But one treacherous winter night, in a house isolated by icy roads and failed telephone lines, Sibyl takes desperate measures to save a baby's life. She performs an emergency Caesarean section on its mother, who appears to have died in labor. But what if—as Sibyl's assistant later charges—the patient wasn't already dead, and it was Sibyl who inadvertently killed her?As recounted by Sibyl's precocious fourteen-year-old daughter, Connie, the ensuing trial bears the earmarks of a witch hunt except for the fact that all its participants are acting from the highest motives—and the defendant increasingly appears to be guilty. As Sibyl Danforth faces the antagonism of the law, the hostility of traditional doctors, and the accusations of her own conscience, Midwives engages, moves, and transfixes us as only the very best novels ever do.

    A girl is missing. Five years old, taken from outside her school. She has vanished, traceless. The police are at a loss; her parents are beyond grief. Their daughter is lost forever, perhaps dead, perhaps enslaved. But the biggest mystery is yet to come: one week after she was abducted, their daughter is returned. She has no memory of where she has been. And this, for her mother, is just the beginning of the nightmare.

    There is Quint, whose rebellion frays into self-destruction; Slow, who struggles to become the world’s first teenage father figure; Chimes, who fears losing his friends while picking up a 7-10 split; and Barb who escapes the conformity of Minnisapa only to find herself returning by dark of night. You will feel as if you’ve always lived in Minnisapa, Minnesota. And you will never underestimate nice kids from the Midwest again.

    Knowing the book will cause a sensation, they decide they must publish it. Now you can read what the hype is about.To find herself…she might lose everything.By all appearances, Kate Carmichael had the perfect life: two adorable daughters, a pre-war town house on the Upper East Side, and a husband who ran one of the most successful publishing companies in New York. But when Kate attends the wedding of two of her oldest friends and reconnects with successful classmates from graduate school, she suddenly sees her life in a different light: the career she didn’t pursue, the dreams she’s locked away, the empty veneer of her privilege.When the wedding weekend ends, instead of heading home to her husband and family, Kate gets on a plane and flies halfway around the world. She claims it’s just going to be for a week—two max—so she can clear her head, make headway with her writing, and shake free of the feeling that time is passing her by.But just like Kate’s life, the adventure doesn’t go quite as planned. When it’s time to return, she finds herself trapped between wanting to be a good mother and partner and needing to find herself again.This provocative and gripping novel asks: is a wife and mother allowed to have a midlife crisis? And, if she does, can she ever be forgiven? Marriage Vacation is for anyone who has ever fantasized about what it would be like to run away from it all.

    He's wearing only a brown vest, a Stetson hat and cowboy boots. But that's about the extent of excitement in the big complex and that's why four diverse widows take off secretly for part unknown, leaving no forwarding address. Between adopting the boys at the Ragged Ass Saloon, finding a dead body in the woods and capturing the killer, closing down a sleazy porno shop and meeting two handsome sheriffs, the burned out old broads who dine together at Meadow Lakes Table 12 find adventure, romance, mystery and prove there is life after grief. Grab your latest AARP advertisement for a bookmark and join Maggie Patten (Sandhills Rancher), Hadley Joy Morris-Whitfield (wealthy and wise), Mary Rose McGill (sweet Catholic girl), and Edith Ann (rescued Schnauzer) for a laugh-out-loud, fun read and a look into relationships every mature woman wants and deserves.

    But she can’t forget it. After discovering a potentially revolutionary HIV treatment, a researcher has decided to keep it a secret from the company he works for, indefinitely postponing its trial and release. It is a treatment that could save Dominique’s close friend, but only if it’s available soon. The very next day, unaware of his identity, Dominique meets Nicholas Manzini, the Italian researcher who made the discovery. After a lifetime of digesting, transforming, and then releasing the words of strangers, Dominique slowly begins to develop her own voice while speaking to Nicholas. But he, too, is grappling with his own moral dilemma, one wrapped tightly around HIV treatments and ethics, personal needs and exterior pressures. As they fall completely in love, neither knows what the other is hiding—nor can they foresee what startling surprises await them when all is said and done.

