Things get worse when his high school bully, captain of the football team and meathead extraordinaire, Ric Saunders, shows up for an appointment at the chiropractic clinic where Alex works. Things go from bad to worse in a comedy of errors that leaves Alex's head spinning. Has Ric turned into a crazed stalker, ready to pick up the bullying where he left off eight years before? Or has Ric got something else in mind this time?

    Which makes it hard for him to be in love with his straight best friend. For his part, Matt is completely oblivious to the way Tretch feels – and Tretch can’t tell whether that makes it better or worse. The problem with living a lie is that the lie can slowly become your life. For Tretch, the problem isn’t just with Matt. His family has no idea who he really is and what he’s really thinking. The girl at the local bookstore has no clue how off-base her crush on him is. And the guy at school who’s a thorn in Tretch’s side doesn’t realize how close to the truth he’s hitting. Tretch has spent a lot of time dancing alone in his room, but now he’s got to step outside his comfort zone and into the wider world. Because like love, a true self can rarely be contained. ANYTHING COULD HAPPEN is a poignant, hard-hitting exploration of love and friendship, a provocative debut that shows that sometimes we have to let things fall apart before we can make them whole again.

    In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics.Forster understood that his homage to same-sex love, if published when he completed it in 1914, would probably end his career. Thus, Maurice languished in a drawer for fifty-seven years, the author requesting it be published only after his death (along with his stories about homosexuality later collected in The Life to Come).Since its release in 1971, Maurice has been widely read and praised. It has been, and continues to be, adapted for major stage productions, including the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.

    Bold and inventive in his account of the urban underworld of male prostitution, Rechy is equally unflinching in his portrayal of one hustling "Youngman" and his restless search for self-knowledge. As the narrator careens from El Paso to Times Square, from Pershing Square to the French Quarter, we get an unforgettable look at a neon-lit life on the edge. Said James Baldwin of the author, "Rechy is the most arresting young writer I've read in a very long time. His tone rings absolutely true, is absolutely his own; and he has the kind of discipline which allows him a rare and beautiful reckless."

    At crucial moments in their personal histories their lives intersect, and each discovers his own unique - and uniquely gay- identity. Through the lends of their complex, tumultuous, yet enduring relationship - and their involvement with the handsome model, poet and decorated Vietnam vet Matt Loguidice, whom they both love - Felice Picano chronicles and celebrates gay life and subculture over the last half of the twentieth century. From Malibu Beach in its palmist surfer days to the legendary parties at Fire Island Pines in the 1970s, from San Francisco during its gayest era to AIDS activism in Greenwich Village in the 1990s, Like People in History presents 'the heroic and funny saga of the last three decades by someone who saw everything and forgot nothing' (Edmund White).

    While it’s not exactly love at first sight, he’s captured my interest and won’t let go. Suddenly, I find myself caught in a game of cat and mouse, determined to attract the attention of Jackson, the PI who should be my enemy. He pretends like he’s not flattered by my flowers and the mentions of my totally-not-fictitious blow-up doll Randy (or was it Dandy?), but I know better. Why else would he be teaming up with me to bring down Hardek, one of the city’s most ruthless criminals? Jackson Even though the cops are telling me that the hitman is a notorious contract killer, I can’t help but admit that I’m drawn to him. He’s funny, charismatic, and attractive. There’s no way this ridiculous man can be the person the cops are after. But when Leland ends up at my doorstep injured, I’m faced with a tough choice. It’s my duty to hand him over to law enforcement, but my heart has other plans. I want to keep him. To protect him. To be with him. Though one question remains: why in the world does the man have so many d*mn guns? Contains: shenanigans on a swing that you would NOT find at a playground, a car chase that sadly doesn't have flips or explosions, a horsey ride sans horse, cuddles, an exuberant mutt, a suspicious chief of police, and lots and lots of laughs.

    Thanks to Seattle’s depressed real estate market, though, they’re stuck living as roommates with a hefty mortgage hanging over their heads. In an effort to speed things along, they decide to bring in some extra money by renting out the spare bedroom.Wilde’s bartender Kieran Frost moves in, and suddenly, the only thing Ethan and Rhett both want more than getting away from each other is getting close to their single, young, hot roommate. Kieran doesn’t mind the attention from both, and he certainly doesn’t mind sharing. Their combined chemistry ignites something else that Ethan and Rhett had thought was long dead—the mutual attraction that drew them together in the first place. Except bitter jealousy over Kieran could push them even farther apart… This 53,000 word novel was previously published and has been lightly revised. An alternative cover edition for this ISBN can be found here.

