E. Woods delivers a fast-paced thriller—the first in an electrifying new series—peopled with sharp, intriguing characters and more twists and turns than a corkscrew. Never a doubt. Never a mistake. Always for justice. Never for revenge. She’s the person you hire when you need something fixed—permanently. With a strict set of criteria, she evaluates every request and chooses only a few. No more than one job per country, per year. She will only step in if it’s clear that justice will not be served any other way. Her jobs are completed with skill and precision, and never result in inquiry or police investigation. The Fixer is invisible—and quite deadly. . . . In the office of a clinical psychologist in Olympia, Washington, a beautiful young woman is in terrible emotional pain. She puts up walls, tells lies, and seems to speak in riddles, but the doctor is determined to help her heal, despite the fact that she claims to have hurt many people. As their sessions escalate, the psychologist feels compelled to reach out to the police . . . but it might be too late. In Seattle, a detective gets a call from his son. A dedicated journalist, he wants his father’s expertise as he looks into a suspicious death. Together they follow the trail of leads toward a stone-cold hired killer—only to find that death has been closer than either could have imagined.

    In the thirteen decades since A Study in Scarlet first appeared, countless variations on that theme have been played, from Mary Russell to Greg House, from 'Basil of Baker Street' to the new BBC Holmes-in-the-internet-age.We suspect that you have in the back of your mind a story that plays a variation on the Holmes theme...And what if these great writers read that proposal and decided that yes, they did have that kind of tale in the back of their minds? The result is A Study in Sherlock, Stories Inspired by the Sherlock Holmes Canon, with stories by Alan Bradley, Tony Broadbent, Jan Burke, Lionel Chetwynd, Lee Child, Colin Cotterill, Neil Gaiman, Laura Lippman, Gayle Lynds and John Sheldon, Phillip and Jerry Margolin, Margaret Maron, Thomas Perry, S.J. Rozan, Dana Stabenow, Charles Todd, and Jacqueline Winspear.

    There’s no use talking to police; they have failed her abysmally before. She has to flee before she’s arrested . . . or worse. The truth doesn’t matter anymore.But what is the truth? That’s the question haunting Dylan Roberts, the war-weary veteran hired to find Casey. PTSD has marked him damaged goods, but bringing Casey back can redeem him. Though the crime scene seems to tell the whole story, details of the murder aren’t adding up. Casey Cox doesn’t fit the profile of a killer. But are Dylan’s skewed perceptions keeping him from being objective? If she isn’t guilty, why did she run?Unraveling her past and the evidence that condemns her will take more time than he has, but as Dylan’s damaged soul intersects with hers, he is faced with two choices. The girl who occupies his every thought is a psychopathic killer . . . or a selfless hero. And the truth could be the most deadly weapon yet.