Film Form: Essays In Film Theory


Sergei Eisenstein - 1949
    From Sergei Eisenstein, a legendary pioneer in filmmaking and director of Battleship Potemkin, Film Form collects twelve essays written between 1928 and 1945 that demonstrate key points in the development of his film theory and in particular his analysis of the sound-film medium."By turns savagely polemical and whimsically humorous...Eisenstein's last book, like all his writings, is on fire with imagination...Jay Leyda, well-known authority on Eisenstein's work, has done an excellently thorough job of editing and translating."??—??Saturday Review

Unlikely Hero: Om Puri


Nandita C. Puri - 2009
    Discover the Om Puri no one knows about - the tongue-tied actor from Punjab with stars in his eyes; the incorrigible flirt in drama school; the connoisseur of food and expert cook; and the complete family man. Featuring amusing anecdotes with his family, shocking episodes with the stalwarts of Indian and British cinema, and the nail-biting suspense of his love life, the tale is complemented by rare and unusual photographs. Told with wit, honesty, and élan, this book is a fitting tribute to the inspirational tale of Om Puri - one of the most talented actors of India.

A.R. Rahman: The Musical Storm


Kamini Mathai - 2009
    250-258) and index.

Nightmare of Ecstasy: The Life and Art of Edward D. Wood


Rudolph Grey - 1992
    The author recalls the '50s, when the invasion of movie houses by monsters became a national youth craze. 140 photos.

Groucho and Me


Groucho Marx - 1959
    Julius Henry Marx.

Loitering with Intent: The Child


Peter O'Toole - 1992
    Loitering with Intent: The Child captivates readers with O'Toole's rakish wit and shining eccentricity, recounting the story of his weird, wacky, wild, and wonderful early life. Photos.

The Dark Side Of The Screen: Film Noir


Foster Hirsch - 1981
    From Billy Wilder, Douglas Sirk, Robert Aldrich, and Howard Hawkes to Martin Scorsese, Roman Polanski, and Paul Schrader, the noir themes of dread, paranoia, steamy sex, double-crossing women, and menacing cityscapes have held a fascination. The features that make Burt Lancaster, Joan Crawford, Robert Mitchum, and Humphrey Bogart into noir heroes and heroines are carefully detailed here, as well as those camera angles, lighting effects, and story lines that characterize Fritz Lang, Samuel Fuller, and Orson Welles as noir directors.For the current rediscovery of film noir, this comprehensive history with its list of credits to 112 outstanding films and its many illustrations will be a valuable reference and a source of inspiration for further research.

Hollywood Be Thy Name: The Warner Brothers Story


Cass Warner Sperling - 1993
    The first family biography of Hollywood's Warners draws on letters and interviews to follow four brothers from their immigrant beginnings to their position as prime shapers of American entertainment, capturing the excitement and tension of Hollywood's evolution.

The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition


Gustavo Mercado - 2010
    This book has struck a chord worldwide and is being translated into several languagesAfter a short introduction to basic principles, a variety of shots are deconstructed in the following format:- Why It Works: an introduction to a particular type of shot- How It Works: callouts point out exactly how the shot works the way it does--the visual rules and technical aspects in action- Technical Considerations: the equipment and techniques needed to get the shot.- Breaking the Rules: examples where the rules are brilliant subverted