The story of her life is the story of the paintings, and painters, who matter to her. Her intimate, digressive voice guides us through a gallery of moments that have touched her.In these pages, El Greco visits the Sistine Chapel and is appalled by Michelangelo’s bodies. The mystery of Rothko's refusal to finish murals for the Seagram Building in New York is blended with the story of a hospital in which a prostitute walks the halls while the narrator's husband receives chemotherapy. Alfred de Dreux visits Géricault's workshop; Gustave Courbet's devilish seascapes incite viewers “to have sex, or to eat an apple”; Picasso organizes a cruel banquet in Rousseau’s honor. . . . All of these fascinating episodes in art history interact with the narrator's life in Buenos Aires—her family and work; her loves and losses; her infatuations and disappointments. The effect is of a character refracted by environment, composed by the canvases she studies.Seductive and capricious, Optic Nerve is a book that captures, like no other, the mysterious connections between a work of art and the person who perceives it.

    Sor (Sister) Juana Ines de la Cruz was acclaimed in her time as "Phoenix of Mexico, America's Tenth Muse"; a generation later she was forgotten. In our century she was rediscovered, her works were reissued, and she is now considered one of the finest Hispanic poets of the seventeenth century. She deserves to be known to English-speaking readers for another reason as well: she speaks directly to our concern for the freedom of women to realize themselves artistically and intellectually.Her poetry is surprising in its scope and variety. She handled with ease the intricate verse forms of her day and wrote in a wide range of genres. Many of her lyrics reflect the worldliness and wit of the courtly society she moved in before becoming a nun; some, composed to be sung, offer charming glimpses of the native people, their festivities and colorful diversity. Alan Trueblood has chosen, in consultation with Octavio Paz, a generous selection of Sor Juana's writings and has provided an introductory overview of her life and work. The short poems, and excerpts from her play The Divine Narcissus, are accompanied by the Spanish texts on facing pages. Her long philosophical poem, First Dream, is translated in its entirety, as is her famous autobiographical letter to the Bishop of Puebla, which is both a self-defense and a vindication of the right of women to cultivate their minds.The Anthology was conceived as a companion to the English-language edition of Octavio Paz's magisterial study of Sor Juana. On its own, it will be welcomed as the first representative selection in English of her verse and prose.

    Veering between nervous excitability and debilitating ennui, he gluts his aesthetic appetites with classical literature and art, exotic jewels (with which he fatally encrusts the shell of his tortoise), rich perfumes, and a kaleidoscope of sensual experiences. The original handbook of decadence, Against Nature exploded like a grenade (in the words of Huysmans) and has enjoyed a cult readership from its publication to the present day.

    A young woman's association with a hunted man makes her the target of a journalist determined to grab the headlines by portraying her as an evil woman. As the attacks on her escalate and she becomes the victim of anonymous threats, Katharina sees only one way out of her nightmare.Turning the mystery genre on its head, the novel begins with the confession of a crime, drawing the reader into a web of sensationalism, character assassination, and the unavoidable eruption of violence.

    The city is covered in ash. Three children of ex-militants are facing a past they can neither remember nor forget. Felipe sees dead bodies on every corner of the city, counting them up in an obsessive quest to square these figures with the official death toll. He is searching for the perfect zero, a life with no remainder. Iquela and Paloma, too, are searching for a way to live on. When the body of Paloma’s mother gets lost in transit, the three take a hearse and a bottle of pisco up the cordillera for a road trip with a difference. Intense, intelligent, and extraordinarily sensitive to the shape and weight of words, this remarkable debut presents a new way to count the cost of a pain that stretches across generations.

    Their brutal punishment has been hushed up for more than two years when Mathilde Donnay, unable to walk since childhood, begins a relentless quest to find out whether her fiancé, officially "killed in the line of duty," might still be alive. Tipped off by a letter from a dying soldier, the shrewd, sardonic, and wonderfully imaginative Mathilde scours the country for information about the men. As she carries her search to its end, an elaborate web of deception and coincidence emerges, and Mathilde comes to an understanding of the horrors, and the acts of kindness, brought about by war.A runaway bestseller in France and the winner of the 1991 Prix Interallié, this astonishing novel is many things at once: an absorbing mystery, a playful study of the different ways one story can be told, a moving and incisive portrait of life in France during and after the First World War, and a love story of transforming power and beauty.

    In Hardboiled, the unnamed narrator, hiking in the mountains on the anniversary of her ex-lover's death, is haunted by her past and learns to make peace with her loss. Hard Luck is about another young woman whose sister lies in a coma. As she prepares to say good-bye to her loved one, a new friendship promises hope. Yoshimoto’s voice is clear, assured, and deeply moving, displaying again why she is one of Japan’s, and the world’s, most beloved writers.

