Bob's latest girlfriend, a young Vietnamese-American beauty, has turned up dead in an airport hotel. No one's very surprised. She had a taste for hard liquor, drugs, and stripping in front of a camera. And Bob has a history of violence. But Bob's boss, retired judge Peter Rifkin, is convinced Bob is innocent and he thinks Joe is the one to find the real killer.But Joe's life is complicated. He hasn't spoken to Rifkin for fifteen years---ever since his father, now dead, found out that the judge had double-crossed him. The dead woman's brothers, a pair of tough guys, are bent on being the first to find and punish her murderer. On top of that, Joe and his wife have separated and his mother has dropped his eleven-year-old nephew on him. But the more obstacles Joe encounters, the more determined he becomes to see this case through.Since its beginning, the PWA/SMP Best First Private Eye Novel Contest has accomplished its mission of finding amazing new talent in mystery writing. With vividly realized characters and a page-turning story line, The Last Striptease is the latest in what has become a long tradition of excellent crime fiction.

    His first case is a young woman found in an urban bayou. He immediately sees clues that lead him places he doesn't want to go. But his own demons may be the clue to solving the mystery of the woman's death. And as the case widens, so do his new partner's suspicions about his past and motivations.

    . . and vanished.Missing persons investigator Brenna Spector has a rare neurological disorder that enables her to recall every detail of every day of her life. A blessing and a curse, it began in childhood, when her older sister stepped into a strange car never to be seen again, and it’s proven invaluable in her work. But it hasn’t helped her solve the mystery that haunts her above all others—and it didn’t lead her to little Iris. When a local woman, Carol Wentz, disappears eleven years later, Brenna uncovers bizarre connections between the missing woman, the long-gone little girl . . . and herself.

    Who would murder this shy, loving wife and leave her body posed like a ballerina?Jo wants to know why Jeanine’s husband is so controlling about money, and where Jeanine’s wedding ring is, but before she and her team can get close to the truth, another woman is found strangled in a hotel, arms placed gracefully above her head like a dancer. While digging through old case files, Jo makes a terrifying link to a series of cold cases: each victim bears the same strangulation marks. But the FBI won’t take Jo seriously, and if she disobeys direct orders by investigating the killings outside of her jurisdiction, it will mean the end of the career she’s already sacrificed so much for, even her relationship.Just as Jo is beginning to lose hope, she finds messages on the victims’ computers that make her question whether these small-town women were hiding big lies. Jo thinks this is the missing link between the victims, but she knows the killer is moments away from selecting his next victim. Will it lead her to the most twisted killer of her career in time, or will another innocent life be lost? An absolutely unputdownable and brilliant new crime thriller series that fans of Robert Dugoni, Lisa Regan and Melinda Leigh will devour in one sitting.

    She’s locked in a bitter struggle with her ex-husband and teenage daughter, and her reckless new partner is anything but trustworthy.Still, she has a job to do: there’s a killer at large, and a pregnant woman has gone missing. Once Devlin and her partner get to work, they quickly unearth secrets involving Birmingham’s most esteemed citizens. Each new layer of the investigation brings Devlin closer to the killer and the missing woman, who starts looking more like a suspect than a victim.But just as answers come into view, the case twists, expands, and slithers into Devlin’s personal life. There’s a much more sinister game at work, one she doesn’t even know she’s playing—and she must unravel the truth once and for all to stop the killer before she loses everything.

    Two years ago, Gretchen kidnapped Archie and tortured him for ten days, but instead of killing him, she mysteriously decided to let him go. She turned herself in, and now Gretchen has been locked away for the rest of her life, while Archie is in a prison of another kind---addicted to pain pills, unable to return to his old life, powerless to get those ten horrific days off his mind. Archie's a different person, his estranged wife says, and he knows she's right. He continues to visit Gretchen in prison once a week, saying that only he can get her to confess as to the whereabouts of more of her victims, but even he knows the truth---he can't stay away. When another killer begins snatching teenage girls off the streets of Portland, Archie has to pull himself together enough to lead the new task force investigating the murders. A hungry young newspaper reporter, Susan Ward, begins profiling Archie and the investigation, which sparks a deadly game between Archie, Susan, the new killer, and even Gretchen. They need to catch a killer, and maybe somehow then Archie can free himself from Gretchen, once and for all. Either way, Heartsick makes for one of the most extraordinary suspense debuts in recent memory.

    Then, suddenly, she receives an invitation from First Lady Vanessa Merritt for an off-the-record conversation. Barrie's reporter's instincts are instantly aroused. During a furtive, emotionally charged meeting, Barrie sees that the President's beautiful wife is stunned by grief after the crib death of her infant son. Vanessa's motive for meeting Barrie seems to be to share her heartache with another woman. What Barrie overlooks in her excitement at hearing the confidences of the First Lady are the questions she should be asking: Why would Vanessa Merritt call her? And why would the President's wife hint to an unknown reporter that her child may have been murdered? Blind to everything but getting her exclusive, Barrie is determined to investigate the death of the President's child. But she soon realizes that getting her story will test her ethics and her patriotism. Would she expose information that could topple the presidency? She confronts this problem when she tracks down Gray Bondurant, a former presidential aide and war hero who shunned the politics of Washington in favor of life on a remote Wyoming ranch. And when they both begin to follow a trail of lies and intrigue right to the White House door, Barrie's exclusive puts at least three people on the firing line: the First Lady, Gray, and herself - as crimes and ambitions combine to endanger their lives and the future of the nation.