    . . . "Social Disease" . . . is really about the three major issues of our time: sex, hair, and the telephone" (Paul Rudnick, "New York Magazine").

    He’s inept as a bartender, so when the opportunity arises to train as a private investigator he takes it. He’s not very good at that either, but he still manages to get hired to follow fashion mogul Quentin Faulkner. While Linc’s incompetence proves to be a hindrance, Brady Williams, Faulkner’s studly bodyguard, may prove to be his undoing. Despite Linc’s incompetence, Brady is drawn to him but that stupidity may be just what’s needed to solve the case and save their lives. Second Edition. A scene of approximately 2,000 words was added.

    Reprint. 14,000 first printing.

    When his friend's death is ruled a suicide, Kevin Connor--a hustler by trade, sleuth by default--sets out to prove a case of murder. It doesn't help matters that the victim's grown children, who disapproved of their father's sexual orientation, are only concerned about their inheritance. But they are not Kevin's only problem. His high-strung mother has moved in with him--and she knows nothing about his questionable . . . job. Throw in his super-hot ex - now a New York City detective - and Kevin has more than his hands full. JA Konrath calls Sherman "the gay Janet Evanovich." You'll fall for this sexy, funny first mystery in the Kevin Connor series. Scott Sherman has written for Newsweek, Genre, Instinct, and The Washington Blade. The follow-up to First You Fall, Second You Sin was released by Kensington in October, 2011 in trade paperback and for the Kindle. The third book in the series will be coming out in 2012.

    Everyone knows that Armenians never eat out. Between bouts of interrogating the waitress and criticizing the menu, Alek’s parents announce that he’ll be attending summer school in order to bring up his grades. Alek is sure this experience will be the perfect hellish end to his hellish freshman year of high school. He never could’ve predicted that he’d meet someone like Ethan.Ethan is everything Alek wishes he were: confident, free-spirited, and irreverent. He can’t believe a guy this cool wants to be his friend. And before long, it seems like Ethan wants to be more than friends. Alek has never thought about having a boyfriend—he’s barely ever had a girlfriend—but maybe it’s time to think again.

    Powerfully written, keenly felt, "The Trouble Boy" heralds an exciting new voice in fiction. "This is about fame and celebrity and the lengths to which people will go to have a taste of it. . ."At twenty-two, Toby Griffin wants it all--fame, fortune, an Oscar-winning screenplay and a good-looking boyfriend by his side. For now, what he's got is a freelance writing job at a tanking online magazine, a walk-up sublet in the East Village and "the boys," a young posse of preppy Upper East Siders with a taste for high fashion, top-shelf liquor and other men.But for Toby, downing vodka cranberries and falling in and out of lust with a series of guys he knows as Subway Boy, Loft Boy and Goth Boy is getting old. That all changes when Toby gets the chance of a lifetime--working as a personal assistant to hip, ruthless film mogul, Cameron Cole. In this decadent, drug-fueled world of VIP lounges, endless networking and relentless hype, Toby discovers that nothing is what is seems and that anything and anyone can be spun into PR gold. Though he's making friends with all the right people. Toby realizes that succeeding in Manhattan isn't as easy as he thought--until the one tragic night that changes his future forever and puts him in a position of power he never could have imagined.But with Toby's name suddenly becoming Page Six material, his life is coming unglued. And as his professional contacts betray him and his friends reveal troubling secrets, his choices become that much harder--and that much more important. Now, in his first year on his own, Toby Griffin is about to learn the price of getting everything he ever wanted."What really makes Toby's world so familiar--along with the author's lively, often-hilarious eye for even the most mundane social details--is the crisp prose and the snappy story."-- "The San Francisco Chronicle"

    Fee and his friends are forced to bear grief, shame, and pain that endure long after the director is imprisoned. Fee survives even as his friends do not, but a deep-seated horror and dread accompany him through his self-destructive college days and after, until the day he meets a beautiful young student named Warden and is forced to confront the demons of his brutal past.

    Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a "sexual suspect," a phrase first used by John Irving in 1978 in his landmark novel of "terminal cases," The World According to Garp.In One Person is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself "worthwhile.