Ki. Rangarajan. The Tamil actor Kamal Hassan suggested that Ra. Ki. translate I, Claudius by Robert Graves into Tamil. Instead, Ra. Ki. decided to present a first-person narrative of the story of Krishnadevaraya, the emperor of Vijayanagar.Ra. Ki.’s hero is like any other young man his age—his romantic attachments overshadowing everything else in his life—until his minister and mentor, Appaji, reminds him that his duty ought to take precedence over his love life.Coming to the throne under difficult circumstances, Krishnadevaraya had to wage a relentless battle to preserve the Vijayanagar empire. Circumstances prevented him from marrying the woman he loved or pursuing literature, his true passion. Overcoming all of this, Krishnadevaraya went on to become the greatest emperor of the Vijayanagar empire.I, Krishnadevaraya takes you into the inner world of the emperor, providing a vivid picture of his thinking, his insecurities and his decision-making. Ably translated by Suganthy Krishnamachari, I, Krishnadevaraya is a fascinating look at one of India’s greatest kings.

    A nationwide lockdown is announced and amidst the growing crisis, Ajja and Ajji welcome their grandchildren and Kamlu Ajji into their house in Shiggaon.From stitching masks, sharing household chores, preparing food for workers to losing themselves in timeless tales, the lockdown turns into a memorable time for the children as they enter the enchanting world of goddesses, kings, princesses, serpents, magical beanstalks, thieves, kingdoms and palaces, among others. The myriad stories told by their grandparents become the biggest source of joy, making the children compassionate, worldly-wise and more resilient than ever.Following the trail of the best-selling Grandma’s Bag of Stories, India’s favourite author Sudha Murty brings to you this collection of immortal tales that she fondly created during the lockdown period for readers to seek comfort and find the magic in sharing and caring for others. Wonderfully woven in her inimitable style, this book is unputdownable and perfect for every child’s bookshelf!

    He illuminated Indian politics with pragmatic and sensible ideas of nation-building at a time when his contemporaries were unable or unwilling to shed the romantic lens. The very shape of India that we recognize today was stitched together by Patel, the Iron Man of India. The Man Who Saved India unravels the personality of one of the greatest men in Indian contemporary history.

    As time passed, railways were built and newspapers appeared, isolated villages like vilakkudi were exposed to social and cultural change. It is this transition that the author, Ranganathans great -great-great grandson, tries to trace through the story of his family.

    Curious about the places mentioned in the Ramayana, they set off on a journey of their own, following Rama's route from Ayodhya to the Dandakaranya forest and Panchavati (near Nashik) and on to Kishkindhya (close to Hampi), Rameshwaram and Sri Lanka.Along the way they would discover how closely the narrative of the Ramayana is linked to local folklore, and how the stories of the Ramayana and the moral framework that binds them together still speaks to the people who live in the land across which Rama, Sita and Lakshman made their journey.For the armchair traveller as well as the enthusiast for epic tales, this is a wonderful book with which to revisit the world of the Ramayana.

    But you have died.’Anushtup Chatterjee is thirty-two years old.He hates his mother. His job is a dead end. And his girlfriend has left him.Then one silent moonlit night, he wakes up in a deserted field in the middle of nowhere, with no recollection of where he is or how he got there. His wallet is gone. So is his cell phone.He is not alone though.There is another man there, a stranger with a gentle voice and a humble mustache, who has something rather unbelievable to say to him.That he, Anushtup Chatterjee, has already died.Mysterious and achingly poignant, Arnab Ray’s Yatrik is a story about hope and aspiration, love and regret, of the choices we make and those that life makes for us.

