He was less fond of speaking, however, than he was of hitting people in the face, which seemed a more likely source of her love to those of us who knew him,” begins Jason Brown’s linked collection of beautifully haunted, violent, and wry stories set in the densely forested lands of northern New England. In these tales of forbidden love, runaway children, patrimony, alcohol, class, inheritance, and survival, Brown’s elegant prose emits both quiet despair and a poignant sense of hope and redemption. These vivid accounts of troubled lives combine the powerful family drama of Andre Dubus and Russell Banks, the dark wit of Denis Johnson, the lost souls of Charles D’Ambrosio, and the New England gothic of Nathaniel Hawthorne. Jason Brown’s exquisitely crafted second collection will establish him as one of the most important voices in American short fiction.

    In this two-volume selection of Ursula K. Le Guin's best short stories—as selected by the National Book Award winning author herself—the reader will be delighted, provoked, amused, and faced with the sharp, satirical voice of one of the best short story writers of the present day.Where on Earth explores Le Guin's earthbound stories which range around the world from small town Oregon to middle Europe in the middle of revolution to summer camp.Companion volume Outer Space, Inner Lands includes Le Guin's best known nonrealistic stories. Both volumes include new introductions by the author.This volume includes the stories: Brothers and Sisters (1976, Orsinia)A Week in the Country (1976, 2004, Orsinia)Unlocking the Air (1990, Orsinia)Imaginary Countries (1973, Orsinia)The Diary of the Rose (1976)The Direction of the Road (1974, 2002)The White Donkey (1980)Gwilan’s Harp (1977, 2005)May’s Lion (1983)Buffalo Gals, Won’t You Come Out Tonight (1987)Horse Camp (1986)The Water is Wide (1976, 2004)The Lost Children (1996)Texts (1990, Klatsand)Sleepwalkers (1991, Klatsand)Hand, Cup, Shell (1989, Klatsand)Ether, Or (1995)Half Past Four (1987)

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel

    Bender's prose is glorious, musical, and colloquial, an anthology of the bizarre. In 'The Rememberer', a man undergoes reverse evolution -- from man to ape to salamander -- at which point a friend releases him into the sea, while in another story a woman gives birth to her mother. A grief-stricken librarian decides to have sex with every man who enters her library. A half-mad, unbearably beautiful heiress follows a strange man home, seeking total sexual abandon: He only wants to watch game shows. A woman falls in love with a hunchback; when his deformity turns out to be a prosthesis, she leaves him. A wife whose husband has just returned from the war struggles with the heartrending question: Can she still love a man who has no lips?Contents:The rememberer --Call my name --What you left in the ditch --The bowl --Marzipan --Quiet please --Skinless --Fugue --Drunken Mimi --Fell this girl --The healer --Loser --Legacy --Dreaming in Polish --The ring --The girl in the flamable skirt.

    Like Faulkner's Mississippi and Cormac McCarthy's American West, Gay's Tennessee is redolent of broken souls. Mining that same fertile soil, his debut collection, I Hate to See That Evening Sun Go Down, brings together thirteen stories charting the pathos of interior lives. Among the colorful people readers meet are: old man Meecham, who escapes from his nursing home only to find his son has rented their homestead to "white trash"; Quincy Nell Qualls, who not only falls in love with the town lothario but, pregnant, faces an inescapable end when he abandons her; Finis and Doneita Beasley, whose forty-year marriage is broken up by a dead dog; and Bobby Pettijohn -- awakened in the night by a search party after a body is discovered in his back woods. William Gay expertly sets these conflicted characters against lush backcountry scenery and defies our moral logic as we grow to love them for the weight of their human errors.

    Though many of the stories gathered here were published separately, there are several themes common to them all, giving them new meaning in the context of this collection.

    An actor, phased out of Hollywood for his Communist ties during McCarthyism, tries to share a meaningful moment with his son. An Israeli soldier comes of age when his brother is maimed on their communal farm. A gallerist, swept up by the 1970s dissident art movement, begins smuggling paintings out of Moscow and curating underground shows in her Jerusalem home. This is a rare collection as accomplished at capturing our soaring triumphs as it is our crippling defeats--a hopeful reminder that we are all closer and more capable than we sometimes feel.

