Arcadia follows this lyrical, rollicking, tragic, and exquisite utopian dream from its hopeful start through its heyday and after. The story is told from the point of view of Bit, a fascinating character and the first child born in Arcadia.

    A crowd gathers to see the first new metal in ages—after all, everything’s been melted down for the war effort. An instant later, the crowd is gone; incinerated. Among the shoppers were five young children. Who were they? What futures did they lose? This brilliantly constructed novel lets an alternative reel of time run, imagining the life arcs of these five souls as they live through the extraordinary, unimaginable changes of the bustling immensity of twentieth-century London. Their intimate everyday dramas, as sons and daughters, spouses, parents, grandparents; as the separated, the remarried, the bereaved. Through decades of social, sexual, and technological transformation, as bus conductors and landlords, as swindlers and teachers, patients and inmates. Days of personal triumphs, disasters; of second chances and redemption. Ingenious and profound, full of warmth and beauty, Light Perpetual illuminates the shapes of experience, the extraordinariness of the ordinary, the mysteries of memory and expectation, and the preciousness of life.

    Toibin's portrayal of the intricacy and drama of ordinary lives brings to mind of the work of Alice Munro.      Set in Wexford, Ireland, and in breathtaking Ballyconnigar by the sea, Colm Toibin's tour de force eighth novel introduces the formidable, memorable Nora Webster. Widowed at 40, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world she was born into. Wounded and self-centred from grief and the need to provide for her family, she struggles to be attentive to her children's needs and their own difficult loss. In masterfully detailing the intimate lives of one small family, Toibin has given us a vivid portrait of a time and an intricately woven tapestry of lives in a small town where everyone knows everyone's business, and where well-meaning gestures often have unforeseen consequences. Toibin has created one of contemporary fiction's most memorable female characters, one who has the strength and depth of Ibsen's Hedda Gabler. In Nora Webster, Colm Toibin is writing at the height of his powers.

    It is 1945, and London is still reeling from the Blitz and years of war. 14-year-old Nathaniel and his sister, Rachel, are apparently abandoned by their parents, left in the care of an enigmatic figure named The Moth. They suspect he might be a criminal, and grow both more convinced and less concerned as they get to know his eccentric crew of friends: men and women with a shared history, all of whom seem determined now to protect, and educate (in rather unusual ways) Rachel and Nathaniel. But are they really what and who they claim to be? A dozen years later, Nathaniel begins to uncover all he didn’t know or understand in that time, and it is this journey – through reality, recollection, and imagination – that is told in this magnificent novel.

    At the same time, the novel explores the boundaries of love and friendship and the allegiances that we have to one another. The depth of feeling that the inhabitants of Aldwinter share are matched by their city counterparts as they strive to find the courage to express and understand their deepest desires, and strongest fears.

    For her, nothing will be the same again. Decades later, in Edinburgh, Connie sews coded moments of her life into a notebook, as her mother did before her. More than 100 years after his grandmother’s sewing machine was made, Fred discovers a treasure trove of documents.  His family history is laid out before him in a patchwork of unfamiliar handwriting and colourful seams.  He starts to unpick the secrets of four generations, one stitch at a time.

    Cambridge student Serena Frome's beauty and intelligence make her the ideal recruit for MI5. The year is 1972. The Cold War is far from over. England's legendary intelligence agency is determined to manipulate the cultural conversation by funding writers whose politics align with those of the government. The operation is code named "Sweet Tooth." Serena, a compulsive reader of novels, is the perfect candidate to infiltrate the literary circle of a promising young writer named Tom Haley. At first, she loves his stories. Then she begins to love the man. How long can she conceal her undercover life? To answer that question, Serena must abandon the first rule of espionage: trust no one. Once again, Ian McEwan's mastery dazzles us in this superbly deft and witty story of betrayal and intrigue, love and the invented self.

    S. Byatt’s Possession and Geraldine Brooks’s People of the Book.Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history.   As the novel opens, Helen has been summoned by a former student to view a cache of seventeenth-century Jewish documents newly discovered in his home during a renovation. Enlisting the help of Aaron Levy, an American graduate student as impatient as he is charming, and in a race with another fast-moving team of historians, Helen embarks on one last project: to determine the identity of the documents’ scribe, the elusive “Aleph.”   Electrifying and ambitious, sweeping in scope and intimate in tone, The Weight of Ink is a sophisticated work of historical fiction about women separated by centuries, and the choices and sacrifices they must make in order reconcile the life of the heart and mind.

