A partner she loves, five amazing kids and a house by the sea. But life is never simple and there is more than a little emotional baggage coming along for the ride.Starting with that tw*t of an ex-husband who doesn't pull his weight. Then there's the untrained puppy, the work/life balance, a custody battle for the children and all the everyday ups and downs and chaos of being a patchwork family.Surrounded by family dramas and mums who seem to have all their sh*t together, Jo must find a way to make friends and make it work in this new town.Barbecues on the beach and dog walks open up new conversations, but as Jo gets to know everyone better, the picture perfect families might be in need of more help than she first thought...When normal is not an option, surprises can lead to a different kind of happy family.

    Instead she finds herself smack in the middle of a centuries old feud that someone wants to settle once and for all....and they will stop at nothing to reclaim what they feel is rightfully theirs.When Shannon discovers an old diary she is suddenly pulled into all the mystery and legend of the Black Hills.As she deals with a mother who talks to ghosts, a grumpy old geezer who is up to no good, and a handsome colleague with revenge on his mind, Shannon tries desperately to help her friend hold onto her home, her dreams and the land that she loves.An extra bonus to this book includes yummy recipes from the Mid West!Mansion MayhemShannon Porter has always loved a good ghost story, so when her editor asks her to write a book about famous ghosts, she jumps at the chance. She loves the idea that the book will take her to various locations around the world, starting with a haunted mansion in England. Little does she know that instead of writing her book, she will spend most of her time trying to solve a murder. Eliminating suspects and finding the real killer among a group of strangers that include a ghost crazy matron, a mysterious maid that appears only to Shannon, and a creepy recluse professor, proves to be more of a challenge than Shannon expects.As a special bonus, this cozy mystery ghost story also includes some yummy authentic British recipes. Boathouse BedlamWith her loyal furry companion, Edgar by her side, Shannon travels to a small town in Maine to compile more research for her book on famous ghosts. Excited to be staying in a haunted boat house, and eager to experience all the culinary feasts that New England has to offer, Shannon is looking forward to doing a lot of work, a little relaxing and an enormous amount of eating.But when her dog Edgar makes a frightful discovery on the beach, her plans for work and relaxation are suddenly thrown into turmoil. Who is friend and who is foe?Only the resident ghosts can say for sure!Delicious recipes for the authentic New England dishes mentioned in the book are included at the end of this cozy mystery ghost story. Castle ChaosAlthough recent experience has taught her otherwise, Shannon is really hoping that this final research trip for her book will be all work, some play and no foul play. But you can never be sure what might happen at an ancient castle in Ireland that is reportedly haunted by a very nasty spirit!While Shannon prepares to deal with whatever may come her way during this final trip, she is also preparing for big changes in her personal life at home.You can share this final culinary adventure with the traditional Irish recipes included at the end of this cozy mystery ghost story.

    As a present she receives a dead family and a missing brother who mysteriously vanished around the same time the fire consumed her family. Shi battles with love, depression, friendship, betrayal and grief in this tale of revenge.

    But behind the sparkling social whirl, Vera is living a life of quiet desperation. Her days are an unbroken loop of empty, champagne-soaked socializing, while her nights are silent and cold, spent waiting alone in her cavernous apartment for a husband who seldom comes home.Then Emil Hallan arrives at The Angelus to paint a mural above its glittering subterranean pool. The handsome French artist moves into the building, shrouds his work in secrecy, and piques Vera’s curiosity, especially when the painter keeps dodging questions about his past. Is he the man he claims to be? Even as she finds herself increasingly drawn to Hallan’s warmth and passion, Vera can’t supress her suspicions. After all, she has plenty of secrets, too—and some of them involve art forgers like her bold, artistically talented former friend, Bea, who years ago, at Vassar, brought Vera to the brink of catastrophe and social exile.When the dangerous mysteries of Emil’s past are revealed, Vera faces an impossible choice—whether to cling to her familiar world of privilege and propriety or to risk her future with the enigmatic man who has taken her heart. A Fine Imitation explores what happens when we realize that the life we’ve always led is not the life we want to have.

