Now he's dead and she's back in England, and a Fallen Woman. But she refuses to follow the Fallen Women who have gone before her and become a courtesan. Sarah is a straight shooter, with her pistol as well as her wit, and her mind is as sharp as the blade of her sword. She's clever and discreet--she has reinvented herself as a private investigator.Miss Tolerance is an Agent of Inquiry, the sole one of her kind in London in this year of 1810, with mad King George III on the throne and Queen Charlotte acting as Regent. Sarah's position in society allows her to float between social layers, unearth secrets, find things that were lost, and lose things too dangerous to be kept. An agent of the Earl of Versellion has asked her to find a fan that the Earl's father gifted to a lady with brown eyes. When Sarah discovers the secret of the fan, both she and the Earl are targeted by ruthless killers. They realize the fan has a second secret, one that will affect the fate of England itself, and they must decipher it. Sarah's life is getting more and more complicated-and she's growing closer and closer to the Earl. To save England and herself, she must decide whether to be guided by her heart... or her conscience.

    Rose Gallagher might dream of bigger things, but she’s content enough with her life as a housemaid. After all, it’s not every girl from Five Points who gets to spend her days in a posh Fifth Avenue brownstone, even if only to sweep its floors. But all that changes on the day her boss, Mr. Thomas Wiltshire, disappears. Rose is certain Mr. Wiltshire is in trouble, but the police treat his disappearance as nothing more than the whims of a rich young man behaving badly. Meanwhile, the friend who reported him missing is suspiciously unhelpful. With nowhere left to turn, Rose takes it upon herself to find her handsome young employer.The investigation takes her from the marble palaces of Fifth Avenue to the sordid streets of Five Points. When a ghostly apparition accosts her on the street, Rose begins to realize that the world around her isn’t at all as it seems―and her place in it is about to change forever.

    Murder treats everyone equally...A woman. A doctor. A beastly science. At the turn of the twentieth century, London's political climate is in turmoil, as women fight for the right to vote. Dody McCleland has her own battles to fight. As England's first female autopsy surgeon, she must prove herself as she also proves that murder treats everyone equally... After a heated women's rights rally turns violent, an innocent suffragette is found murdered. When she examines the body, Dody is shocked to realise that the victim was a friend of her sister - fuelling her determination to uncover the cause of the protester's suspicious death. For Dody, gathering clues from a body is often easier than handling the living - especially Chief Detective Inspector Matthew Pike. Pike is looking to get to the bottom of this case but has a hard time trusting anyone - including Dody. Determined to earn Pike's trust and to find the killer, Dody will have to sort through real and imagined secrets. But if she's not careful, she may end up on her own examination table ...

    A spinster who lives on the sufferance of her relatives, she would certainly not presume to search the rooms of her host's son and his friend looking for evidence. Reared in the twin virtues of deference and docility, she would absolutely never think to question the imperious Duke of Kesgrave about anything, let alone how he chose to represent the incident to the local constable. And yet when she stumbles upon the bludgeoned corpse of poor Mr. Otley in the deserted library of the Skeffingtons' country house, that's exactly what she does. A Regency Cozy.

    The science of forensics is in its infancy but a few detectives – Trevor Welles among them – recognize that they are dealing with a different sort of killer, a “modern criminal” who chooses his victims at random. If Jack is to be caught, he won’t be caught with Scotland Yard’s normal methods of deduction for there is no logic to this madness. The question is no longer “Why was the victim killed?” but rather “How was the victim killed?” For the first time in the history of detection, science is trumping deductive reasoning.When a twist of fate puts Trevor in charge of the case, he hastily assembles Scotland Yard’s first forensics team: Davy Mabrey, the first bobby on the scene of the grisliest of the murders, whose working class common sense proves an invaluable asset, Rayley Abrams, a cautious intellectual whose future at the Yard is marginalized due to his Jewish heritage, Tom Bainbridge, a medical student with aristocratic connections and a secret drinking problem, and Emma Kelly, sister of the Ripper’s last victim who has a troubled past and a gift for linguistics. The team finds an unlikely ally in the form of Queen Victoria herself, who takes an unusual level of interest in the Ripper case and secretly funds the unit. But will they stop Jack in time to spare Leanna Bainbridge, the young heiress with whom Trevor has fallen madly and improbably in love?While City of Darkness takes place in London, its sequel, City of Light, will travel to Paris on the eve of the Exposition Universalle, the ultimate World’s Fair which debuted Edison’s phonograph, Buffalo Bill’s Wild West Show, and the Eiffel Tower The third book, City of Silence, will take place in St. Petersburg where Victoria’s beloved granddaughter Alexandria is on the verge of marrying the young czar Nicolas, much to her grandmother’s dismay. Throughout the series the Scotland Yard forensics team, which serves as a sort of Victorian-era CSI, will circle the world to investigate high-profile cases, most often at the urging of the Queen.

     In the year 1780, Harriet Westerman, the willful mistress of a country manor in Sussex, finds a dead man on her grounds with a ring bearing the crest of Thornleigh Hall in his pocket. Not one to be bound by convention or to shy away from adventure, she recruits a reclusive local anatomist named Gabriel Crowther to help her find the murderer, and historical suspense's newest investigative duo is born. For years, Mrs. Westerman has sensed the menace of neighboring Thornleigh Hall, seat of the Earl of Sussex. It is the home of a once- great family that has been reduced to an ailing invalid, his whorish wife, and his alcoholic second son, a man haunted by his years spent as a redcoat in the Revolutionary War. The same day, Alexander Adams is slain by an unknown killer in his London music shop, leaving his children orphaned. His death will lead back to Sussex, and to an explosive secret that has already destroyed one family and threatens many others. Instruments of Darkness combines the brooding atmosphere of Anne Perry with the complex, compelling detail of Tess Gerritsen, moving from drawing room to dissecting room, from coffee house to country inn. Mrs. Westerman and Mr. Crowther are both razor-sharp minds and their personalities breathe spirit into this gripping historical mystery.

