We shall continue to have Wars; and some day the world is going to have a war to which the present Will serve only as a try-out. When that war comes our country will prob ably have to bear the burden for the western hemisphere. In that war our navy will be our first line of defense; and what we do for our navy now will have much to do with what our navy will be able to do for us then.

    But Chief Inspector Pointer has his doubts. Why, for instance, would the dead man choose to expire in the rather inconvenient confines of a piece of furniture? And who was the dead man, anyway? Soon these and other questions lead Pointer onto the trail of a completely different crime. Written by an author whose identity is as great a mystery as his/her novels. The Eames-Erskine Case is the first of nearly two dozen mysteries from the 1920’s and 1930’s to feature Chief Inspector Pointer.

    Little does she know that at that dance she will meet the man who will change her life---and the lives of all her fellow Southerners---forever. Cecelia falls instantly in love with the dashing young Northern cadet, William Tecumseh Sherman, and they embark on a fiery, secret rendezvous despite their broad cultural differences and the expectation that they will marry others. Their love remains poignantly aflame and survives the worst obstacles over years of separation and longing. And then the long-threatened Civil War starts, and both Cecelia and William assume prominent positions on opposite sides of their country’s deepest and fiercest rift, as William becomes the very same General Sherman who will be feared and hated throughout the South. Legend has it that Sherman’s love for Cecelia was the reason he spared her hometown of Augusta during his infamous march to the sea, in which his troops cut a swath through nearly every other town in Georgia and burned Atlanta to the ground. Now Diane Haeger, the author of the acclaimed The Secret Wife of King George IV, has re-created this lost romance in a sweeping and lyrical novel that will be treasured by the history enthusiast---and hopeless romantic---in everyone. A multilayered historical saga spanning a quarter-century, Diane Haeger’s epic novel of star-crossed lovers Cecelia Stovall and General William T. Sherman is a romance for the history books.

    Everyone had sacrificed—suffered profound misery and unimaginable loss. Vivianna Bartholomew was no exception. The war had torn her from her home—orphaned her. The merciless war seemed to take everything—even the man she loved. Still, Vivianna yet knew gratitude—for a kind friend had taken her in upon the death of her parents. Thus, she was cared for—even loved.Yet, as General Lee surrendered signaling the war’s imminent end—as Vivianna remained with the remnants of the Turner family—her soul clung to the letters written by her lost soldier—to his memory written in her heart. Could a woman ever heal from the loss of such a love? Could a woman’s heart forget that it may find another? Vivianna Bartholomew thought not.Still, it is often in the world that miracles occur—that love endures even after hope has been abandoned. Thus, one balmy Alabama morning—as two ragged soldiers wound the road toward the Turner house—Vivianna began to know—to know that miracles do exist—that love is never truly lost.

    Each casebook reprints documents relating to a work's historical context and reception, presents the best critical studies, and, when possible, features an interview with the author. Accessible and informative to scholars, students, and nonspecialist readers alike, the books in this series provide a wide range of critical and informative commentaries on major texts. Gabriel Garcia Marquez's One Hundred Years of Solitude is arguably the most important novel in twentieth-century Latin American literature. This Casebook features ten critical articles on Garcia Marquez's great work. Carefully selected from the most important work on the novel over the past three decades, they include pieces by Carlos Fuentes, Iris Zavala, James Higgins, Jean Franco, Michael Wood, and Gene H. Bell-Villada. Among the intriguing aspects of the work discussed are its mythic dimension, its "magical" side, its representations of women, its relationship with past chronicles of exploration and discovery, its portrayals of Western power and imperialism, its astounding diffusion throughout the globe and the media, and its simple truth-telling, its fidelity to the tangled history of Latin America. The book incorporates several theoretical approaches--historical, feminist, postcolonial; the first English translation of Fuentes's renowned, oft-cited, eight page meditation on the work; a general introduction; and a 1982 interview with Garcia Marquez.

    But for the new believer, these things can be difficult and confusing. To resolve this difficulty, I created The Story Bible. The idea was to remove from the text those things that are complicated and/or confusing for the new believer, or for anyone who is new to Bible reading. For example, the books of First and Second Chronicles contain some great stories. But they include so many numbers and lists that the narratives get lost in the shuffle. So in The Story Bible I simply removed the lists, while leaving the stories to be read and enjoyed. Another example is the book of Numbers, which also contains some fascinating stories. But the stories are interspersed with descriptions of sanctuary rituals and census data that can become boring or confusing to the new believer. So again, I simply removed the sanctuary ritual descriptions and the census data while leaving the stories in place to be enjoyed without frustration. What I have produced is a Bible that can be read by a new believer from cover to cover without getting stuck.After serving as a Christian pastor for many years, I not only recognize the problem of new believers getting stuck in genealogies, sanctuary rituals, etc., but I also recognize that what new believers need most is familiarity with Bible stories. The Bible narratives form the backbone for everything else in scripture. Prophecy, sanctuary rituals, pastoral letters, genealogies, and even census data find their place once the new believer becomes familiar with the stories.Keep in mind that I have not edited the narratives themselves. Every word of The Story Bible is from the text itself. I have only removed that which is not narrative, so that the narratives are no longer obscured and can more easily be enjoyed. Another way to put it is to say that The Story Bible is a compilation of all the stories of Scripture. Every portion of the Bible that is narrative was included. I did not edit, condense, or rewrite the narratives. I only compiled them.The translation I used for this project is the Bible in Basic English. It was translated by Professor Samuel Henry Hooke (1874-1968), an English scholar and Professor Emeritus of Old Testament Studies in the University of London. The BBE was printed in 1965 by Cambridge Press in England. Published without any copyright notice and distributed in America, this work fell immediately and irretrievably into the public domain in the United States. The BBE is easy to read, since it utilizes a 1000 word vocabulary. My hope is that new believers will be drawn in by the Bible stories and discover how relevant and practical the Bible is for us today.