    . . [A] mega-ambitious project' —The Hindu 'A gem of a book that is a joy to read . . . You can almost touch and feel the centuries and millennia as they pass by' —Tony Joseph'Deepens our sense of the wonder that was India' —Pankaj Mishra'Illuminating, absorbing and a joy to read. I defy anyone to peruse it and not feel richly rewarded by its insights' —John KeayA BRILLIANT, ORIGINAL BOOK THAT REVEALS INDIA'S RICH AND DIVERSE HISTORIESWhat do we really know about the Aryan migration theory and why is that debate so hot?Why did the people of Khajuraho carve erotic scenes on their temple walls?What did the monks at Nalanda eat for dinner?Did our ideals of beauty ever prefer dark skin?——————————Indian civilization is an idea, a reality, an enigma. In this riveting book, Namit Arora takes us on an unforgettable journey through 5000 years of history, reimagining in rich detail the social and cultural moorings of Indians through the ages. Drawing on credible sources, he discovers what inspired and shaped them: their political upheavals and rivalries, customs and vocations, and a variety of unusual festivals. Arora makes a stop at six iconic places—the Harappan city of Dholavira, the Ikshvaku capital at Nagarjunakonda, the Buddhist centre of learning at Nalanda, enigmatic Khajuraho, Vijayanagar at Hampi, and historic Varanasi—enlivening the narrative with vivid descriptions, local stories and evocative photographs. Punctuating this are chronicles of famous travellers who visited India—including Megasthenes, Xuanzang, Alberuni and Marco Polo—whose dramatic and idiosyncratic tales conceal surprising insights about our land.In lucid, elegant prose, Arora explores the exciting churn of ideas, beliefs and values of our ancestors through millennia—some continue to shape modern India, while others have been lost forever. An original, deeply engaging and extensively researched work, Indians illuminates a range of histories coursing through our veins.

    Not one answer, but many. Not a single history, but multiple tales cutting across laws and boundaries.’ In Bhakti poetry, Radha and Krishna disregard marital fidelity, age, time and gender for erotic love. In Sufi dargahs, pirs (spiritual guides) who were married to women are buried alongside their male disciples, as lovers are. Vatsyayana, author of the world’s most famous manual of sex, insists that he did not compose it ‘for the sake of passion’, and remained celibate through the writing of it. Long hair is widely seen as a symbol of sexuality; and yet, shaved off in a temple, it is a sacred offering. Even as the country has a draconian law to punish homosexuality, heterosexual men share the same bed without comment. Hijras are increasingly marginalized; yet gender has historically been understood as fluid rather than fixed. Menon navigates centuries, geographies, personal and public histories, schools of philosophy, literary and cinematic works, as she examines the many—and often surprising—faces of desire in the Indian subcontinent. Her study ranges from the erotic sculptures of Khajuraho to the shrine of the celibate god Ayyappan; from army barracks to public parks; from Empress Nur Jahan’s paan to home-made kohl; from cross-dressing mystics to androgynous gods. It shows us the connections between grammar and sex, between hair and war, between abstinence and pleasure, between love and death. Gloriously subversive, full of extraordinary analyses and insights, this is a book you will read to be enlightened and entertained for years.About the AuthorMadhavi Menon is professor of English at Ashoka University, and writes on desire and queer theory. She is the author of Wanton Words: Rhetoric and Sexuality in English Renaissance Drama; Unhistorical Shakespeare: Queer Theory in Shakespearean Literature and Film; and Indifference to Difference: On Queer Universalism. She is also the editor of Shakesqueer: A Queer Companion to the Complete Works of Shakespeare.

    Men wanted her; women hated her; while some men wanted to keep their liaisons hidden.But who had the motive, the means and opportunity to kill her?Padmavati charged by the hour - her laughs, her understanding, her empathy, her advice - everything was available only in return for payment, which made her,in the Sarpanch's eyes, a little more than a trader. 'Look,' the priest Krishna Shastri said, pointing to the letters around him . 'Satyam, Shekhar, Seetaramaiah - how many men did she have in her grasp? How many? 'The onus of solving the case puts head constable Venkat reddy in a quandary. He has never even solved petty crimes and here he is faced with murder!If this were a novel, the constable thought vacantly, would the reader think of him as a worthy detective? Would anyone bother reading about a bungling, confused constable pretending to be a detective? The equation before him is simple; seven suspects,seven motives, one murder.