    Normal girls don't lose time, or have something inside them that makes them capable of remarkably violent things. Her behavior has already cost her one job, so when she's offered the lofty position of companion to Phoebe, a debutante recently engaged to Lord Vincent, she accepts, despite having no experience. Lord Vincent is a man of science with his automatons and inventions, but Finley is suspicious of his motives where Phoebe is concerned. She will do anything to protect her new friend, but what she discovers is even more monstrous than anything she could have imagined.

    Detective-Sergeant Troy starts with the clue of a neatly dismembered corpse leading him into a world of stateless refugees, military intelligence, and corruption all the way to the top of Allied High Command.

    Brett's convinced his partner-in-crime sister is behind the theft -- a theft that's liable to bring more scandal to their eccentric family, and cost Brett his marriage to society heiress Juliet Lennox. What Brett doesn't count on is the instant and powerful attraction that flares between him and Rafferty.Once before, Brett took a chance on loving a man, only to find himself betrayed and broken. This time around there's too much at risk. But as the Bard himself would say, Journey's end in lovers meeting.Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: male/male sexual practices.

    Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim. Murder at the Brightwell is a delicious mystery in which murder invades polite society and romance springs in unexpected places. Weaver has penned a debut in the tradition of Jacqueline Winspear.

    It's 1935, but things still aren't looking up since the big crash and her father's subsequent suicide, leaving Henrietta to care for her antagonistic mother and younger siblings. Henrietta is eventually persuaded to take a job as a taxi dancer at a local dance hall - and just when she's beginning to enjoy herself, the floor matron turns up dead. When aloof Inspector Clive Howard appears on the scene, Henrietta agrees to go undercover for him and is plunged into Chicago's grittier underworld. Meanwhile, she's still busy playing mother hen to her younger siblings, as well as to pesky neighborhood boy Stanley, who believes himself in love with her and keeps popping up in the most unlikely places, determined to keep Henrietta safe even from the Inspector, if need be. Despite his efforts, however, and his penchant for messing up the Inspector's investigation, the lovely Henrietta and the impenetrable Inspector find themselves drawn to each other in most unsuitable ways.

    Struggling to support herself after her father's disappearance, Katherine has neither time nor money to solve the mystery alone. She has no choice but to seek help from a woman she has only just met; awkward socialite Connie Swift.As the letters become increasingly frantic, this unlikely team of amateur detectives must learn to work together, while struggling to navigate the rigid rules of Victorian propriety, their families’ expectations, and the complicating interference of men.Confronting danger as they venture into new and frightening territory, Katherine and Connie risk arrest, exposure, and even their reputations to solve the Case of the Black Tulips. Can they solve the mystery before someone gets killed....or they kill each other?The Case of the Black Tulips is the first book in the Caster & Fleet mystery series, set in 1890s London.

    Yet this most British of civil servants has strong ties to the faraway island of Trinidad, the birthplace of his best friend, Cyrus Douglas, a man of African descent, and where his fiancée Georgiana Sutton was raised.Mycroft’s comfortable existence is overturned when Douglas receives troubling reports​ from home. There are rumors of mysterious disappearances, strange footprints in the sand, and spirits enticing children to their deaths, their bodies found drained of blood. Upon hearing the news, Georgiana abruptly departs for Trinidad. Near panic, Mycroft convinces Douglas that they should follow her, drawing the two men into a web of dark secrets that grows more treacherous with each step they take...Written by NBA superstar Kareem Abdul- Jabbar and screenwriter Anna Waterhouse, Mycroft Holmes reveals the untold story of Sherlock’s older brother. This harrowing adventure changed his life, and set the​ stage for the man Mycroft would become: founder of the famous Diogenes Club and the hidden power behind the British government.

    Left empty for years, and even their deceased uncle chose to live in a different house, far away from this particular property. But the ramshackle old house, with its rambling charm is the perfect setting for a much-needed holiday for siblings Peter, Celia and Margaret, who have inherited it from their uncle. It wasn't the lack of modern conveniences that made a summer spent at the ancient priory mansion such an unsettling experience. It was the supposed ghost... or whatever was groaning in the cellars and roaming the countryside around Framley Village after dark.But when a murder victim is discovered in the drafty Priory halls, the once unconcerned trio begins to fear that the ghostly rumors are true and they are not alone after all! But traditionally ghosts don't commit murder. And in this case, the things which go bump in the night are deadly. With a killer on the loose, will they find themselves the next victims or will they uncover the true in time? Does the key to the crime lie in the realm of the supernaturalr? Or is the explanation much more down to earth with a more corporeal culpritl of flesh and blood?

    But it is the newly arrived knight, Sir Baldwin Furnshill, who discerns the deceased was no victim of a tragic mishap; he was, in fact, murdered prior to the blaze. Simon would be well-served by accepting further assistance from this astute, though haunted and secretive stranger. For a second fatal burning indicates that some harsh evil has invaded this once-peaceful place, and its hunger has yet to be sated.