    Brought together in this volume, these stories represent an unprecedented accomplishment in American literature. In their iconoclasm and needle-sharp irony, their formal and thematic ingenuity and element of surprise, they differ markedly from the fiction admired in Bierce's time. Readers familiar with the classic An Occurrence at Owl Creek Bridge will want to turn to Bierce's other Civil War stories. Also included here are his horror stories, among them The Death of Halpin Frayser and The Damned Thing, and such tall tales as Oil of Dog and A Cargo of Cat.

    . . . Krauss’s depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss’s stories capture characters at moments in their lives when they’re hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers.”  —Molly Antopol, New York Times Book Review “From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction.” — Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women’s coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss’s stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.

    Real people live their lives here. They wrestle with familiar instincts, with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a – well what?

    Ballard has been one of Britain's most celebrated novelists. From the beginning he has been equally admired for his distinctive and highly influential short stories, the first of which - "Prima Belladonna" and "Escapement" - appeared in Science Fantasy and New Worlds in 1956. Now, all of his published stories - including four not previously featured in a collection - have been arranged in the order of original publication, providing an unprecedented opportunity to review the career of one of Britain's greatest writers.A Washington Post Best Book of 2009, Boston Globe Best Book, Los Angeles Times Favorite Book, and San Francisco Chronicle Best Book.Contents:- Prima Belladonna [Vermilion Sands] (1956)- Escapement (1956)- The Concentration City (1957, variant of Build-Up)- Venus Smiles [Vermilion Sands] (1957)- Manhole 69 (1957)- Track 12 (1958)- The Waiting Grounds (1959)- Now: Zero (1959)- The Sound-Sweep (1960)- Zone of Terror (1960)- Chronopolis (1960)- The Voices of Time (1960)- The Last World of Mr. Goddard (1960)- Studio 5, The Stars [Vermilion Sands] (1961)- Deep End (1961)- The Overloaded Man (1961)- Mr F. is Mr F. (1961)- Billennium (1961)- The Gentle Assassin (1961)- The Insane Ones (1962)- The Garden of Time (1962)- The Thousand Dreams of Stellavista [Vermilion Sands] (1962)- Thirteen to Centaurus (1962)- Passport to Eternity (1962)- The Cage of Sand (1962)- The Watch-Towers (1962)- The Singing Statues [Vermilion Sands] (1962)- The Man on the 99th Floor (1962)- The Subliminal Man (1963)- The Reptile Enclosure (1963)- A Question of Re-Entry (1963)- The Time-Tombs (1963)- Now Wakes the Sea (1963)- The Venus Hunters (1963)- End-Game (1963)- Minus One (1963)- The Sudden Afternoon (1963)- The Screen Game [Vermilion Sands] (1963)- Time of Passage (1964)- Prisoner of the Coral Deep (1964)- The Lost Leonardo (1964)- The Terminal Beach (1964)- The Illuminated Man (1964)- The Delta at Sunset (1964)- The Drowned Giant (1964)- The Gioconda of the Twilight Noon (1964)- The Volcano Dances (1964)- The Beach Murders (1966)- The Day of Forever (1966)- The Impossible Man (1966)- Storm-Bird, Storm-Dreamer (1966)- Tomorrow Is a Million Years (1966)- The Assassination of John Fitzgerald Kennedy Considered as a Downhill Motor Race (1966)- Cry Hope, Cry Fury! [Vermilion Sands] (1967)- The Recognition (1967)- The Cloud-Sculptors of Coral D [Vermilion Sands] (1967)- Why I Want to Fuck Ronald Reagan (1968)- The Dead Astronaut (1968)- The Comsat Angels (1968)- The Killing Ground (1969)- A Place and a Time to Die (1969)- Say Goodbye to the Wind [Vermilion Sands] (1970)- The Greatest Television Show on Earth (1972)- My Dream of Flying to Wake Island (1974)- The Air Disaster (1975)- Low-Flying Aircraft (1975)- The Life and Death of God (1976)- Notes Towards a Mental Breakdown (1976)- The 60 Minute Zoom (1976)- The Smile (1976)- The Ultimate City (1976)- The Dead Time (1977)- The Index (1977)- The Intensive Care Unit (1977)- Theatre of War (1977)- Having a Wonderful Time (1978)- One Afternoon at Utah Beach (1978)- Zodiac 2000 (1978)- Motel Architecture (1978)- A Host of Furious Fancies (1980)- News from the Sun (1981)- Memories of the Space Age (1982)- Myths of the Near Future (1982)- Report on an Unidentified Space Station (1982)- The Object of the Attack (1984)- Answers to a Questionnaire (1985)- The Man Who Walked on the Moon (1985)- The Secret History of World War 3 (1988)- Love in a Colder Climate (1989)- The Enormous Space (1989)- The Largest Theme Park in the World (1989)- War Fever (1989)- Dream Cargoes (1990)- A Guide to Virtual Death (1992)- The Message from Mars (1992)- Report from an Obscure Planet (1992)