    The following morning she's doing a joint deposition, and in walks Jed, the man she'd spent the night with, her new client's soon-to-be-ex husband! As if that's not bad enough, she learns later that the condom broke and she's pregnant. Her perfect plans are seriously derailed, and it may take a little magic to make everything right. ' I'd been sleeping with Barnie for more than a year, off and on. He wasn't much for talking, but so what? He was reliable, faithful, and good in bed. I knew exactly where he was most of the time; he didn't look at my girlfriends, didn't have a mother, never argued, didn't expect me to cook and clean, and performed at my command. What more could a girl ask? More importantly, I was sure he'd never hurt me, and perhaps that's why I chose to spend my nights with him. But I learned the hard way: nothing is ever perfect. The damn thing malfunctioned, went into overdrive, and I could barely sit down for a week. Cheap Asian product--I bought it through eBay too. There you have it. It was fun while it lasted, but as in any good relationship that sadly ends it takes awhile to move on. I'm proud to say that I have done so. Yes, I replaced my old toy Barnie, and now I have something warm and wonderful beside me in bed. This required a great deal of courage and lack of negativity on my part. I had to learn to trust, and to open my heart and not to be afraid. And it's still a whole lot scary.

    Masterful forgeries. Art crime at its worst.A straightforward murder investigation quickly turns into a quagmire of stolen Eurocorps weapons, a money-laundering charity, forged art and high-ranking EU officials abusing their power.As an insurance investigator and world renowned expert in nonverbal communication, Dr Genevieve Lenard faces the daily challenge of living a successful, independent life. Particularly because she has to deal with her high functioning Autism. Nothing - not her studies, her high IQ or her astounding analytical skills - prepared her for the changes about to take place in her life.It started as a favour to help her boss' acerbic friend look into the murder of a young artist, but soon it proves to be far more complex. Forced out of her predictable routines, safe environment and limited social interaction, Genevieve is thrown into exploring the meaning of friendship, expanding her social definitions, and for the first time in her life be part of a team in a race to stop more artists from being murdered.

    In its pages you will find all kinds of horror fiction, from zombie stories and haunted house tales to visceral psychological horror.For our debut issue we will be bringing you four all-new, never before published horror stories: “Property Condemned” by Jonathan Maberry, “Frontier Death Song” by Laird Barron, “Good Fences” by Genevieve Valentine, and “Afterlife” by Sarah Langan.We'll also have author spotlights with each of our authors, a showcase on our cover artist Jeff Simpson, as well as an in-depth feature interview with horror legend Peter Straub. And finally we'll have the first installment of “The H Word,” a monthly column which will focus on exploring the many facets of the field of horror.

     Over the past year, much of what I have written has turned into letters: letters to people, their stories, and the seasons they are in. Even though I suppose, technically, what you will find in this book is considered poetry, I hope they read as letters: letters for people, places, things, seasons, years–letters for the story and for the storyteller. There are one hundred poem letters in this book. I share them with you because I believe you have a story to tell, and I hope these poem letters encourage you to keep telling it. ––Morgan Harper Nichols Writer, Artist, Musician

    I have my brother, someone I can barely tolerate most of the time, and I have my best friend, Marie. And I have myself.But when Hawke walks into my life, there’s an immediate connection. Our eyes lock and an unspoken conversation is exchanged. For the first time in my life, I actually feel something.But he doesn’t.He keeps me at arm’s length and pretends there’s nothing between us when there clearly is. I’m not the kind of girl to wait around for any guy, so I don’t. But that doesn’t mean he isn’t in the back of my mind. Our paths cross again in a way neither one of us expect and it changes everything. Was it destiny that made it happen? Was it fate?Or was something else?

    Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones. Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.