A new case comes with a new partner: ruggedly sexy werewolf Oliver Park.Park is an agent of The Trust, a werewolf oversight organization working to ease escalating tensions with the BSI. But as far as Cooper’s concerned, it’s failing. As they investigate a series of mysterious deaths unlike anything they’ve seen, every bone in Cooper’s body is suspicious of his new partner—even when Park proves himself as competent as he is utterly captivating.When more people vanish, pressure to solve the case skyrockets. And though he’d resolved to keep things professional, Cooper’s friction with Park soon erupts…into a physical need that can’t be contained or controlled. But with a body count that’s rising by the day, werewolves and humans are in equal danger. If Cooper and Park don’t catch the killer soon, one—or both—of them could be the next to go.This book is approximately 90,000 wordsCarina Press acknowledges the editorial services of Mackenzie Walton

     Sir Christian Brandon was raised in a household where he was hated for his unusual beauty and for his parentage. Being smaller than his six brutish half-brothers, he learned to survive by using his wits and his gift for strategy, earning him the nickname the Crow. Sir William Corbett, a large and fierce warrior known as the Lion, has pushed his unnatural desires down all his life. He’s determined to live up to his own ideal of a gallant knight. When he takes up a quest to rescue his sister from her abusive lord of a husband, he’s forced to enlist the help of Sir Christian. It’s a partnership that will test every strand of his moral fiber, and, eventually, his understanding of the meaning of duty, honor, and love.

    But when the two federal agents assigned to the investigation are taken out, the FBI takes a more personal interest in the case.Special Agent Ty Grady is pulled out of undercover work after his case blows up in his face. He's cocky, abrasive, and indisputably the best at what he does. But when he's paired with Special Agent Zane Garrett, it's hate at first sight. Garrett is the perfect image of an agent: serious, sober, and focused, which makes their partnership a classic cliche: total opposites, good cop-bad cop, the odd couple. They both know immediately that their partnership will pose more of an obstacle than the lack of evidence left by the murderer.Practically before their special assignment starts, the murderer strikes again this time at them. Now on the run, trying to track down a man who has focused on killing his pursuers, Grady and Garrett will have to figure out how to work together before they become two more notches in the murderer's knife.

    It was only supposed to be one night. One night to determine once and for all if he truly preferred men. But the last thing Lord Benjamin Parker expected to find in a questionable gambling hell is a gorgeous young man who steals his heart.It was only supposed to be a job. Cavin Fox has done it many times — select a prime mark, distract him with lust, and leave his pockets empty. Yet when Cavin slips away under the cover of darkness, the only part of Benjamin he leaves untouched is his pockets.With a taste of his fantasies fulfilled, Benjamin wants more than one night with Cavin. But convincing the elusive young man to give them a chance proves difficult. Living with a band of thieves in the worst area of London, Cavin knows there's no place for him in a gentleman's life. Yet Benjamin isn't about to let Cavin—and love—continue to slip away from him.(40,000 words)

    But when Snow’s Antique Emporium is broken into and a heart is found under the floorboards, Sebastian can’t let the mystery rest. He soon finds himself caught up in murder investigations that echo the macabre writings of Edgar Allan Poe. To make matters worse, Sebastian’s sleuthing is causing his relationship with Neil to crumble, while at the same time he’s crushing hard on the lead homicide detective of the case, Calvin Winter. Sebastian and Calvin must work together to unravel the mystery behind the killings, despite the mounting danger and sexual tension, before Sebastian becomes the next victim.In the end, Sebastian only wants to get out of this mess alive and live happily ever after with Calvin.

    Collapsing from exhaustion on the moors of Yorkshire, he's rescued by the handsome Lord Elmsby and taken to Gorsewall Manor. As he recovers, Lord Elmsby offers him a position cataloging the library. It would be an ideal situation, isolated, with a handsome, solitary lord and servants who don't ask many questions, except for the strange sounds in the corners of the library and the feeling he's being watched. And then a body is found on the moors, a body that could be the long missing fiancee of Lord Elmsby, and Thomas must find out the truth of what happened at Gorsewall Manor. A gay - m/m Regency romance, 82,000 words, print version 315 pages

    The local police keep his number on file for a different reason—his sixth sense for finding hidden things.When he’s called in to help locate the body of a missing woman up on Nomansland Common, he unexpectedly encounters someone who resurrects a host of complicated emotions. Phil Morrison, Tom’s old school crush, now a private investigator working the same case. And the former bully partly responsible for Tom’s injury.The shocks keep coming. Phil is now openly gay, and shows unmistakable signs of interest. Tom’s attraction to the big, blond investigator hasn’t changed—in fact, he’s even more desirable all grown up. But is Phil’s interest genuine, or does he only want to use Tom’s talent?As the pile of complicated evidence surrounding the woman’s murder grows higher, so does the heat between Tom and Phil. But opening himself to this degree exposes Tom’s heart in a way he’s not sure he’s ready for…while the murderer’s trigger finger is getting increasingly twitchy.Warning: Contains a flirtatious plumber with hidden talents, a cashmere-clad private investigator with hidden depths, and an English village chock full of colourful characters with plenty to hide.

