. . and so do the women who are drawn there.Yellow Samsonite suitcase with ivory, quilted lining, 1950s...Violet Turner had always dreamed of owning a shop like Hourglass Vintage. Though she knows the personal history behind each precious item she sells, Violet refuses to acknowledge her own past. When she is faced with the possibility of losing the store, she realizes that, as much as she wants to, she cannot save it alone.Taffeta tea length wedding gown with scooped neckline and cap sleeves, 1952...Eighteen-year-old April Morgan is nearly five months along in an unplanned pregnancy when her hasty engagement is broken. When she returns the perfect 1950s wedding dress, she discovers unexpected possibilities and friends who won't let her give up on her dreams.Orange sari made from silk dupioni with gold paisley design, 1968...Betrayed by her husband, Amithi Singh begins selling off her old clothes, remnants of her past life. After decades of housekeeping and parenting a daughter who rejects her traditional ways, she fears she has nothing more ahead for her.An engaging story that beautifully captures the essence of women's friendship and love, Vintage is a charming tale of possibility, of finding renewal and hope when we least expect it.

    Their relationship is already strained for reasons Leigh does not fully understand when, in a moment of carelessness, Kara makes a mistake that ends in tragedy -- the effects of which not only divide Leigh's family, but polarize the entire community. We see the story from Leigh's perspective, as she grapples with the hard reality of what her daughter has done and the devastating consequences her actions have on the family of another teenage girl in town, all while struggling to protect Kara in the face of rising public outcry.Like the best works of Jane Hamilton, Jodi Picoult, and Alice Sebold, Laura Moriarty's The Rest of Her Life is a novel of complex moral dilemma, filled with nuanced characters and a page-turning plot that makes readers ask themselves, "What would I do"

    Since his death, she’s been sleepwalking through life, barely holding on for the sake of her teenage son. Her house is a wreck, the grass is overrun with weeds, and she’s at risk of losing her job. As Paige stares at her neglected lawn, she knows she’s hit rock bottom. So she does something entirely unexpected: she begins to dig.As the hole gets bigger, Paige decides to turn her entire yard into a vegetable garden. The neighbors in her tidy gated community are more than a little alarmed. Paige knows nothing about gardening, and she’s boldly flouting neighborhood-association bylaws. But with the help of new friends, a charming local cop, and the transformative power of the soil, Paige starts to see potential in the chaos of her life. Something big is beginning to take root—both in her garden and in herself.

    Along their harrowing renovation journey, Mia and Mac get caught up in various wars with the homeowners' association, meet some less-than-friendly neighbors, and are joined by a hilarious cast of supporting characters, including a celebutard ex- landlady. As they struggle to adapt to their new surroundings- with Mac taking on the renovations himself- Mia and Mac will discover if their marriage is strong enough to survive months of DIY renovations.

    But so far, all she has to show for her efforts is a single line in an ad for ugly Christmas sweaters and a degrading waitressing job. She lives in Brooklyn with two roommates - Jane, her best friend from college, and Dan, a sci-fi writer, who is very definitely not boyfriend material - and is struggling with her feelings for a suspiciously charming guy in her acting class, all while trying to find a hair-product cocktail that actually works. Meanwhile, she dreams of doing "important" work, but only ever seems to get auditions for dishwashing liquid and peanut butter commercials. It's hard to tell if she'll run out of time or money first, but either way, failure would mean facing the fact that she has absolutely no skills to make it in the real world. Her father wants her to come home and teach, her agent won't call her back, and her classmate Penelope, who seems supportive, might just turn out to be her toughest competition yet. Someday, Someday, Maybe is a funny and charming debut about finding yourself, finding love, and, most difficult of all, finding an acting job.

    Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love.In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves - and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest.Now ninety-five years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it. "At some point in a woman's life, she just gets tired of being ashamed all the time," she muses. "After that, she is free to become whoever she truly is." Written with a powerful wisdom about human desire and connection, City of Girls is a love story like no other.

