Opening dramatically at  Sweet Tamarind, a rice and cotton plantation on an island off South Carolina's coast, we watch as recently emancipated Bette Mayfield says her goodbyes before fleeing for the mainland. With her granddaughter, Eudora, in tow, she heads to Charleston. There, they carve out lives for themselves as fortune-teller and seamstress. Dora will marry, the Mayfield line will grow, and we will follow them on a journey through the watershed events of America's troubled, vibrant history—from Reconstruction to both World Wars, from the Harlem Renaissance to Vietnam and the modern day. Shange and Bayeza give us a monumental story of a family and of America, of songs and why we have to sing them, of home and of heartbreak, of the past and of the future, bright and blazing ahead.

    Eighty-nine-year-old Isabelle McAllister has a favor to ask her hairdresser Dorrie Curtis. It's a big one. Isabelle wants Dorrie, a black single mom in her thirties, to drop everything to drive her from her home in Arlington, Texas, to a funeral in Cincinnati. With no clear explanation why. Tomorrow. Dorrie, fleeing problems of her own and curious whether she can unlock the secrets of Isabelle's guarded past, scarcely hesitates before agreeing, not knowing it will be a journey that changes both their lives. Over the years, Dorrie and Isabelle have developed more than just a business relationship. They are friends. But Dorrie, fretting over the new man in her life and her teenage son's irresponsible choices, still wonders why Isabelle chose her. Isabelle confesses that, as a willful teen in 1930s Kentucky, she fell deeply in love with Robert Prewitt, a would-be doctor and the black son of her family's housekeeper - in a town where blacks weren't allowed after dark. The tale of their forbidden relationship and its tragic consequences makes it clear Dorrie and Isabelle are headed for a gathering of the utmost importance and that the history of Isabelle's first and greatest love just might help Dorrie find her own way.

    Fate brings Jazmine and X-Man together as promising young stars for the same record company. They thrive on the excitement of their new careers and passionate love, until a power-hungry executive pits them against each other, jeopardizing both their musical careers and romantic future. Follow Jazmine and X-man as they discover that with the right mix of love and determination, it doesn't matter where you're from, it's where you're at.

    Instead he takes his two beloved dogs and goes on a last hunt, determined to end his life on his own terms. But as the people he meets and the memories over which he lingers remind him of the mystery of life’s endurance, his trek into the American West becomes much more than a final journey.

    With his family grown and his husband Zack having decided to become a middle-aged clichA(c) and marry his secretary, Chris Thayer is about to discover that starting life over at 48 is just as complicated, frustrating and thrilling as the first time around. After relocating to the North Carolina beach community of Emerald Isle, Chris finds a new appreciation of his role as the heart of the home to his grown children and becomes involved in the patchwork lives of his neighbors. To his unending surprise, he also finds himself the object of a new man's affections, a rowdy jack-of-all-trades with an unnervingly direct stare. In the same quiet, understated manner that he demonstrated in his critically acclaimed first novel, "Metes and Bounds," Jay Quinn gives the traditional Southern novel a decidedly untraditional twist.Jay Quinn is the founding editor and executive editor of Haworth Press's Southern Tier Editions. He is the author of "Metes and Bounds" and "The Mentor" and has edited "Rebel Yell: Stories by Contemporary Southern Gay Authors." He lives in south Florida.

    When a Newark girl meets an upper-crust Boston boy, sparks fly, backgrounds clash, and readers enter a rarely observed aspect of African-American life in this glamorous, romantic, funny, and poignant debut novel by the former arts and entertainment editor at Essence magazine.

    In a 1950s Paris swarming with expatriates and characterized by dangerous liaisons and hidden violence, an American finds himself unable to repress his impulses, despite his determination to live the conventional life he envisions for himself. After meeting and proposing to a young woman, he falls into a lengthy affair with an Italian bartender and is confounded and tortured by his sexual identity as he oscillates between the two. Examining the mystery of love and passion in an intensely imagined narrative, Baldwin creates a moving and complex story of death and desire that is revelatory in its insight.

    In Chicago, Ruth Tuttle, an Ivy-League educated Black engineer, is married to a kind and successful man. He’s eager to start a family, but Ruth is uncertain. She has never gotten over the baby she gave birth to—and was forced to leave behind—when she was a teenager. She had promised her family she’d never look back, but Ruth knows that to move forward, she must make peace with the past.Returning home, Ruth discovers the Indiana factory town of her youth is plagued by unemployment, racism, and despair. As she begins digging into the past, she unexpectedly befriends Midnight, a young white boy who is also adrift and looking for connection. Just as Ruth is about to uncover a burning secret her family desperately wants to keep hidden, a traumatic incident strains the town’s already searing racial tensions, sending Ruth and Midnight on a collision course that could upend both their lives.Powerful and revealing, The Kindest Lie captures the heartbreaking divide between Black and white communities and offers both an unflinching view of motherhood in contemporary America and the never-ending quest to achieve the American Dream.

