The story centers on the life of the protagonist, Arthur Burton, as a member of the Youth movement, and his antagonist, Padre Montanelli. A thread of a tragic relationship between Arthur and his love Gemma simultaneously runs through the story. It is a story of faith, disillusionment, revolution, romance, and heroism.

    In short segments, featuring love, loss, cannibalism, and yes, cynicism, this novella tells the story of a group young people in the middle of revolution-torn Russia, between 1918-1924.

    This powerful novel explores the dynamics of the financial world during the Civil War and after the stock-market panic caused by the Great Chicago Fire. The first in a ''trilogy of desire,'' The Financier tells the story of the ruthlessly dominating broker Frank Cowperwood as he climbs the ladder of success, his adoring mistress championing his every move. Based on the life of financier C. T. Yerkes, Dreiser's cutting portrayal of the corrupt magnate Cowperwood illustrates the idea that wealth is often obtained by less than reputable means.

    Set in the vast windswept Central Asian steppes and the infinite reaches of galactic space, this powerful novel offers a vivid view of the culture and values of the Soviet Union's Central Asian peoples.

    His eldest child, Olga Nikolaevna, great-granddaughter of Queen Victoria, had begun a diary in 1905 when she was 10 years old and kept writing her thoughts and impressions of day-to-day life as a Grand Duchess until abruptly ending her entries when her father abdicated his throne in March 1917. Held at the State Archives of the Russian Federation in Moscow, Olga’s diaries during the wartime period have never been translated into English until this volume. At the outset of the war, Olga and her sister, Tatiana, worked as nurses in a military hospital along with their mother, Tsarina Alexandra. Olga’s younger sisters, Maria and Anastasia, visited their own infirmaries to help raise the morale of the wounded and sick soldiers. The strain was indeed great as Olga records her impressions of tending to the officers who had been injured and maimed in the fighting on the Russian front. Concerns about her sickly brother, Aleksei abound, as well those for her father who is seen attempting to manage the ongoing war. Gregori Rasputin appears in entries too, in an affectionate manner as one would expect of a family friend. While the diaries reflect the interests of a young woman, her tone increases in seriousness as the Russian army suffers setbacks, Rasputin is ultimately murdered, and a popular movement against her family begins to grow. At the point Olga ends her writing in 1917, the author continues the story by translating letters and impressions from family intimates, such as Anna Vyrubova, as well as the diary kept by Nicholas II himself. Finally, once the Imperial family has been put under house arrest by the revolutionaries, observations by Alexander Kerensky, head of the Provisional Government, are provided, these too in English translation for the first time. Olga would offer no further personal writings as she and the rest of her family were crowded into a basement of a house in the Urals and shot to death in July 1918.The Diary of Olga Romanov: RoyalWitness to the Russian Revolution, translated and introduced by scientist and librarian Helen Azar, and supplemented with additional primary source material, is a remarkable document of a young woman who did not choose to be part of a royal family and never exploited her own position, but lost her life simply because of what her family represented.

    Sapolsky, America's most beloved neurobiologist/primatologist. Organized into three sections, each tackling a Big Question in natural science, Monkeyluv offers a lively exploration of the influence of genes and the environment on behavior; the social and political -- and, of course, sexual -- implications of behavioral biology; and society's shaping of the individual. From the mating rituals of prairie dogs to the practice of religion in the rain forest, the secretion of pheromones to bugs in the brain, Sapolsky brilliantly synthesizes cutting-edge scientific research with wry, erudite observations about the enormous complexity of simply being human. Thoughtful, engaging, and infused with pop-cultural insights, this collection will appeal to the inner monkey in all of us.

    As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times

    During a family trip to Vermont in the summer of 1937, her husband, Oliver, is called away. When Lucy falls into an affair with a younger man, her son, Tony, walks in on them. The betrayal rips apart the family, ultimately estranging Lucy from her son. Twenty years later, the two run into each other at a bar in Paris, and Lucy realizes that she may have found her best chance at absolution.

