She’s been called all the hurtful names: Hefty heifer, dump truck, fat, porky pig, she’s heard them all. A bred and born LA girl, she feels like she’s surrounded by the thin and beautiful of the world, and having a widower father who tells her she’s beautiful every day just doesn’t help. She can see her reflection in the mirror, after all, loud and clear. After graduation from UCLA, she gets a coveted job as personal assistant to superstar singer Meredith Renner, who’s leaving for a world tour with Heath Spencer, who’s even more popular than Meredith, if such a thing is possible. Meredith is as awful as MJ expected her to be, but Heath turns out to be nice. And smart. And funny. And—attracted to her? MJ? The big girl? Could such a thing be possible? He’s only interested in being her friend, right? But as the tour progresses across the globe, and MJ and Heath spend more and more time together, MJ is forced to admit what just couldn’t be: Heath Spencer likes her. In that way. So, though she’s scared out of her wits, MJ, who’s never had a boyfriend, who’s never even kissed anyone, throws herself into an exciting, secret, and very sexy romance with one of the most handsome and sought after men on the planet. And life is complete and utter bliss. But of course things can’t stay this perfect, can they? Treacherous Meredith, who also happens to be Heath’s ex, has a few horrible tricks up her sleeve. Poor, innocent MJ, who’s never hurt anyone, has to endure her wrath, and kind, generous Heath has to deal with an all consuming guilt for something that isn’t even his fault. Can their fragile love survive such a vile onslaught? Come travel with our couple, through such romantic locales as Sydney, Tokyo, Prague, Paris, Rio, and New York, as they discover love and each other, the good and the bad that can exist in the glamorous world of touring, and the romantic world of becoming a couple.

    government—an usher in the White House. For more than 200 years, a small office has operated on the State Floor of the White House Executive Residence. Known as the Usher's Office, whose mission is to accommodate the personal needs of the first family, and to make the White House feel like a home. The Usher's Office is the managing office of the Executive Residence and its staff of 90-plus. The staff consists of butlers, carpenters, grounds personnel, electricians, painters, plumbers, florists, maids, housemen, cooks, chefs, storekeepers, curators, calligraphers, doormen, and administrative support. Ushers work closely with the first family, senior staff, Social Office, Press Office, Secret Service Agency, and military leaders to carry out White House functions: luncheons, dinners, teas, receptions, meetings, conferences, and more. Chris Emery was only the 18th White House Usher since 1891, and had the honor and privilege to serve presidential families for three years during the Reagan administration, four years for President H. W. Bush, and 14 months under President Clinton. His vignettes recreate intimate White House happenings from an insider’s viewpoint. Chris Emery was the only White House Usher to be terminated in the 20th century. Turn the pages to find out which first lady fired him... “With his book, White House Usher: Stories from the Inside, former usher Chris Emery gives his readers a peek inside what happens upstairs at the White House. Chris’ anecdotes tell a rich story of how America’s house really is the First Families’ home. I loved my trip down memory lane.” - Former First Lady Barbara Bush (October 2017)

    After coming within air-kissing distance of a felony charge, Angela is determined to make something of her life. When a sympathetic neighbor offers her work, Angela jumps at the opportunity. She figures it won’t be hard to track down a missing fiancé last seen with two Lady Gaga lookalikes. After all, one of her superpowers is finding badly behaved men. But the trail of the runaway groom has more twists than a bride’s updo. And when Angela uncovers secrets that people will kill to keep hidden, she has to decide the price she’s willing to pay for success. Angela will need to call upon all her charm and cunning—and the deities of her ancient Samoan ancestors—to make sure this professional growth opportunity doesn’t kill her first. Praise: "...An entertaining, unconventional mystery that is difficult to put down. Dara Carr’s Angela Cray Gets Real is a mystery with a decidedly unconventional detective: Angela Cray is broke, living with her mother, desperately in need of a job, and entirely lacking in detective experience. Her story of venturing into this new line of work is stylish, absorbing, and laugh-out-loud funny."—Foreword Clarion Reviews Finalist for a Freddie Award for Writing Excellence from the Mystery Writers of America/Florida chapter.

    When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed. The three-act, three-and-a-half-hour mammoth of a play combines epic tragedy with black comedy, dramatizing three generations of unfulfilled dreams and leaving not one of its thirteen characters unscathed.

    More than fifty years later, master playwright Edward Albee (Who’s Afraid of Virginia Woolf? and The Goat, or Who is Sylvia?) wrote a prequel to this classic. Home Story contains the events in Peter’s life immediately preceding his encounter with Jerry on the park bench and is every bit as powerful as the original. We meet Ann, Peter’s wife, and see the conversation that compelled Peter to go for that fateful walk in the park. For the first time collected in one volume, At Home at the Zoo is a must for any theater lover.

    

    "By a mile, the best new play of the season>"--John Heilpern, New York Observer.

    It gives a pretty good account of how many Hispanics must feel having to conform in America.

    With its pulse-pounding action, electric dialogue, and hardcore thrills, Death Proof recharges the exploitation film genre and drives it straight into the 21st century. Jungle Julia is the hottest DJ in Austin. Ready for a night out, Jungle Julia and her girls turn heads all over Austin until they settle at Huck's, the coolest dive in town. There they meet Stuntman Mike, an aging rebel with a badass muscle car, a silver jacket, and a long scar on his face. The girls drink and dance the night away as Mike sits at the bar and watches. But Stuntman Mike is no innocent drifter. He has a secret weapon--and it's parked outside.

    Her oldest daughter, Kess, is a university professor in Minneapolis, but she has come home at the request of her sister, Jo who is concerned for Evelyn's mental health. Kess, a professed lesbian, wants to cut her family ties once and for all; Jo, an incurable romantic and longtime virgin, has now become pregnant; while Sherry, salty-tongued and amoral, wants only to finish high school so she can leave home for good. In the end, there is no accommodation possible but, instead, only a kind of arbitrary independence for each of the protagonists, as they come to realize that each must find her own heaven or hell in her own way.

    But when Abby finds Zack at home one afternoon when he's supposed to be at work, the questions and answers that follow shake the foundation of their seemingly beautiful life.

    The fledgling friendship soon veers out of control, shattering the fragile hold that newly unemployed Ben and burgeoning alcoholic Mary have on their way of life—with unexpected comic consequences. Detroit is a fresh, offbeat look at what happens when we dare to open ourselves up to something new. After premiering at Chicago's Steppenwolf Theatre last year to rave reviews, Lisa D'Amour's brilliant and timely play moves to Broadway this fall.

    This classic, provocative introduction to classical metaphysical questions focuses on appreciating the problems, rather than attempting to proffer answers.

    Later, she was committed to Broadmoor "from where she may not be discharged without permission of the Home Secretary." Using a technique of multiple characterization, Find Me seeks to investigate in depth the personality of the young girl - to 'find her' - and at the same time studies the effects of her behavior on those around her.