    The Argumentative Indian is "a bracing sweep through aspects of Indian history and culture, and a tempered analysis of the highly charged disputes surrounding these subjects--the nature of Hindu traditions, Indian identity, the country's huge social and economic disparities, and its current place in the world" (Sunil Khilnani, Financial Times, U.K.).

    A few years later, he returns to Banaras to write that book.Plunging into its timeless aura, he roams its ghats and galis, sails through the cool breeze of the Ganga, walks through the heat of funeral pyres. One moment he is observing a sadhu show off his penile strength, in the next he is on a boat with a young woman who has been prophesied to marry seven times; one moment he is in conversation with the celebrated writer Kashinath Singh, who is an atheist, and in the next he is having tea with a globe- trotting priest and a god-fearing doctor ... Ghosh finds a story in every bend as he engages with quintessential Banarasis—their paan-stuffed mouths spouting expletives and wisdom with equal flair—and discovers why they are among the happiest people on earth. Then one evening at Manikarnika, as he emerges from a temple, wearing ash from the cremation ground on his forehead, he finds a bit of Banaras in himself. Aimless in Banaras is not only a sensuous portrait of India’s holiest city but also a meditation on life—and death.

    Humour flows effortlessly for her, which is the biggest strength of the novel.' The Hindu‘I am very grateful to have my faith in new Indian fiction restored. This is a classic, timeless book that illuminates and entertains by turn.’ Suchi Govindarajan‘A delightful read from start to finish. There were places where I was grinning so much as I read it that my kids were looking at me strangely. But under the humour, the frivolity, the nostalgia of an Eighties life, there are several growing-up lessons taking place. Yet, the book never gets maudlin… although it does leave you with an ache for things that could have been. Brilliant writing.’ Andaleeb WajidSet in small-town Kerala of the 1980s, Mango Cheeks, Metal Teeth is part coming-of-age story, part social satire and part comedy of errors. Geetha, elevenish, is off for the annual family vacation in Kerala and is looking forward to all the fun with her cousins – visits to the beach and trips to the market to buy glass bangles and kites and shuttlecocks, evenings in the veranda listening to her grandfather’s ridiculous ghost stories which he swears are all true, marathon card games and ferocious boys-versus-girls battles with the bristles of brooms made from coconut fibre… But as the summer unfolds, Geetha finds herself spending more time instead at the back of the house with the free-spirited cook, the hypochondriac cleaner, the virile gardener, a cheeky helper girl… ...And Babu, son of Koovait Kannan, the bumbling plumber who made good. Babu’s family is immersed, meanwhile, in the wedding preparations for Babu’s sister, who is marrying the most eligible bachelor in the neighbourhood: Constable Venu, an expert thrasher of suspects and son of that wealthy black-marketer of supplies, Ration Raaman. But Babu’s mind is otherwise occupied… with thoughts of a face as rounded as a Malgova mango, of an oiled plait as thick as the ropes used to tie the fishing boats, of eyes that sparkle like the sea on a sunlit morn… As Geetha and Babu’s closely linked but widely divergent lives intersect, both are about to lose some of the blissful ignorance and innocence of childhood. Charmingly quirky and often laugh-out-loud hilarious, Mango Cheeks, Metal Teeth gently explores the themes of growing up, loss of innocence and the intimate yet aloof nature of upstairs-downstairs relationships.