    To his beautiful secretary-mistress, he was a god-like hero to be served with her mind, soul and body. To his aristocratic young wife, he was an elemental force of nature to be tamed. To his millionaire father-in-law, he was a giant whose single error could be used to destroy him.What kind of man was Bjorn Faulkner? Only you, the reader, can decide.On one level, Night of January 16th is a totally gripping drama about the rise and destruction of a brilliant and ruthless man. On a deeper level, it is a superb dramatic objectification of Ayn Rand's vision of human strength and weakness. Since its original Broadway success, it has achieved vast worldwide popularity and acclaim.

    Simply constructed, the book explores 50 key photographs from the first experiments in the early 19th century to digital photography. The design of the book allows the student or photography enthusiast to easily navigate their way around key genres, artists, themes, and techniques. Accessible and concise, the book explains how, why, and when certain photographs really have changed the world.

    Highly popular and influential in the development of Elizabethan drama, it established a new genre in English theatre; the revenge play.

    It was said that just before his death he was on the verge of a breakthrough in the transplantation of human organs.Marie Laurent felt privileged to work for the professor’s brilliant associate, Professor Kern. But her feelings turned to shock and revulsion when she entered Kern’s laboratory and discovered—sitting on a table, surrounded by tubes and tanks, its eyes blinking and lips moving—Professor Dowell’s head!Thus begins a classic tale of horror and suspense by Alexander Beliaev, the bestselling Soviet science fiction author of all time, whose work is considered by many readers the equal of Wells’ and Verne’s.Written half a century ago, this prophetic novel foresees not only organ transplants but other disturbing phenomena of our time, such as the use of mental hospitals as prisons and the manipulation of the news media. In the heads that Kern “rescues” from death, we see a poignant parable of mankind’s disembodied life in a high-technology age.The escape of one of the heads—after its transplantation to the body of an opera star—is the catalyst for the story’s hair-raising climax, as Marie Laurent and Professor Dowell’s son race against time to bring Kern to justice. Kern is a cunning adversary, armed with formidable weapons, both real and psychological. Pursuing him means hairbreadth escapes and sudden reversals—with the outcome uncertain right up to the last page.

    These stories, taken from the whole of her career, show the full range of her gifts. Extremely funny-a wry, scathing observer of society-she is also capable, as capable even as Chekhov, of miraculous subtlety and depth of character.There are stories here from her own life (as a child, going to meet Tolstoy to plead for the life of War and Peace's Prince Bolkonsky, or, much later, her strange, charged meetings with the already-legendary Rasputin). There are stories of émigré society, its members held together by mutual repulsion. There are stories of people misunderstanding each other or misrepresenting themselves. And throughout there is a sly, sardonic wit and a deep, compelling intelligence.Pushkin Collection editions feature a spare, elegant series style and superior, durable components. The Collection is typeset in Monotype Baskerville, litho-printed on Munken Premium White Paper and notch-bound by the independently owned printer TJ International in Padstow. The covers, with French flaps, are printed on Colorplan Pristine White Paper. Both paper and cover board are acid-free and Forest Stewardship Council (FSC) certified.

    But her partner in crime is dead.Zoya Volkova finds him at the garage icy floor. Her friend and accomplice, in a puddle of his own blood. Maybe it was one of the rich Muscovites they scammed for a car repair in that very garage. Maybe it has to do with a heist they’ve planned, the job that would change their lives.Her boyfriend wants to go on with the rip-off. Her bestie talks her out of it. Caught up in a whirlwind of mistrust, Zoya learns about terrible things her estranged mother had done to Zoya’s siblings. Now she needs this money to mitigate the damage, but is it safe when she suspects everyone?Racing against the time, at odds with the police, a local crime boss and her own conscience, Zoya needs to find out who murdered her partner. Will she fix her life or will she lose everything?An unputdownable prequel novella to the Zoya Volkova thriller series.

    Among them are the anarchist Michael Bakunin, who was to challenge Marx for the soul of the masses; Ivan Turgenev, author of some of the most enduring works in Russian literature; the brilliant, erratic young critic Vissarion Belinsky; and Alexander Herzen, a nobleman's son and the first self-proclaimed socialist in Russia, who becomes the main focus of this drama of politics, love, loss, and betrayal. In The Coast of Utopia, Stoppard presents an inspired examination of the struggle between romantic anarchy, utopian idealism, and practical reformation.