    Ainsley Graham is cultivating a reputation as an eccentric.Two years ago, he catastrophically ended his academic career by publicly claiming to talk to ghosts. When Joachim Cockburn, a WWI veteran studying the power of delusional thinking, arrives at his door, Ainsley quickly catalogues him as yet another tiresome Englishman determined to mock his life’s work.But Joachim is tenacious and openhearted, and Ainsley’s intrigued despite himself. He agrees to motor his handsome new friend around to Scotland’s most unmistakable hauntings. If he can convince Joachim, Ainsley might be able to win back his good name and then some. He knows he’s not crazy—he just needs someone else to know it, too.Joachim is one thesis away from realizing his dream of becoming a psychology professor, and he’s not going to let anyone stop him, not even an enchanting ginger with a penchant for tartan and lewd jokes. But as the two travel across Scotland’s lovely—and definitely, definitely haunted—landscape, Joachim’s resolve starts to melt. And he’s beginning to think that an empty teaching post without the charming Dr. Graham would make a very poor consolation prize indeed…

    Rigid, ice-cold, and a stickler for the rules, Seong-Jae Yoon is a watchful presence whose obstinacy and unpredictability constantly remind Malcolm why he prefers to work alone. Seong-Jae may be stunningly attractive, a man who moves like a graceful, lethal bird of prey...but he's as impossible to decipher as this case.And if Malcolm doesn't find the key to unravel both in time, another vulnerable young victim may end up dead.

    Haunted by his abrupt departure from the Chicago Police Department and the end of his relationship with librarian Daniel Laverty, Nick Nowak is a beat cop-turned-dogged private investigator. In this first book of the series, Nick works through three cases: a seemingly simple missing persons search, an arson investigation, and a suicide that turns out to be anything but. While working the cases, Nick moves through a series of casual relationships until he meets homicide detective Bert Harker and begins a tentative relationship.

    When Patrick is caught with his pants down and threatened with death for his crime, Colin speaks up in his defense and confesses his own sinful nature. They’re soon banished to the faraway prison colony of Australia.Patrick never asked for Colin’s help, and now he’s stuck with the pampered fool. While it’s true that being transported to Australia is a far cry from the luxury Colin is accustomed to, he’s determined to make the best of it and prove himself. Patrick learned long ago that love is a fairy tale, but he’s inexorably drawn to sweet, optimistic Colin despite himself.From the miserable depths of a prison ship to the vast, untamed Australian outback, Colin and Patrick must rely on each other. Danger lurks everywhere, and when they unexpectedly get the chance to escape to a new life as cowboys, they’ll need each other more than ever.This historical gay romance from Keira Andrews features an age difference, an eager virgin, hurt/comfort, and of course a happy ending.

    Adrift and still grieving, he tries to find meaning in an unsatisfying job. Work takes him to the remote seaside villa of an old friend, where, among an odd assortment of guests, he meets the eunuch sword-dancer Varazda. Enigmatic and beautiful but distinctly prickly, Varazda is the antithesis of the straightforward and serious Damiskos. Yet as they keep getting in each other’s way at the villa, their mutual dislike is complicated by a spark of undeniable attraction. Then the villa’s guests begin to reveal their true characters and motives—no one here is what they seem—and Damiskos finds himself at the centre of a bizarre web of espionage, theft, and assassination. Varazda may need Damiskos’s help, but not as much as Damiskos, finally awakening to a new sense of life and purpose, needs Varazda. Sword Dance is the first book in the Sword Dance trilogy, an m/nb romance set in an imaginary ancient world, with murderous philosophy students, sex acts named after fruit, and love blossoming in the midst of mayhem.

    There are no bars or chains; he simply can’t leave. His sanity is starting to fray. When industrial magician John Blake arrives to investigate a case of witchcraft, he finds the peculiar, arrogant Thornby as alarming as he is attractive. John soon finds himself caught up in a dark fairytale, where all the rules of magic—and love—are changed. To set Thornby free, both men must face life-changing truths—and John must accept that the brave, witty man who’s winning his heart may also be about to break it. Can they escape a web of magic that’s as perilous as love?

    Most of the townsfolk of South Pass City treat him as a simpleton because he’s deaf, but that’s not his only problem. Something in Elijah runs contrary to nature and to God. Something that Elijah desperately tries to keep hidden.Harlan Crane, owner of the Empire saloon, knows Elijah for what he is—and for all the ungodly things he wants. But Crane isn’t the only one. Grady Mullins desires Elijah too, but unlike Crane, he refuses to push the kid.When violence shatters Elijah’s world, he is caught between two very different men and two devastating urges: revenge, and despair. In a boomtown teetering on the edge of a bust, Elijah must face what it means to be a man in control of his own destiny, and choose a course that might end his life . . . or truly begin it for the very first time.

    There he befriends the young, bright Andrew, a conscientious objector serving as an orderly. As they find solace and companionship together in the idyllic surroundings of the hospital, their friendship blooms into a discreet, chaste romance. Then one day, Ralph Lanyon, a mentor from Laurie’s schoolboy days, suddenly reappears in Laurie’s life, and draws him into a tight-knit social circle of world-weary gay men. Laurie is forced to choose between the sweet ideals of innocence and the distinct pleasures of experience. Originally published in the United States in 1959, The Charioteer is a bold, unapologetic portrayal of male homosexuality during World War II that stands with Gore Vidal’s The City and the Pillar and Christopher Isherwood’s Berlin Stories as a monumental work in gay literature.