And she was pretty, wasn't she?""I didn't look ... And tell your girls, my son, that when they're running after you, they're not to come and ask your mother for you - tell them that - brazen baggages you meet at dancing classes"The marriage of Gertrude and Walter Morel has become a battleground. Repelled by her uneducated and sometimes violent husband, delicate Gertrude devotes her life to her children, especially to her sons, William and Paul - determined they will not follow their father into working down the coal mines. But conflict is evitable when Paul seeks to escape his mother's suffocating grasp through relationships with women his own age. Set in Lawrence's native Nottinghamshire, Sons and Lovers is a highly autobiographical and compelling portrayal of childhood, adolescence and the clash of generations.

    This is his superb account of his life up until that 'bitter leave-taking': from his childhood and desperately unhappy school days at Charterhouse, to his time serving as a young officer in the First World War that was to haunt him throughout his life. It also contains memorable encounters with fellow writers and poets, including Siegfried Sassoon and Thomas Hardy, and looks at his increasingly unhappy marriage to Nancy Nicholson. Goodbye to All That, with its vivid, harrowing descriptions of the Western Front, is a classic war document, and also has immense value as one of the most candid self-portraits of an artist ever written.Robert Ranke Graves (1895-1985) was a British poet, novelist, and critic. He is best known for the historical novel I, Claudius and the critical study of myth and poetry The White Goddess. His autobiography, Goodbye to All That, was published in 1929, quickly establishing itself as a modern classic. Graves also translated Apuleius, Lucan and Suetonius for the Penguin Classics, and compiled the first modern dictionary of Greek Mythology, The Greek Myths. His translation of The Rubáiyát of Omar Khayyám (with Omar Ali-Shah) is also published in Penguin Classics.

    But the bombing is only the beginning. In a voice alive with grief, compassion, and startling humor, Incendiary is a stunning debut of one ordinary life blown apart by terror.

    It is April 1964 and one week before Hitler's 75th birthday. Xavier March, a detective of the Kriminalpolizei, is called out to investigate the discovery of a dead body in a lake near Berlin's most prestigious suburb. As March discovers the identity of the body, he uncovers signs of a conspiracy that could go to the very top of the German Reich. And, with the Gestapo just one step behind, March, together with an American journalist, is caught up in a race to discover and reveal the truth - a truth that has already killed, a truth that could topple governments, a truth that will change history.

    Unjustly suspected of having had a hand in the murder of a young girl, Augustine takes refuge in the remote castle of Bavarian relatives. There his hopeless love for his devout cousin Mitzi blinds him to the hate that will lead to the rise of German fascism. The book reaches a climax with a brilliant description of the Munich putsch and a disturbingly intimate portrait of Adolph Hitler.The Fox in the Attic, like its no less remarkable sequel The Wooden Shepherdess, offers a richly detailed, Tolstoyan overview of the modern world in upheaval. At once a novel of ideas and an exploration of the dark spaces of the heart, it is a book in which the past returns in all its original uncertainty and strangeness.

    This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the reader through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.More than just a merciless satire of cloistered college life and stuffy postwar manners, Lucky Jim is an attack on the forces of boredom, whatever form they may take, and a work of art that at once distills and extends an entire tradition of English comic writing, from Fielding and Dickens through Wodehouse and Waugh. As Christopher Hitchens has written, “If you can picture Bertie or Jeeves being capable of actual malice, and simultaneously imagine Evelyn Waugh forgetting about original sin, you have the combination of innocence and experience that makes this short romp so imperishable.”

    Lovingly, poignantly, satirically and with much humor, Pym conducts us through their small lives and the facade they erect to defend themselves against the outside world. There is nevertheless an obstinate optimism in her characters, allowing them in their different ways to win through to a kind of hope. Barbara Pym’s sensitive wit and artistry are at their most sparkling in Quartet in Autumn.

    Through the falling debris, two figures, Gibreel Farishta, the biggest star in India, and Saladin Chamcha, an expatriate returning from his first visit to Bombay in fifteen years, plummet from the sky, washing up on the snow-covered sands of an English beach, and proceed through a series of metamorphoses, dreams, and revelations. --back cover

    There he befriends the young, bright Andrew, a conscientious objector serving as an orderly. As they find solace and companionship together in the idyllic surroundings of the hospital, their friendship blooms into a discreet, chaste romance. Then one day, Ralph Lanyon, a mentor from Laurie’s schoolboy days, suddenly reappears in Laurie’s life, and draws him into a tight-knit social circle of world-weary gay men. Laurie is forced to choose between the sweet ideals of innocence and the distinct pleasures of experience. Originally published in the United States in 1959, The Charioteer is a bold, unapologetic portrayal of male homosexuality during World War II that stands with Gore Vidal’s The City and the Pillar and Christopher Isherwood’s Berlin Stories as a monumental work in gay literature.

    For Gideon Mack, faithless minister, unfaithful husband and troubled soul, the existence of God, let alone the Devil, is no more credible than that of ghosts or fairies. Until the day he falls into a gorge and is rescued by someone who might just be Satan himself.Mack's testament - a compelling blend of memoir, legend, history, and, quite probably, madness - recounts one man's emotional crisis, disappearance, resurrection and death. It also transports you into an utterly mesmerising exploration of the very nature of belief.

    In 1936, Shostakovitch, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovitch reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovitch's career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.

    As Alice struggles to bridge her ideology and her bourgeois upbringing, her companions encounter unexpected challenges in their quest to incite social change against complacency and capitalism. With a nuanced sense of the intersections between the personal and the political, Nobel Laureate Doris Lessing creates in The Good Terrorist a compelling portrait of domesticity and rebellion.

    For Jessica she has been told that she is 'beyond all possible doubt', a born writer. With her inability to conform, her absolute compulsion to tell the truth and her dedication to accurately noting her experiences, she knows this anyway. But what she doesn't know is that the experiences that sustain and enrich her burgeoning talent will one day lead to a new- and entirely unexpected- reality.

    Yet he always seems to be troubled by disagreeable tradesmen, impertinent young office clerks and wayward friends, not to mention his devil-may-care son Lupin with his unsuitable choice of bride. Try as he might, he cannot avoid life's embarrassing mishaps. In the bumbling, absurd, yet ultimately endearing figure of Pooter, the Grossmiths created an immortal comic character and a superb satire on the snobberies of middle-class suburbia - one which also sends up late Victorian crazes for spiritualism and bicycling, as well as the fashion for publishing diaries by anybody and everybody.

    This sudden solitude compels Joan to assess her life for the first time ever and face up to many of the truths about herself. Looking back over the years, Joan painfully re-examines her attitudes, relationships and actions and becomes increasingly uneasy about the person who is revealed to her.