    She's used to the names; she only wishes there was more truth to them. If she were truly a monster, as they accuse, she'd be powerful enough to tear down the walls around her until nothing remained of her world, save for stories told around the cookfire.Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, the Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster, who they consider to be less than human.When the autopsy of Matilda's sovereign reveals a surprising link between his death and her mother's suicide some quarter-century before, Aster retraces her mother's footsteps. Embroiled in a grudge with a brutal overseer and sowing the seeds of civil war, Aster learns there may be a way off the ship if she's willing to fight for it.

    Opposites in many ways, they have grown together and made their relationship work. But when they learn that Daniel's twin brother and sister-in-law have been killed in a bombing in Jerusalem, their lives are suddenly, utterly transformed.In dealing with their families and the need to make a decision about who will raise the deceased couple's two children, both Matthew and Daniel are confronted with challenges that strike at the very heart of their relationship. What is Matthew's place in an extended family that does not completely accept him or the commitment he and Daniel have made? How do Daniel's questions about his identity as a Jewish man affect his life as a gay American? Tensions only intensify when they learn that the deceased parents wanted Matthew and Daniel to adopt the children-six year old Gal, and baby Noam.The impact this instant new family has on Matthew, Daniel, and their relationship is subtle and heartbreaking, yet not without glimmers of hope. They must learn to reinvent and redefine their bond in profound, sometimes painful ways. What kind of parents can these two men really be? How does a family become strong enough to stay together and endure? And are there limits to honesty or commitment-or love?

    who becomes the sole survivor of a family tragedy. With her strict African American grandmother as her new guardian, Rachel moves to a mostly black community, where her light brown skin, blue eyes, and beauty bring mixed attention her way. Growing up in the 1980s, she learns to swallow her overwhelming grief and confronts her identity as a biracial young woman in a world that wants to see her as either black or white. In the tradition of Jamaica Kincaid's Annie John and Toni Morrison's The Bluest Eye, here is a portrait of a young girl - and society's ideas of race, class, and beauty.

    . . A rip-roaring entertainment.The Boston Globe). When The Emperor of Ocean Park was published, Time Out declared: Carter does for members of the contemporary black upper class what Henry James did for Washington Square society, taking us into their drawing rooms and laying their motives bare. Now, with the same powers of observation, and the same richness of plot and character, Stephen L. Carter returns to the New England university town of Elm Harbor, where a murder begins to crack the veneer that has hidden the racial complications of the town's past, the secrets of a prominent family, and the most hidden bastions of African-American political influence.At the center: Lemaster Carlyle, the university president, and his wife, Julia Carlyle, a deputy dean at the divinity school. African Americans living in the heart of whiteness. Lemaster is an old friend of the president of the United States. Julia was the murdered man's lover years ago. The meeting point of these connections forms the core of a mystery that deepens even as Julia closes in on the politically earth-shattering motive behind the murder.Relentlessly suspenseful, galvanizing in its exploration of the profound difference between allegiance to ideas and to people, New England White is a resounding confirmation of Stephen Carter's gifts as a writer of fiction.

    Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood—where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned—Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted.In Whitehead’s ingenious conception, the Underground Railroad is no mere metaphor—engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar’s first stop is South Carolina, in a city that initially seems like a haven. But the city’s placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.Like the protagonist of Gulliver’s Travels, Cora encounters different worlds at each stage of her journey—hers is an odyssey through time as well as space. As Whitehead brilliantly re-creates the unique terrors for black people in the pre–Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman’s ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.

    Morrison delivers a seductive, mesmerizing tale of "love" gone dangerously wrong.  .  .No matter how direct Loretta is, Granville doesn't get it. He was fine when it came to burning up the sheets, but that's where their connection ends--or so she thinks. When he begins stalking her, Loretta's gorgeous girlfriend, Madison, claims she can tame any man...so Loretta dares Madison to prove she can tame Granville. But sexing Granville while she's engaged to the most eligible bachelor in Houston may cost Madison more than Loretta's bet is worth.  .  .Praise for Mary B. Morrison's I'd Rather Be With You "Drenched in jealousy, cheating.  .  .will leave readers gasping in shock."  --Library Journal "The sequel to If I Can't Have You has just as much drama, fighting and lying as its predecessor." --RT Book Reviews

    Whitaker’s steamiest novel yet, we meet the four deliciously dramatic, designer-clad divas from prime time’s new hit reality show, The Millionaire Wives Club.Evan: Married to a pro-football star who isn’t in love with her anymore, Evan is digging her freshly manicured nails in ever deeper as she fights to keep the husband who loves someone else.Milan: Half Dominican, half black, and beautifully exotic-looking, Milan is watching her has-been husband’s fortune fade fast–while her romantic attachment to Evan’s husband is heating up.Jaise: Divorced from a former boxing star who’s now married to a white woman, Jaise is trying to raise her sixteen-year-old son on her own. Will her huge alimony checks keep her from falling in love?Chaunci: Editor of the hottest black women’s magazine, Chaunci is now engaged to the high-powered man who helped finance her magazine when she was just a struggling single mom. But when a onetime passionate flame reignites, Chaunci may not be able to resist its charms.When these starlets’ private lives run as wild as their emotions, their relationships with one another inevitably turn into high-profile catfights. Through it all, the cameras never stop rolling on TV’s guiltiest pleasure, where power–and diamonds–are always a girl’s best friend.