    An unexpectedly tender and moving love story develops among the cops and criminals who occupy the harbor, and soon Dinko and Lita are caught up in terror and peril through no fault of their own. Some LAPD characters from Wambaugh's acclaimed "Hollywood Station" series are here: the surfer cops "Flotsam and Jetsam," aspiring actor "Hollywood Nate" Weiss, and young Britney Small, along with new members of the midwatch, all gamely coping with the wackiness of Hollywood. It's a tale only Wambaugh could have told, with his trademark dark humor and unflinching eye for detail.

    Three families. One killer.It was supposed to be the perfect holiday - a group of families enjoying a week together in the sun. Four women who have been best friends for as long as they can remember making the most of a luxurious villa in the south of France.But Kate has a secret: her husband is having an affair. And a week away might just be the perfect opportunity to get the proof she needs - to catch him in the act once and for all. Because she suspects the other woman is one of her two best friends.One of them is working against her, willing to sacrifice years of friendship to destroy her family. But which one? As Kate closes in on the truth in the stifling Mediterranean heat, she realises too late that the stakes are far higher than she ever imagined . . . Because someone in the villa may be prepared to kill to keep their secret hidden.

    Newly promoted Detective Sergeant Joy Marsh is shipped out to Dover on the Kent coast to work under Detective Inspector Romney, a copper with a reputation as a cantankerous man but good at his job.On her first night as his sergeant, a brutal crime in the town starts a chain of events that will test the grit, the resolve and the detective in both of them.

    A rich, attractive femme fatale. A missing husband. A rollicking ride to a dark and daring ending. Reed Ferguson’s first case is a daring adventure, complete with a dose of film noir, and a lot of humor. With a great supporting cast of the Goofball Brothers, Reed’s not too bright neighbors, and Cal, Reed’s computer geek friend, This Doesn’t Happen In The Movies is detective noir at its best. Follow Reed as he solves crime akin to his cinematic hero, Humphrey Bogart. Great for fans who love a fast-paced, humorous read, without a lot of swearing or sex.

    Professional. Perfect. Dead. Respected scientist Dr Eleanor Costello is found hanging in her immaculate home: the scene the very picture of a suicide.TOO LATE TO HIDEDCS Frankie Sheehan is handed the case, and almost immediately spots foul play. Sheehan, a trained profiler, is seeking a murderer with a talent for death.TOO CLOSE TO BREATHEAs Frankie strives to paint a picture of the killer, and their victim, she starts to sense they are part of a larger, darker canvas, on which the lines between the two blur.Olivia Kiernan's debut is a bold, brilliant thriller that will keep you guessing and leave you breathless.

    The ensuing scandal created a firestorm in Washington which required a high profile scapegoat. To protect his team, Charon cut a deal. Instead of embarrassing The Company by pointing fingers or naming names, he fell on his own sword. After a seven-year self-imposed exile, when he traveled throughout the Far East, Charon resurfaced in Washington. With unexplained but seemingly unlimited funding, he set up an ultra-high-end boutique security firm. With a knack for getting results in impossible situations and a history of keeping his mouth shut, the services of Sariel International were soon much in demand by the rich and the powerful of the world.Charon’s life is turned upside down when a beautiful but mysterious young woman appears unannounced at his office. He soon learns that members of his old Water Works team have come out of retirement and for unknown reasons are killing each other.When he follows the trail, he discovers the identity of the person who had leaked the story years earlier and the startling reason why.

    Last year, accusations of a torrid affair with a student cost Mark his teaching job and made the young couple into outcasts in their remote island town off the Lake Michigan coast. Now another teenage girl is found dead on a deserted beach. . . and once again, Mark faces a hostile town convinced of his guilt.Hilary Bradley is determined to prove that Mark is innocent, but she’s on a lonely, dangerous quest. Even when she discovers that the murdered girl was witness to a horrific crime years earlier, the police are certain she’s throwing up a smoke screen to protect her husband. Only a quirky detective named Cab Bolton seems willing to believe Hilary’s story.Hilary and Cab soon find that people in this community are willing to kill to keep their secrets hidden—and to make sure Mark doesn’t get away with murder. And with each shocking revelation, even Hilary begins to wonder whether her husband is truly innocent. Freeman’s first stand-alone thriller since his Stride novels is a knockout.

    A mysterious disappearance. Did one man get away with murder—twice?NYPD detective Sheryn Sterling has had her eye on Alex Traynor ever since his friend Cori fell to her death under suspicious circumstances a year ago. Cori’s death was ruled a suicide, but Sheryn thinks Alex—a wartime photojournalist suffering from PTSD—got away with murder.When Alex’s fiancée, Emily, a talented and beloved local doctor, suddenly goes missing, Sheryn suspects that Alex is again at the center of a sticky case. Sheryn dislikes loose ends, and Cori’s death had way too many of them.But as Sheryn starts pulling at the threads in this web, her whole theory unravels. Everyone involved remembers the night Cori died differently—and the truth about her death could be the key to solving Emily’s disappearance.