    

    When the truth does emerge, McBride shows us that not all secrets are meant to be hidden, that the best way to grow is to face change without fear, and that the seeds of love lie in hope and compassion.

    Paul—the gentrifiers, the hands-on parents, the avant-garde of the Whole Foods generation. Patty was the ideal sort of neighbor, who could tell you where to recycle your batteries and how to get the local cops to actually do their job. She was an enviably perfect mother and the wife of Walter's dreams. Together with Walter—environmental lawyer, commuter cyclist, total family man—she was doing her small part to build a better world.But now, in the new millennium, the Berglunds have become a mystery. Why has their teenage son moved in with the aggressively Republican family next door? Why has Walter taken a job working with Big Coal? What exactly is Richard Katz—outré rocker and Walter's college best friend and rival—still doing in the picture? Most of all, what has happened to Patty? Why has the bright star of Barrier Street become "a very different kind of neighbor," an implacable Fury coming unhinged before the street's attentive eyes?In his first novel since The Corrections, Jonathan Franzen has given us an epic of contemporary love and marriage. Freedom comically and tragically captures the temptations and burdens of liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of Freedom's characters as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time.(jacket)

    On the surface, she looks like a brave survivor of a plane crash. But she’s been lying to her family, her friends, and the whole world since rescue helicopters scooped her and her fellow survivor, Dave Hall, off a deserted island in the South Pacific. Missing for almost two years, the castaways are thrust into the spotlight after their rescue, becoming media darlings overnight. But they can’t tell the real story—so they lie.The public is fascinated by the castaways’ saga, but Lillian and Dave must return to their lives and their spouses. Genevieve Randall—a hard-nosed journalist and host of a news program—isn’t buying it. She suspects Lillian’s and Dave’s explanations about the other crash survivors aren’t true. And now, Genevieve’s determined to get the real story, no matter how many lives it destroys.In this intriguing tale of survival, secrets, and redemption, two everyday people thrown together by tragedy must finally face the truth…even if it tears them apart.

    She finds that both her worlds are changing. First there are the disturbing hints about her dead mother's past. Then, the tensions between the Maori tribes and the settlers boil over into war.

    . . .One of the most acclaimed novels of our time, Wally Lamb's I Know This Much Is True is a story of alienation and connection, devastation and renewal, at once joyous, heartbreaking, poignant, mystical, and powerfully, profoundly human.

     In 1923, fifteen-year-old Hattie Shepherd flees Georgia and settles in Philadelphia, hoping for a chance at a better life. Instead, she marries a man who will bring her nothing but disappointment and watches helplessly as her firstborn twins succumb to an illness a few pennies could have prevented.  Hattie gives birth to nine more children whom she raises with grit and mettle and not an ounce of the tenderness they crave.  She vows to prepare them for the calamitous difficulty they are sure to face in their later lives, to meet a world that will not love them, a world that will not be kind. Captured here in twelve luminous narrative threads, their lives tell the story of a mother’s monumental courage and the journey of a nation. Beautiful and devastating, Ayana Mathis’s The Twelve Tribes of Hattie is wondrous from first to last—glorious, harrowing, unexpectedly uplifting, and blazing with life. An emotionally transfixing page-turner, a searing portrait of striving in the face of insurmountable adversity, an indelible encounter with the resilience of the human spirit and the driving force of the American dream, Mathis’s first novel heralds the arrival of a major new voice in contemporary fiction.

    She is not alone—in wartime Berlin, it seems that everyone has been swept up in the frightening transformation of their city. No more than a child, Karin is far too young to understand the Nazi presence or the drone of air-raid sirens or the absence of her beloved Pappa, a soldier in the German army. But when a bomb destroys their home, Karin is forced to grow up far too soon as her family joins the tens of thousands displaced in the raids on the city. Relying on their faith as Latter-day Saints, Karin and her family begin a journey that will prove the indomitable strength of the human spirit.What follows is the sweeping narrative of one young girl's journey through war and beyond—from her childlike observations of World War II in Germany to her changing view of the world as she grows up in a land divided by war. Now, driven by starvation and the perilous existence of refugees, Karin and her family must draw upon a deep reservoir of strength and faith to sustain them through the harrowing escape ahead . . .