    But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons.Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s most subtlest and effective achievement to date.

    But it's time now to think on it anew. There's a journey we must go on, and no more delay..."The Buried Giant begins as a couple set off across a troubled land of mist and rain in the hope of finding a son they have not seen in years.Sometimes savage, often intensely moving, Kazuo Ishiguro's first novel in nearly a decade is about lost memories, love, revenge, and war.Included on TIME Magazine's "THE 100 BEST FANTASY BOOKS OF ALL TIME"

    They have almost no idea what awaits them.In a dilapidated shared house in Sheffield, Tarlochan, a former rickshaw driver, will say nothing about his life in Bihar. Avtar and Randeep are middle-class boys whose families are slowly sinking into financial ruin, bound together by Avtar's secret. Randeep, in turn, has a visa wife across town, whose cupboards are full of her husband's clothes in case the immigration agents surprise her with a visit. She is Narinder, and her story is the most surprising of them all. The Year of the Runaways unfolds over the course of one shattering year in which the destinies of these four characters become irreversibly entwined, a year in which they are forced to rely on one another in ways they never could have foreseen, and in which their hopes of breaking free of the past are decimated by the punishing realities of immigrant life. A novel of extraordinary ambition and authority, about what it means and what it costs to make a new life—about the capaciousness of the human spirit, and the resurrection of tenderness and humanity in the face of unspeakable suffering.

    This is the story of Yehoshuah, who wandered Roman-occupied Judea giving sermons and healing the sick. Now, a year after his death, four people tell their stories. His mother grieves, his friend Iehuda loses his faith, the High Priest of the Temple tries to keep the peace, and a rebel named Bar-Avo strives to bring that peace tumbling down. It was a time of political power-play and brutal tyranny. Men and women took to the streets to protest. Dictators put them down with iron force. In the midst of it all, one inconsequential preacher died. And either something miraculous happened, or someone lied.Viscerally powerful in its depictions of the period - massacres and riots, animal sacrifice and human betrayal - The Liars' Gospel makes the oldest story entirely new.

    The other has ideas: about rhythm and time, about black bodies and black music, about what constitutes a tribe, or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either.Dazzlingly energetic and deeply human, Swing Time is a story about friendship and music and stubborn roots, about how we are shaped by these things and how we can survive them. Moving from northwest London to West Africa, it is an exuberant dance to the music of time.

    Unlike Frédéric Moreau in Flaubert's L'Éducation sentimentale (to which this book owes no meagre debt), Piet is magnificently gifted, not only "extremely attractive to most women and to many men," but also a fine pianist, draughtsman and lover. We first meet him interviewing for the role of tutor to the son of the wealthy hotelier, Maarten Vermeulen-Sickerts. All is not well in his gilded household. Egbert, the son, is agoraphobic. The matriarch, Jacobina, hasn't been touched by her husband in almost a decade. Into this highly strung atmosphere comes Piet, charged with the task of freeing Egbert from his paralysing fear of the outside world. We soon realise, however, that Egbert isn't the only one in need of help. Piet sets about liberating the libidos of the repressed family through music – championing bawdy Bizet over abstract Bach – and oral sex. While the setting is Dutch, the influences are French – think Bel-Ami, Les Liaisons dangereuses and Gide's L'Immoraliste.

    Mary, a small village in the English countryside filled with rolling hills, thatched cottages, and a cast of characters both hilariously original and as familiar as the members of your own family. Among them is Major Ernest Pettigrew (retired), the unlikely hero of Helen Simonson's wondrous debut. Wry, courtly, opinionated, and completely endearing, Major Pettigrew is one of the most indelible characters in contemporary fiction, and from the very first page of this remarkable novel he will steal your heart.The Major leads a quiet life valuing the proper things that Englishmen have lived by for generations: honor, duty, decorum, and a properly brewed cup of tea. But then his brother's death sparks an unexpected friendship with Mrs. Jasmina Ali, the Pakistani shopkeeper from the village. Drawn together by their shared love of literature and the loss of their respective spouses, the Major and Mrs. Ali soon find their friendship blossoming into something more. But village society insists on embracing him as the quintessential local and her as the permanent foreigner. Can their relationship survive the risks one takes when pursuing happiness in the face of culture and tradition?