A reluctant conscript drafted into an elite Military unit, Private William Mandella has been propelled through space and time to fight in the distant thousand-year conflict; to perform his duties without rancor and even rise up through military ranks. Pvt. Mandella is willing to do whatever it takes to survive the ordeal and return home. But "home" may be even more terrifying than battle, because, thanks to the time dilation caused by space travel, Mandella is aging months while the Earth he left behind is aging centuries.

    Lord have pity on us!"With these words, Pierre Boulle hurtles the reader onto the Planet of the Apes. In this simian world, civilization is turned upside down: apes are men and men are apes; apes rule and men run wild; apes think, speak, produce, wear clothes, and men are speechless, naked, exhibited at fairs, used for biological research. On the planet of the apes, man, having reached to apotheosis of his genius, has become inert.To this planet come a journalist and a scientist. The scientist is put into a zoo, the journalist into a laboratory. Only the journalist retains the spiritual strength and creative intelligence to try to save himself, to fight the appalling scourge, to remain a man.Out of this situation, Pierre Boulle has woven a tale as harrowing, bizarre, and meaningful as any in the brilliant roster of this master storyteller. With his customary wit, irony, and disciplined intellect and style, the author of The Bridge Over the River Kwai tells a swiftly moving story dealing with man's conflicts, and takes the reader into a suspenseful and strangely fascinating orbit.

    When Cirrocco Jones, captain of the spaceship Ringmaster, and his crew are captured by Gaea, a planet-sized creature that orbits around Saturn, they find themselves inside a bizarre world inhabited by centaurs, harpies, and constantly shifting environments

    But Bill, a Technical Fertilizer Operator from a planet of farmers, wasn't interested in honor-he was only interested in two things: his chosen career, and the shapely curves of Inga-Maria Calyphigia. Then a recruiting robot shanghaied him with knockout drops, and he came to in deep space, aboard the Empire warship Christine Keeler. And from there, things got even worse.

    Clarke of Last and First Men. This masterpiece of science fiction by British philosopher and writer Olaf Stapledon (1886–1950) is an imaginative, ambitious history of humanity's future that spans billions of years. Together with its follow-up, Star Maker, it is regarded as the standard by which all earlier and later future histories are measured.The protagonist of this compelling novel is humanity itself, stripped down to sheer intelligence. It evolves through the ages: rising to pinnacles of civilization, teetering on the brink of extinction, surviving onslaughts from other planets and a decline in solar energy, and constantly developing new forms, new senses, and new intellectual abilities. From the present to five billion years into the future, this romance of humanity abounds in profound and imaginative thought.

    The colonies are linked together by the occasional sublight colony ship voyages and hyperspatial data-casting. Human consciousness is digitally freighted between the stars and downloaded into bodies as a matter of course.But some things never change. So when ex-envoy, now-convict Takeshi Kovacs has his consciousness and skills downloaded into the body of a nicotine-addicted ex-thug and presented with a catch-22 offer, he really shouldn't be surprised. Contracted by a billionaire to discover who murdered his last body, Kovacs is drawn into a terrifying conspiracy that stretches across known space and to the very top of society.

    Fans and critics call their world cyberpunk. Here is the definitive "cyberpunk" short fiction collection.Contents:The Gernsback Continuum (1981) by William GibsonSnake-Eyes (1986) by Tom MaddoxRock On (1984) by Pat CadiganTales of Houdini (1981) by Rudy Rucker400 Boys (1983) by Marc LaidlawSolstice (1985) by James Patrick KellyPetra (1982) by Greg BearTill Human Voices Wake Us (1984) by Lewis ShinerFreezone (1985) by John ShirleyStone Lives (1985) by Paul Di FilippoRed Star, Winter Orbit (1983) by William Gibson and Bruce SterlingMozart in Mirrorshades (1984) by Bruce Sterling and Lewis Shiner

