Cynical and jaded, Milne earns money on the side by doing what he does best: punishing the bad guys. But this time he's been duped. Instead of blowing away drug dealers, he kills three innocent people, their deaths starting an investigation that sees him and his conscience heading for trouble.Less than twelve hours later, Milne is out on the streets again. Eighteen-year-old Miriam Fox has been found dead by Regent's Canal---her throat slashed. Desperate to find Miriam's killer, Milne uncovers a web of depravity far more shocking than he could ever have imagined. Can he evade arrest for his own crimes and solve a case so sickening that it may provide the key to his personal redemption?The clock is ticking and everyone's watching their backs as a war of morality is fought in the mind of one renegade policeman in this gripping first novel by a talented young crime writer.

    Long suffering under Christopher's unfaithful ways, Rosemary is tried, convicted and executed. Ten years later, Jon Nunn, the detective who cracked the case, becomes convinced that the wrong person was put to death. Along with financier Tony Olsen, he plans to gather everyone who was there the night Christopher died and finally uncover the truth about what happened that fateful evening. Could it have been the ne'er do well brother Peter Hausen, interested in his sister's trust fund having got through his own; the curatorial assistant Justine Olengard, used and betrayed by Christopher; the artist Belle who turned down his advances only to see her career suffer a setback; or someone else all together? No Rest for the Dead is a thrilling, page-turning accomplishment that only the very best thriller writers could achieve.

    He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.

    This collection includes thirteen lean and mean stories from the fingertips of Garnett Elliott, Glenn Gray, John Hornor Jacobs, Patricia Abbott, Thomas Pluck, Brad Green, Ron Earl Phillips, Kent Gowran, Amy Grech, Benoit Lelievre, Kieran Shea, David Cranmer, and Wayne D. Dundee and a boiled down look at hardboiled fiction in an introduction by Ron Scheer. Edited by David Cranmer and Scott D. Parker.

    He’s waiting for Dorothy, his fiancée, and tonight is the last night they’ll be meeting here, for it’s May 31st, and June 1st marks their wedding day. But she’s late, and Johnny soon learns of a horrible accident—an accident involving a group of drunken men, a low-flying charter plane, and an empty liquor bottle. In one short moment Johnny loses all that matters to him and his life is shattered. He vows to take from these men exactly what they took from him. After years of planning, Johnny begins his quest for revenge, and on May 31st of each year—always on May 31st—wives, lovers, and daughters are suddenly no longer safe.

    When you hire someone to kill your wife, don’t hire a psychopath.2. Drano is not the best tool for getting rid of a dead body.3. Those locks on hotel room doors? Not very secure.4. A curly blond wig isn’t much of a disguise.5. Secrets can kill.

    With a lion in his soul, he roars--for he is the meanest, deadliest animal on the loose....Odell is Lamar's cousin, a hulking manchild with unfeeling eyes. He lives for daddy Lamar. Surely he will die for him....Richard's survival hangs on a sketch: a crude drawing of a lion and a half-naked woman. For this Lamar has let Richard live....Armed to the teeth, Lamar and his boys have cut a path of terror across the Southwest, and pushed one good cop into a crisis of honor and conscience. Trooper Bud Pewtie should have died once at Lamar's hands. Now they're about to meet again. And this time, only one of them will walk away....

    We're talking over a hundred print pages of pure pulp perfection that'll cost you less than the paper it ain't printed on.Includes the Spinetingler-Award-winning "Seven Days of Rain," Derringer-Award finalist "The Big Score," and "The World Behind," which originally appeared in Ellery Queen's Mystery Magazine.Also included are "A Better Life," "The Well," "A Simple Kindness," "Eight Pounds," and "The Toll Collectors."

    Includes a special fifty-page appendix of essays on female noir pioneers.Awards include:Daniel Woodrell’s “Uncle”—Nominated for the Edgar and Anthony awardsCornelia Read’s “Hungry Enough”—Winner of the Shamus AwardContents:It's too late, baby by Annette MyersHigh yellow by Libby Fischer HellmannThe kiss of death by Rebecca PawelBlue vandas by Lynne BarrettServed cold by Zoë SharpThe chirashi covenant by Naomi HiraharaThe token booth clerk by Sara GranThe big O by Vicki HendricksSchool girl by Lisa Respers FranceNora B. by Ken BruenBumping uglies by Donna MooreCall me, I'm dying by Allan GuthrieEverybody loves somebody by Sandra ScoppettoneHungry enough by Cornelia ReadSunny Second Street by Charlotte CarterInterrogation B by Charlie HustonThe end of Indian summer by Stona FitchBlooming by Sarah WeinmanRound heels by Vin PackerCherish by Alison GaylinCutman by Christa FaustThe grand inquisitor by Eddie MullerUncle by Daniel WoodrellUndocumented by SJ RozanAppendix : women in the dark