    So Karuna returns the favour. Eventually, Karuna can’t ignore the reality: she is pregnant. Incensed, her mother, already over-protective, confines her to their fourteenth-storey housing-commission flat for one hundred days, to protect her from the outside world – and make sure she can’t get into any more trouble. Stuck inside for endless hours, Karuna battles her mother and herself for a sense of power in her own life, as a new life forms and grows within her. One Hundred Days is a fractured fairytale exploring the fault lines between love and control. At times tense and claustrophobic, it also brims with humour, warmth and character. It is a magnificent new work from one of Australia’s most celebrated writers.

    Breath is an extraordinary evocation of an adolescence spent resisting complacency, testing one’s limits against nature, finding like-minded souls, and discovering just how far one breath will take you. It’s a story of extremes—extreme sports and extreme emotions. On the wild, lonely coast of Western Australia, two thrillseeking and barely adolescent boys fall into the enigmatic thrall of veteran big-wave surfer Sando. Together they form an odd but elite trio. The grown man initiates the boys into a kind of Spartan ethos, a regimen of risk and challenge, where they test themselves in storm swells on remote and shark-infested reefs, pushing each other to the edges of endurance, courage, and sanity. But where is all this heading? Why is their mentor’s past such forbidden territory? And what can explain his American wife’s peculiar behavior? Venturing beyond all limits—in relationships, in physical challenge, and in sexual behavior—there is a point where oblivion is the only outcome. Full of Winton’s lyrical genius for conveying physical sensation, Breath is a rich and atmospheric coming-of-age tale from one of world literature’s finest storytellers.

    What you do, to this child, to this child's mother, it is wrong...Roberta likes to collect the letters and postcards she finds in second-hand books. When her father gives her some of her grandmother's belongings, she finds a baffling letter from the grandfather she never knew - dated after he supposedly died in the war.Dorothy is unhappily married to Albert, who is away at war. When an aeroplane crashes in the field behind her house she meets Squadron Leader Jan Pietrykowski, and as their bond deepens she dares to hope she might find happiness. But fate has other plans for them both, and soon she is hiding a secret so momentous that its shockwaves will touch her granddaughter many years later...

    They live in a honey-colored house in a picture-perfect Cotswolds village, with rambling, unkempt gardens stretching beyond. Pragmatic Meg, dreamy Beth, and tow-headed twins Rory and Rhys all attend the village school and eat home-cooked meals together every night. Their father is a sweet gangly man named Colin, who still looks like a teenager with floppy hair and owlish, round-framed glasses. Their mother is a beautiful hippy named Lorelei, who exists entirely in the moment. And she makes every moment sparkle in her children's lives.Then one Easter weekend, tragedy comes to call. The event is so devastating that, almost imperceptibly, it begins to tear the family apart. Years pass as the children become adults, find new relationships, and develop their own separate lives. Soon it seems as though they've never been a family at all. But then something happens that calls them back to the house they grew up in -- and to what really happened that Easter weekend so many years ago.Told in gorgeous, insightful prose that delves deeply into the hearts and minds of its characters, The House We Grew Up In is the captivating story of one family's desire to restore long-forgotten peace and to unearth the many secrets hidden within the nooks and crannies of home.

    But it’s what she leaves unsaid—she’s alone, a drinker, a former artist, a shrieker in bed, captain of the sinking ship that is her flesh—that feels the most true. Everyone around her seems to have an entirely different idea of what it means to be an adult: her best friend, Indigo, is getting married; her brother—who miraculously seems unscathed by their shared tumultuous childhood—and sister-in-law are having a hoped-for baby; and her friend Matthew continues to wholly devote himself to making dark paintings at the cost of being flat broke. But when Andrea’s niece finally arrives, born with a heartbreaking ailment, the Bern family is forced to reexamine what really matters. Will this drive them together or tear them apart? Told in gut-wrenchingly honest, mordantly comic vignettes, All Grown Up is a breathtaking display of Jami Attenberg’s power as a storyteller, a whip-smart examination of one woman’s life, lived entirely on her own terms.