    In this torrential book we are told the odyssey that brought him first to Barcelona, later to Sevilla and finally to America, where he would experience all kinds of outlandish situations.Using historical facts as raw material, and with stellar appearances of characters such as Miguel de Cervantes or the brigand Serrallonga among others, Besora converses with the satirical tradition of works such as Gargantua and Pantagruel, Gulliver's Travels or Don Quixote, to paint a fresco of Catalonia in the seventeenth century and the Golden Age of the Spanish empire, creating a novel, fresh, sharp and bursting with exuberant adventures.A triumphant, playful masterpiece brought into a unique style of English thanks to the triumphant creativity of translator Mara Faye Lethem.

    The story portrays the political situation of Europe in the later Viking Age, Andalusia under Al-Mansur Ibn Abi Aamir, Denmark under Harold Bluetooth, followed by the struggle between Eric the Victorious & Sweyn Forkbeard of Denmark, Ireland under Brian Boru, England under Ethelred the Unready, the Battle of Maldon, all before the backdrop of the gradual Christianisation of Scandinavia, contrasting the pragmatic Norse pagan outlook with Islam & Christianity.

    Details of the lives of Artur, a retired Yugoslav army captain, and Isabella, a Holocaust survivor, are revealed through police dossiers. As they fight loneliness and aging, they take comfort in small things: for Artur, a collection of 274 hats; for Isabella, a family of garden gnomes who live in her apartment. Later, we meet the ill-fated Pupi, who dreamed of becoming a sculptor but instead became a chemist and then a spy. As Eileen Battersby wrote, “As he stands, in the zoo, gazing at a pair of rhinos, in a city most likely present-day Belgrade, this battered Everyman feels very alone: ‘I would like to tell someone, anyone, I’d like to tell someone: I buried Mother today.’” Pupi sets out to correct his family’s crimes by returning silverware to its original Jewish owners through the help of an unlikely friend, a pawnbroker.

    His young life is disrupted by two arrivals.The first is his aunt Julia, recently divorced and thirteen years older, with whom he begins a secret affair. The second is a manic radio scriptwriter named Pedro Camacho, whose racy, vituperative soap operas are holding the city's listeners in thrall. Pedro chooses young Marito to be his confidant as he slowly goes insane.Interweaving the story of Marito's life with the ever-more-fevered tales of Pedro Camacho, Vargas Llosa's novel is masterfully done, hilarious, mischievous, a classic named one of the best books of the year by the New York Times Book Review.

    She worked as a housekeeper, a caregiver, a cleaner—somehow always taking care of someone else. Two generations later, during the Women’s March in 2018, Alicia was working at the snack shop in the Atocha train station when it overflowed with protesters and strikers. Women, so many women, were flooding the streets with their signs and chants. She couldn’t have known María was among them; she was on the clock. And later, she’d be looking for someone else, a man to take her away for a few hours, to make her forget. Anyone but her husband, with his pleas to go on bike rides together, to have children, to act like the other thirtysomething couples they knew.  Medel’s lyrical sensibility reveals her roots as a poet, but her fast-paced and expansive storytelling show she’s a novelist ahead of her time. With grit, texture, and mesmerizing prose, The Wonders launches an inimitable new voice in fiction.

    For her, time and identity blur, and all action is reaction. She can’t quite understand what motivates others to take life seriously enough to focus on anything—for her existence is a loosely woven tapestry of fleeting concepts. From losing her virginity to mindless jobs and a splintered, unsupportive family, the lessons learned have less to do with the reality we all share and more to do with the truth of the imagination, which is where the narrator focuses to discover herself.

    This jewel-like novella by the writer that Thomas Mann praised as "one of the most extraordinary, the most enigmatic, the most secretly daring and the most strangely gripping narrators in world literature" is among the most unusual, moving, and memorable of Christmas stories. Two children—Conrad and his little sister, Sanna—set out from their village high up in the Alps to visit their grandparents in the neighboring valley. It is the day before Christmas but the weather is mild, though of course night falls early in December and the children are warned not to linger. The grandparents welcome the children with presents and pack them off with kisses. Then snow begins to fall, ever more thickly and steadily. Undaunted, the children press on, only to take a wrong turn. The snow rises higher and higher, time passes: it is deep night when the sky clears and Conrad and Sanna discover themselves out on a glacier, terrifying and beautiful, the heart of the void.

    She has decided he is the father.And so begins a comedy in which, during five madcap days, events unfold with ever-increasing speed. Klima's beautiful, jealous wife; the nurse's equally jealous boyfriend; a fanatical gynecologist; a rich American, at once Don Juan and saint; and an elderly political prisoner who, just before his emigration, is holding a farewell party at the spa, are all drawn into this black comedy, as in A Midsummer Night's Dream.As usual, Milan Kundera poses serious questions with a blasphemous lightness which makes us understand that the modern world has taken away our right to tragedy.