    She’d only just returned from an unexplained absence of months. Peter had already taken a new lover, but there’s no real proof he killed his wife. Can Inspector John Crow solve the case before anyone else dies?BOOK 2: ERROR OF JUDGMENTA young woman is found dead in college amid a student protest. It turns out she was the principal’s secretary and there was more to her than meets the eye. Who wanted her dead and why? And what does it have to do with the student revolt led by a charismatic firebrand from Iraq?BOOK 3: THE WOODS MURDERSchoolgirl Jenny Carson is brutally murdered in Kenton Wood. Then Charles Lendon is found skewered through the heart. He was a ruthless lawyer and a shameless womaniser. Jenny’s father blames him for her murder.BOOK 4: MURDER FOR MONEYGossip-mongering journalist Charlie Rutland is found brutally slain. In his line of work, he wasn’t short of enemies. DI Crow must interrogate a long list of suspects, from a homeless Yorkshireman to an ex-Gestapo officer. Then British spy services get involved. Can Crow crack the case before it’s taken out of his hands?BOOK 5: MURDER IN THE MINEA hunt for a missing dog leads to a gruesome discovery down a Welsh mineshaft. Not just the injured dog, but a valuable piece of jewellery and the decaying corpse of a woman. A surprising confession follows. But Inspector Crow is not convinced he has his man. Can he uncover the true killer, despite the many perplexing questions surrounding the case?BOOK 6: A COTSWOLDS MURDERCaravan park manager Chuck Lindop is found with his head caved in. The locals insist he was a lovable rogue. So who wanted him dead and why? As the investigation wears on, Inspector Crow uncovers shady dealings at the caravan park. Could Chuck himself have been involved?BOOK 7: A FOX HUNTING MURDEROne crisp autumn morning, the hunt is in full swing. But instead of a fox, they find their notorious opponent: dead in a bush. Inspector Crow uncovers a side to the victim that no one has seen before. But can he trust his instincts in a case where nothing is what it seems?BOOK 8: A DARTMOOR MURDERFred Norman is found dead in a pond near the mine where he worked. DI Crow is called in to investigate and finds a community divided. Many local activists oppose the mine. Suspicion soon falls on their womanizing leader, but Crow is aware that are many false trails and too many lies. Then he learns a secret about the victim that changes everything.

    Get rid of her tonight!” He towered over her as she cringed in fear. But Hansa, a thirteen-year-old child-bride in rural India, refuses to remain a victim of the oppressive society where a female child is an unwanted burden. Instead of drowning her baby, Hansa escapes from her village with three-month-old Tara.Hansa soon discovers that life as a teenage mother is fraught with danger. But a single lie opens the door to a promising opportunity far from home.Just seven years later, Hansa finds herself fighting for Tara’s life once more, this time in an American court, with a woman she calls ‘Mother.’Will the lie upon which Hansa built her life, defeat its own purpose? How can she succeed when no one believes the truth? A story of two mothers, two daughters and a fight to save a child, Fighting for Tara explores the depth of love and motherhood.

    This story begins and ends in Carville, Louisiana where in 1894, the town was transformed from an abandoned Plantation into a refuge for lepers. Children were forcibly isolated from their families and put under strict quarantine inside the confines of a twelve foot barbed wire fence. Once inside, they were stripped of their rights, their dignity, and often even their identity. Eighteen year old Frances was smack in the middle of the debutante ball season in Baton Rouge, when pale patches of skin were discovered on her arm during a dress fitting. Diagnosed with leprosy, she was seen as a blight on her family and was sent away at once. Restless and overwhelmed by her family’s abandonment, she set out on a journey through the confines of the plantation that led her to the bend in the Mississippi River. Here she discovers a hole dug under the fence; this is her chance to escape and reclaim her life, or start a new one. When Jenny, a spirited ten year old girl, and her four year old brother, Danny test positive for leprosy they also become reluctant residents of Carville. They are met with the open and compassionate arms of the Sisters of Charity who do their best to help them live normal lives among the suffering. This sweeping historical novel gracefully details the depth, strength, and stamina of the human spirit during extreme times. When lives unfold and intertwine, Faith and Jenny find one another. Together, they develop a deep affinity and unlock the key to surviving by opening their hearts and letting love in once again. This is a love story about the deep bonds of friendship, the effects of love, and the ability to overcome and thrive.