life. Fritz's family--his eccentric father and high-strung mother; his loving sister, Sidonie; and brothers Erasmus, Karl, and the preternaturally intelligent baby of the family, referred to always as the Bernhard--are limned in deft, sure strokes, and it is in his interactions with them that the ephemeral quality of genius becomes most tangible. Even his unlikely love affair with young Sophie von Kühn makes perfect sense as Penelope Fitzgerald imagines it. The Blue Flower is a magical book--funny, sad, and deeply moving. In Fritz Fitzgerald has discovered a perfect character through whom to explore the meaning of love, poetry, life, and loss. In The Blue Flower readers will find a work of fine prose, fierce intelligence, and perceptive characterization.

    Chances are you’ve also read Jane Eyre; if you were an exceptionally moody teenager, you might have even read Wuthering Heights. English majors might add George Eliot or Virginia Woolf to this list…but then the trail ends. Were there truly so few women writing anything of note during late 18th and 19th century Britain?In Not Just Jane, Shelley DeWees weaves history, biography, and critical analysis into a rip-roaring narrative of the nation’s fabulous, yet mostly forgotten, female literary heritage. As the country, and women’s roles within it, evolved, so did the publishing industry, driving legions of ladies to pick up their pens and hit the parchment. Focusing on the creative contributions and personal stories of seven astonishing women, among them pioneers of detective fiction and the modern fantasy novel, DeWees assembles a riveting, intimate, and ruthlessly unromanticized portrait of female life—and the literary landscape—during this era. In doing so, she comes closer to understanding how a society could forget so many of these women, who all enjoyed success, critical acclaim, and a fair amount of notoriety during their time, and realizes why, now more than ever, it’s vital that we remember.Rediscover Charlotte Turner Smith, Helen Maria Williams, Mary Robinson, Catherine Crowe, Sara Coleridge, Dinah Mulock Craik, and Mary Elizabeth Braddon.

    

    From ancient Rome to Edwardian England, from the lavish rooms of Versailles to the dankest corners of the Bastille, the great royals of Europe have excelled at savage parenting, deadly rivalry, pathological lust, and meeting death with the utmost indignity-or just very bad luck.

    But beyond these familiar details, the Brontes' story has remained largely obscure. This landmark book is the first definitive history of this fascinating family. Based on eleven years of research among newly discovered letters by every member of the family, original manuscripts, and the newspapers of that time, it gives a new and fuller picture of the Brontes' lives from beginning to end and, in the process, demolishes many myths. The father, Patrick, was not, as commonly believed, the cold patriarch of a family of victims. Charlotte, ruthlessly self-willed, ran roughshod over her sisters and went so far as to alter or destroy their manuscripts when she disapproved. Emily was so psychologically and physically dependent on her fantasy life that she could not survive in the outside world. Anne, widely regarded as the gentlest of the sisters, had a core of steel and was a more daring and revolutionary author than Charlotte. Branwell, the adored brother, was a talented poet who provided much of Charlotte's inspiration.