    Esther Durrant, a young mother, is committed to an isolated mental asylum by her husband. Run by a pioneering psychiatrist, the hospital is at first Esther’s prison but soon surprisingly becomes her refuge. 2018. Free-spirited marine scientist Rachel Parker embarks on a research posting in the Isles of Scilly, off the Cornish coast. When a violent storm forces her to take shelter on a far-flung island, she discovers a collection of hidden love letters. Captivated by their passion and tenderness, Rachel determines to track down the intended recipient. But she has no idea of the far-reaching consequences her decision will bring.Meanwhile, in London, Eve is helping her grandmother, a renowned mountaineer, write her memoirs. When she is contacted by Rachel, it sets in motion a chain of events that threatens to reveal secrets kept buried for more than sixty years.With an arresting dual narrative that immediately captivates the reader, The Forgotten Letters of Esther Durrant is an inspirational story of the sacrifices made for love.

    When she arrives, however, she finds that Amy's funeral has just ended. Luckily, the townspeople are happy to look after their bewildered tourist—even if they don't understand her peculiar need for books. Marooned in a farm town that's almost beyond repair, Sara starts a bookstore in honor of her friend's memory. All she wants is to share the books she loves with the citizens of Broken Wheel and to convince them that reading is one of the great joys of life. But she makes some unconventional choices that could force a lot of secrets into the open and change things for everyone in town. Reminiscent of The Guernsey Literary and Potato Peel Pie Society, this is a warm, witty book about friendship, stories, and love.

    Two very different people. They were there, and then they were gone, as if through a crack in the sky. After that, in a small town like Goodwood, where we had what Nan called 'a high density of acquaintanceship', everything stopped. Or at least it felt that way. The normal feeling of things stopped.Goodwood is a small town where everyone knows everything about everyone. It's a place where it's impossible to keep a secret.In 1992, when Jean Brown is seventeen, a terrible thing happens. Two terrible things. Rosie White, the coolest girl in town, vanishes overnight. One week later, Goodwood's most popular resident, Bart McDonald, sets off on a fishing trip and never comes home.People die in Goodwood, of course, but never like this. They don't just disappear.As the intensity of speculation about the fates of Rosie and Bart heightens, Jean, who is keeping secrets of her own, and the rest of Goodwood are left reeling.Rich in character and complexity, its humour both droll and tender, Goodwood is a compelling ride into a small community, torn apart by dark rumours and mystery.

    Resonant of the bestselling Conditions of Faith, Alex Miller's keenly awaited new novel tells the deeply moving story of their lives together, and of how each came undone by desire.Strangers did not, as a rule, find their way to Chez Dom, a small, rundown Tunisian cafe on Paris' distant fringes. Run by the widow Houria and her young niece, Sabiha, the cafe offers a home away from home for the North African immigrant workers working at the great abattoirs of Vaugiraud, who, like them, had grown used to the smell of blood in the air. But when one day a lost Australian tourist, John Patterner, seeks shelter in the cafe from a sudden Parisian rainstorm, the quiet simplicities of their lives are changed forever. John is like no-one Sabiha has met before - his calm grey eyes promise her a future she was not yet even aware she wanted. Theirs becomes a contented but unlikely marriage - a marriage of two cultures lived in a third - and yet because they are essentially foreigners to each other, their love story sets in train an irrevocable course of tragic events.Years later, living a small, quiet life in suburban Melbourne, what happened at Vaugiraud seems like a distant, troubling dream to Sabiha and John, who confides the story behind their seemingly ordinary lives to Ken, an ageing, melancholy writer. It is a story about home and family, human frailties and passions, raising questions of morals and purpose - questions have no simple answer.Lovesong is a simple enough story in many ways - the story of a marriage, of people coming undone by desire, of ordinary lives and death, love and struggle - but when told with Miller's distinctive voice, which is all intelligence, clarity and compassion, it has a real gravitas, it resonates and is deeply moving. Into the wonderfully evoked contemporary settings of Paris and Melbourne, memories of Tunisian family life, culture and its music are tenderly woven.