Have you ever wished you could play the piano? Well, now you can! Scott "The Piano Guy" Houston teaches you to play the way the pros play, in a style enormously simpler than traditional classical piano and with an absolute minimum of note-reading. By focusing on playing the melody with the right hand (one note at a time) and simple chords with the left hand, Houston gives you the tools you need for a lifetime of musical enjoyment. Best of all, your tour guide to this adventure forces you to have fun along the way!

    Volume One contains the fifteen sonatas from Beethoven's first period, including the popular Pathétique, Moonlight, and Pastorale sonatas. Volume Two contains the 17 sonatas from Beethoven's second and third periods, including the Waldstein, the Appassionata, and the Hammerklavier.The music is reproduced directly from the exemplary Universal Edition set edited by Heinrich Schenker. Combining scrupulous scholarship and profound artistic vision, Schenker achieved an edition which is universally admired by musicians and scholars. He used more autographs as sources than any previous editor of the sonatas, and he was the first to reproduce in print the visual impression of the autographs. For this Dover edition, Schenker's footnotes have been translated into English and his preface translated. A new introduction by Carl Schachter has also been included.Noteheads have been reproduced in a size large enough to be read easily at the keyboard. Margins and spaces between staves are generous, permitting insertion of written notes, analysis, fingerings, etc. Running measure numbers and many fingerings have already been included by the editor — the last a particularly unusual and valuable feature of this edition. This edition will be welcomed by all pianists, both professional and amateur, for its accuracy and reliability; it is highly desirable for instruction, study, reference, and enjoyment.

    She was declared the reincarnation of Patsy Cline, or of a teen star like Tanya Tucker or Brenda Lee.Catapulted into the national limelight, Rimes was profiled everywhere from "People" to "The Wall Street Journal." Now she chronicles the pressured life of a teen-aged singing sensation in this Christmas tale. "Holiday in Your Heart" takes the reader inside a show business world where priorities are often misplaced. But in this magical tale, words of wisdom from an older, more seasoned country star and the pending death of a loved one put the young star's thinking and her heart in the right place.

    It's easy to see why Mr. Martin, who wrote the film...was moved to reinvent this role...Mr. Martin's screenplay is bighearted and funny.' The New York Times

    No one is better qualified to talk about Springsteen than the man himself, and he’s often as articulate and provocative in interviews and speeches as he is emotive onstage and in recordings. While many rock artists seem to suffer through interviews, Springsteen has welcomed them as an opportunity to speak openly, thoughtfully, and in great detail about his music and life. This volume starts with his humble beginnings in 1973 as a struggling artist and follows him up to the present, as Springsteen has achieved almost unimaginable wealth and worldwide fame. Included are feature interviews with well-known media figures, including Charlie Rose, Ted Koppel, Brian Williams, Nick Hornby, and Ed Norton. Fans will also discover hidden gems from small and international outlets, in addition to radio and TV interviews that have not previously appeared in print. This collection is a must-have for any Springsteen fan.

    Sandy Denny laid down the marker for folk-rock when she joined Fairport Convention in 1968, releasing three albums with them in 1969 before her shock departure just ahead of the release of the celebrated Liege & Lief. Her music went far beyond this during the seventies, driven by a restless search for the perfect framework for her songs, first with Fotheringay the group she formed but controversially left after recording just one album. On leaving, she immediately collaborated on a historic one-off recording with Led Zeppelin on ‘The Battle of Evermore’ – the only guest vocalist ever to record with the group. Four fascinating, mercurial solo albums followed as well as an ultimately misguided return to Fairport Convention before her tragic and untimely death, aged 31, in 1978, in circumstances still shrouded in hearsay and speculation.Sandy emerged from the folk scene of the sixties – a world of larger-than-life characters such as Alex Campbell, Jackson C. Frank, Anne Briggs and Australian singer Trevor Lucas, whom she married in 1973. Their often turbulent relationship is at the core of Sandy’s later life and work, as she tried to reconcile a longing for the simple life and motherhood with the trappings of a rock ‘n’ roll lifestyle and a fear of the fame and success which others expected of her.This is her story told with the help of more than sixty of her friends, fellow musicians and contemporaries all of whom spoke with great candour, some with too much candour, and all with a mixture of joy and sadness when talking about Sandy.

    In 1966, he was Prince of the Sunset Strip, busy with his pioneering racially-mixed band Love, and accelerating the evolution of California folk-rock by infusing it with jazz and orchestral influences, a process that would climax in a timeless masterpiece, the Love album Forever Changes. Shaped by a Memphis childhood and a South Los Angeles youth, Lee always craved fame. Drug use and a reticence to tour were his Achilles heels, and he succumbed to a dissolute lifestyle just as superstardom was beckoning. Despite endorsements from the likes of Jimi Hendrix and Eric Clapton, Leess subsequent career was erratic and haunted by the shadow of Forever Changes, reaching a nadir with his 1996 imprisonment for a firearms offence. Redemption followed, culminating in an astonishing post-millennial comeback that found him playing Forever Changes to adoring multi-generational fans around the world. This upswing was only interrupted by his untimely death, from leukemia, in 2006. Writing with the full consent and cooperation of Arthur's widow, Diane Lee, author John Einarson has meticulously researched a biography that includes lengthy extracts from the singer's vivid, comic, and poignant memoirs, published here for the first time.

    Prince Nicu II and Princess Victoria's immutable, romantic feelings for one another forces them to engage in extremely risky actions and fabricate various falsehoods. Throughout the play Nicu II and Victoria deceive everyone; including their parents King Nicu I and Queen Isabella. Nicu II is presumptuous in character, therefore, he maintains an excessive confidence within himself that he and his sister's romantic relationship can continue without being discovered, but Victoria fears that they cannot continue their affair emotionally unscathed. Despite Victoria's worries, she continues with the relationship as Nicu II emboldens her more and more.

    * Consists of the two critically acclaimed plays performed at the National Theatre both printed in one volume - thus offering exceptional value for money. * Invaluable teacher's notes and student drama activities written by Ruth Moore and Paul Bunyan, recognised experts in the area of Drama in English. * Philip Pullman worked closely with playwright Nicolas Wright to create the text, and both writers have contributed introductions to our edition. * The exciting, highly imaginative storyline, which captivates boys and girls alike, offers a wide range of textual and dramatic investigations. Parts for all the class, and ideal for smaller groups, with potential for interchangeable male/female roles.

    

    Blood Wedding tells the story of a couple drawn irresistibly together in the face of an arranged marriage; Doña Rosita the Spinster follows the appalling fate of a young woman beguiled into the expectation of marriage and left stranded for a lifetime whilst Yerma is possibly Lorca's harshest play following a woman's Herculean struggle against the curse of infertility. Set in and around his home territory, Granada, the plays return again and again to the lives of passionate individuals, particularly women, trapped by the social conventions of narrow peasant communities. The plays appear here in new playable translations.

    This volume presents a comprehensive critical study of Samuel Beckett's first and most renowned dramatic work. Lawrence Graver discusses the play's background and provides a detailed analysis of its originality and distinction as a landmark of modern theatrical art. He also reviews some of the differences between Beckett's original French version and his English translation.