    From the tortured mind of Edgar Allan Poe, these three tales, "The Black Cat," "The Fall of the House of Usher," and "The Cask of Amontillado," speak to the hidden places inside us all.Capturing the mist and shadows rising from the stories are illustrations by prominent artist Gary Kelley. Angular and dark, his work heightens the Gothic terror that is Poe's trademark and creates windows into Poe's world.

    It is well known among law enforcement personnel that murderers can be categorized on a scale of twenty-five levels of evil, from the naive opportunists starting out at Level 1 to the organized, premeditated torture-murderers who inhabit Level 25.What almost no one knows, except for the elite unnamed investigations group assigned to hunt down the world's most dangerous killers, a group of men and women accounted for in no official ledger, headed by the brilliant but reluctant operative Steve Dark, is that a new category of killer is in the process of being defined.Only one man belongs to this group.His targets:Anyone.His methods:Unlimited.His alias:Sqweegel.His classification:Level 26.

    Cain hammered high art out of the crude matter of betrayal, bloodshed, and perversity.

    But now it’s his turn—he knows too much about the crime of the century: the assassination of President John F. Kennedy.Within hours of JFK’s murder, everyone with ties to Marcello is turning up dead, and Guidry suspects he’s next: he was in Dallas on an errand for the boss less than two weeks before the president was shot. With few good options, Guidry hits the road to Las Vegas, to see an old associate—a dangerous man who hates Marcello enough to help Guidry vanish.Guidry knows that the first rule of running is "don’t stop," but when he sees a beautiful housewife on the side of the road with a broken-down car, two little daughters and a dog in the back seat, he sees the perfect disguise to cover his tracks from the hit men on his tail. Posing as an insurance man, Guidry offers to help Charlotte reach her destination, California. If she accompanies him to Vegas, he can help her get a new car.For her, it’s more than a car— it’s an escape. She’s on the run too, from a stifling existence in small-town Oklahoma and a kindly husband who’s a hopeless drunk.It’s an American story: two strangers meet to share the open road west, a dream, a hope—and find each other on the way.Charlotte sees that he’s strong and kind; Guidry discovers that she’s smart and funny. He learns that’s she determined to give herself and her kids a new life; she can’t know that he’s desperate to leave his old one behind.Another rule—fugitives shouldn’t fall in love, especially with each other. A road isn’t just a road, it’s a trail, and Guidry’s ruthless and relentless hunters are closing in on him. But now Guidry doesn’t want to just survive, he wants to really live, maybe for the first time.Everyone’s expendable, or they should be, but now Guidry just can’t throw away the woman he’s come to love.And it might get them both killed.

    This funny, irreverent story collection by Helene Tursten, author of the Irene Huss investigations, features two-never-before translated stories that will keep you laughing all the way to the retirement home.Ever since her darling father’s untimely death when she was only eighteen, Maud has lived in the family’s spacious apartment in downtown Gothenburg rent-free, thanks to a minor clause in a hastily negotiated contract. That was how Maud learned that good things can come from tragedy. Now in her late eighties, Maud contents herself with traveling the world and surfing the net from the comfort of her father’s ancient armchair. It’s a solitary existence, but she likes it that way.Over the course of her adventures—or misadventures—this little bold lady will handle a crisis with a local celebrity who has her eyes on Maud’s apartment, foil the engagement of her long-ago lover, and dispose of some pesky neighbors. But when the local authorities are called to investigate a murder in her apartment complex, will Maud be able to avoid suspicion, or will Detective Inspector Irene Huss see through her charade?

    For Shella is nothing less than a tour of evil's spawning ground, conducted by one of its natural predators.He is called "Ghost" because he is so nondescript as to be invisible and because he slays with such reflexive ease that he might be one of the dead. Once he traveled with a woman who was called "Shella" -- because those who had treated her as a horrendously ill-used child had tried to make her come out of her shell. Now Shella has vanished in a wilderness of strip clubs and peep shows, and Ghost is looking for her, guided by a killer's instinct and the recognition that can only exist between two people who have been damaged past the point of no return. The result is Andrew Vachss's most compelling work to date, the thriller reimagined as a bleak romance of the damned.