    "Grand Stand-In" is narrated by an employee of a Nuclear Family Supplemental Provider—a company that supplies "stand-ins" for families with deceased, ill, or just plain mean grandparents. And in "Blowing Up On the Spot," a young woman works sorting tiles at a Scrabble factory after her parents have spontaneously combusted.Southern gothic at its best, laced with humor and pathos, these wonderfully inventive stories explore the relationship between loss and death and the many ways we try to cope with both.

    She tackles eros and intimacy with a deceptively light touch, a keen awareness of how their nervous systems tangle and sometimes short-circuit, and a genius for revealing our most vulnerable, spirited selves. In “Desert Hearts,” a woman takes a job selling sex toys in San Francisco rather than embark on the law career she pursued only for the sake of her father. In “Pearl and the Swiss Guy Fall in Love,” a woman realizes she much prefers the company of her pit bull—and herself—to the neurotic foreign fling who won’t decamp from her apartment. In “How Am I Supposed to Talk to You?” a daughter hauls a suitcase of lingerie to Mexico for her flighty, estranged mother to resell there, wondering whether her personal mission—to come out—is worth the same effort. And in “Barbara the Slut,” a young woman with an autistic brother, a Princeton acceptance letter, and a love of sex navigates her high school’s toxic, slut-shaming culture with open eyes. With heart, sass, and pitch-perfect characters, Barbara the Slut is a head-turning debut from a writer with a limitless career before her.

    R. James's writings currently available, Count Magnus and Other Ghost Stories contains the entire first two volumes of James's ghost stories, Ghost Stories of an Antiquary and More Ghost Stories of an Antiquary. These volumes are both the culmination of the nineteenth-century ghost story tradition and the inspiration for much of the best twentieth-century work in this genre. Included in this collection are such landmark tales as "Count Magnus," set in the wilds of Sweden; "Number 13," a distinctive tale about a haunted hotel room; "Casting the Runes," a richly complex tale of sorcery that served as the basis for the classic horror film Curse of the Demon; and "Oh, Whistle, and I'll Come to You, My Lad," one of the most frightening tales in literature. The appendix includes several rare texts, including "A Night in King's College Chapel," James's first known ghost story.

    Among the things I do pretty well at this point I’d have to list darts, re-closing Stay-Fresh boxes, and staying out of the way. This is the self-eulogy offered early on by the unwilling hero of the opening story in this collection, a dazzling array of work in short fiction from a master of the form. The stories in Love and Hydrogen—familiar to readers from publications ranging from McSweeney’s to The New Yorker to Harper’s to Tin House—encompass in theme and compassion what an ordinary writer would seem to need several lifetimes to imagine.A frustrated wife makes use of an enterprising illegal-gun salesman to hold her husband hostage; two hapless adult-education students botch their attempts at rudimentary piano but succeed in a halting, awkward romance; a fascinated and murderous Creature welcomes the first human visitors to his Black Lagoon; and in the title story, the stupefyingly huge airship Hindenburg flies to its doom, representing in 1937 mankind's greatest yearning as well as its titanic failure. Generous in scope and astonishing in ambition, Shepard’s voice never falters; the virtuosity of Love and Hydrogen cements his reputation as, in the words of Rick Bass, “a passionate writer with a razor-sharp wit and an elephantine heart”—in short, one of the most powerful talents at work today.