The story is told from the perspective of a world of intelligent aliens as they reach out to discover the universe in which they live. They have to do that in ways that are very different from our own history in details (for example, they live under water where access to the night sky is limited, which puts a crimp in early astronomy), but very similar in the abstract. The similarities arise for the simple reason that the universe in which they live is THE universe. The message here is deep & subtle & important: reality is what it is, & no matter what kind of body you have, no matter what specific environmental niche you occupy, if you are smart enough to wonder about the world you live in, & clever enough to discover ways to ask your questions well, you will discover the same immutable facts about the nature of things. Brunner shows this without ever giving a lecture or explicitly making the point. It's a story telling tour de force that really puts the science solidly in the center of science fiction.

    Ride with him as he rides to the rescue, narrowly escapes certain death, and foils evil in its ruthelss tracks!From the Paperback edition.

    By inserting 'errors' in the accounting logs, the Syndicate intends to expose a phony embezzlement scheme as an excuse to shut down the troublesome orbiting pleasure palace. When the reclusive Redwine falls in love with the madam, he begins a tricky double-cross that threatens more than the financial well-being of the Comet.

    The excavation showed that the fossilized plesiosaur had been holding a placard which read, 'End Nuclear Testing Now'.That was nothing unusual.But then came a discovery of something which did intrigue Kin Arad.A flat earth was something new ...

    It was waiting for him, just as he had left it. But where? He only knew he was in the center of a galaxy in a universe of galaxies. Within them lay endless varieties of the planet Earth. And there was only one way to find his Earth again: he would have to visit each one. And he would have to hurry--because his search for home had turned into a race with death.

    Rather, it suddenly wanted to stop thinking about them. The public was scared. Throughout all human history, the most horrifying of all ideas has been the idea of something which was as intelligent as a man, but wasn't human.The first sounds came at midnight, a plaintive keening from an unknown voice in the vastness of uncharted space. Within hours the whole world had heard the strange, unearthly music--and the panic had begun.Were the sounds a plea for help? From whom? From where? Or were they a command too terrible to think about? No one knew: And in billions of earth-bound minds the horror grew...For how could man, who had not yet claimed the moon, defy a challenge from the stars?And hours later, to the ears of a helpless world, the second message came. . .And Earth's days were numbered.

    The earthlings called them Angels. They were the ultimate beings - creatures that had been alive since the beginning of the universe.But would they help earth - or destroy it? It's up to Loftus to find out. Together with Stevens and Dr. Langer, he sets out on a daring mission to unknown parts of the universe.And in deepest space, on the edge of their comprehension, they will encounter the Angels...THE STAR DWELLERS

    Fleeing in a shuttle spacecraft from the sparsely populated and austere comet-mining habitat she has lived in her whole life, she spots a distant, approaching object, and stakes a legal claim to it. It is not the valuable comet she hoped for but something even more wonderful, an abandoned Cycler starship.Her discovery unleashes a fury of action, greed, and interstellar intrigue as many factions attempt to take advantage of the last great opportunity to revitalize - and perhaps control - the Compact.This is the story of Rue's quest to visit and claim this ship and its treasures, set against a background of warring empires, strange alien artifacts, and fantastic science. It is a story of hope and danger, of a strange and compelling religion, Permanence, unique to this star-faring age, and of the re-birth of life and belief in a place at the edge of forever.

    The future physics is mind-boggling but firmly grounded in the science of today, and the action never stops.

    And with The Road to Mars he reaffirms this with a raucously sidesplitting vengence.Muscroft and Ashby are a comedy team on "The Road to Mars," an interplanetary vaudeville circuit of the future. Accompanied by Carlton, a robot incapable of understanding irony but driven to learn the essence of humor, Alex and Lewis bumble their way into an intergalactic terrorist plot. Supported by a delicious cast, including a micropaleontologist narrator (he studies the evolutionary impact of the last ten minutes) and the ultra-diva Brenda Woolley, The Road to Mars is a fabulous trip through Eric Idle's inimitable world, a "universe expanding at the speed of laughter."

    This remote world is mostly ocean, and it is a rare visitor who ventures beyond the safety of the island Dome. Outside it, only the native Hoopers dare risk the voracious appetites of the planet's wildlife. But somewhere out there is Spatterjay Hoop -- and Keech will not rest until he brings this legendary renegade to justice for hideous crimes committed centuries ago during the Prador Wars.While Keech is discovering that Hoop is now a monster -- his body and head living apart from each other -- Janer is bewildered by a place where the native inhabitants just will not die and angry when he finally learns the Hive mind's intentions for him. Meanwhile, Erlin thinks she has plenty of time to find the answers she seeks, but could not be more wrong. For one of the most brutal of the alien Prador is about to pay the planet a surreptitious visit, intent on exterminating all remaining witnesses to his wartime atrocities. As the visitors' paths converge, major hell is about to erupt in a chaotic waterscape where minor hell is already a remorseless fact of everyday life . . . and death.

    The sole legacy of that war was the weapon that ended it: the death machines, the BERSERKERS. Guided by self-aware computers more intelligent than any human, these world-sized battlecraft carved a swath of death through the galaxy--until they arrived at the outskirts of the fledgling Empire of Man.These are the stories of the frail creatures who must meet this monstrous and implacable enemy--and who, by fighting it to a standstill, become the saviors of all living things.

    By 1999 they had made huge fortunes in the field of medical instrumentation. But Heiny and his Uncle Martin weren't just filthy rich, they were also the world's best gene engineers. And their latest inventions could free Humanity from want and oppressive governments forever. At least, that was the plan. Imagine: Free homes with all the furnishings and utilities! Free food! Even free babysitters! Heiny and Uncle Martin even thought they should give their inventions away. Free. That's when their troubles began.

    Now, as faster-than-light drive opens the stars to exploration, humans are finding other relics of the race they call the Monument-Makers - each different, and each heartbreakingly beautiful. But except for a set of footprints on Jupiter's moon Iapetus, there is no trace of the enigmatic race that has left them behind. Then a team of scientists working on a dead world discover an ominous new image of the Monument-Makers. Somehow it all fits with other lost civilizations, and possibly with Earth's own future. And distant past. But Earth itself is on the brink of ecological disaster - there is no time to search for answers. Even to a question that may hold the key to survival for the entire human race...

    Clinging to its skin are the zones, a series of semi-autonomous city-states, each of which enjoys a different—and rigidly enforced—level of technology. Horsetown is pre-industrial; in Neon Heights they have television and electric trains . . .Following an infiltration mission that went tragically wrong, Quillon has been living incognito, working as a pathologist in the district morgue. But when a near-dead angel drops onto his dissecting table, Quillon's world is wrenched apart one more time, for the angel is a winged posthuman from Spearpoint's Celestial Levels—and with the dying body comes bad news.If Quillon is to save his life, he must leave his home and journey into the cold and hostile lands beyond Spearpoint's base, starting an exile that will take him further than he could ever imagine. But there is far more at stake than just Quillon's own survival, for the limiting technologies of the zones are determined not by governments or police, but by the very nature of reality—and reality itself is showing worrying signs of instability . . .Terminal World is a snarling, drooling, crazy-eyed mongrel of a book: equal parts steampunk, western, planetary romance, and far-future SF.