    When famous adventurer Sir Richard Francis Burton dies, the last thing he expects to do is awaken naked on a foreign planet along the shores of a seemingly endless river. But that's where Burton and billions of other humans (plus a few nonhumans) find themselves as the epic Riverworld saga begins. It seems that all of Earthly humanity has been resurrected on the planet, each with an indestructible container that provides three meals a day, cigarettes, alcoholic beverages, a lighter, and the odd tube of lipstick. But why? And by whom? That's what Burton and a handful of fellow adventurers are determined to discover as they construct a boat and set out in search of the river's source, thought to be millions of miles away. Although there are many hardships during the journey--including an encounter with the infamous Hermann Goring--Burton's resolve to complete his quest is strengthened by a visit from the Mysterious Stranger, a being who claims to be a renegade within the very group that created the Riverworld. The stranger tells Burton that he must make it to the river's headwaters, along with a dozen others the Stranger has selected, to help stop an evil experiment at the end of which humanity will simply be allowed to die. --Craig E. Engler

    In a pirated spaceship, he began his search through the civilizations of the galaxy, hunting the elusive key to the time-shrouded secret that could free his people. Inexorably he moved toward his last desperate hope: the place his ancestors had left many thousands of years before, the mysterious and terrifying planet called Earth.

    On an island with a glass shore - relic of some even more ancient conflict - she discovers she is to be hunted by the Huhsz, a religious cult which believes she is the last obstacle before their faith's apotheosis. She has to run, knowing her only hope of finally escaping the Huhsz is to find the last of the ancient, apocalyptically powerful but seemingly cursed Lazy Guns. But that is just the first as well as the final step on a search that takes her on an odyssey through the exotic Golterian system and results in both a trail of destruction and a journey into her own past, as well as that of her family and the system itself; a journey that changes everything.

    Others examining the planet, Kelvin learns, are plagued with their own repressed and newly corporeal memories. The Solaris ocean may be a massive brain that creates these incarnate memories, though its purpose in doing so is unknown, forcing the scientists to shift the focus of their quest and wonder if they can truly understand the universe without first understanding what lies within their hearts.

    This volume includes the titles Dune, Dune Messiah and Children of Dune.

    In the first installment, Carter wins the affections of the "princess of Mars" and the respect of the Martian warlords whom he befriends. The excitement continues in The Gods of Mars when Carter engages the Black Pirates in airborne combat above the dead seas of Mars and leads a revolt to free the Martian races from a religion that thrives on living sacrifices. In the third book, Warlord of Mars, Carter overcomes the forces of evil that would destroy the planet. By the end of the trilogy the Martians all clamor for a triumphant John Carter to be their king.About the Author:Born in Chicago, Illinois, on September 1, 1875, Edgar Rice Burroughs grew to maturity during the height of the Industrial Revolution and witnessed the emergence of the United States as a twentieth-century world power. Hailing from a well-to-do family, Burroughs was given an aristocratic education steeped in Latin and Greek, but he was drawn more to an itinerant life of adventure than to a life in the boardroom. The author of Tarzan of the Apes (1912), Burroughs did not confine himself to a single genre; he also wrote medieval romances (The Outlaw of Torn, 1914), westerns (The War Chief of the Apaches, 1927), and mainstream novels (The Girl from Hollywood, 1922).

    The Peace Authority conquered the world with a weapon that never should have been a weapon--the "bobble," a spherical force-field impenetrable by any force known to mankind. Encasing governmental installations and military bases in bobbles, the Authority becomes virtually omnipotent. But they've never caught Paul Hoehler, the maverick who invented the technology, and who has been working quietly for decades to develop a way to defeat the Authority. With the help of an underground network of determined, independent scientists and a teenager who may be the apprentice genius he's needed for so long, he will shake the world, in the fast-paced hard-science thriller that garnered Vinge the first of his four Hugo nominations for best novel.

    It tells the story of Armon Jarles, a man on the edge, living amidst the disputes of two rival powers at large in the world. 360 years after a nuclear holocaust ravaged mankind, throwing society back into the dark ages, the world is fraught with chaos and superstition. The new rulers over the masses of humanity are the techno-priests of the Great God, endowed with scientific knowledge lost to the rest of humanity. Jarles, originally of peasant descent, rises to become a priest of the Great God. He knows the gospel propagated by the priests to be a fraud, based on illusion and trickery. Even more offensive to him is the paucity of true believers among the priesthood. One day he rebels against his priestly training and attempts to incite the peasants to rise up and demand freedom, but they are not ready. Jarles is not the only dissenter trying to sabotage and expose the false theocracy of the priesthood witchcraft is slowly gaining strength and support among the populace. about to throw him headlong into the middle of the greatest holy war the world has ever seen.