Through energy and encouragement, CJ's nana helps him see the beauty and fun in their routine.This beautifully illustrated, emotive picture book explores urban life with honesty, interest and gratitude.Last Stop on Market Street has won multiple awards and spent time at the number one spot in the New York Times Bestseller List.

    A family mystery is unraveled by a boy and girl visiting their uncle one summer.

    They swept Europe, all the while pursuing their vision of the stag. Their leader was called Attila, and the land Hungary. Here is the epic story of their tribal migration and their fierce leader—known to us even today.

    The oxcart man packs his goods - the wool from his sheep, the shawl his wife made, the mittens his daughter knitted, and the linen they wove. He packs the birch brooms his son carved, and even a bag of goose feathers from the barnyard geese.He travels over hills, through valleys, by streams, past farms and villages. At Portsmouth Market he sells his goods, one by one - even his beloved ox. Then, with his pockets full of coins, he wanders through the market, buying provisions for his family, and returns to his home. And the cycle begins again."Like a pastoral symphony translated into picture book format, the stunning combination of text and illustrations recreates the mood of 19-century rural New England."--The Horn Book

    He was going to be a hermit—a lazy recluse who didn't have to work or think.Now here he was facing a crisis that needed immediate attention. At least that's what he would call the dozens of raccoons and spotted skunks that were now living in and under his home, coming and going as they saw fit.

    This title describes the cycle of myths about the Argonauts and the quest for the Golden Fleece, as well as the tales of the creation of Heaven and Earth, the labours of Hercules, Theseus and the Minotaur, and others.

    When Belle Prater disappears, Belle’s boy, Woodrow, comes to live with his grandparents in Coal Station, Virginia. Woodrow’s cousin Gypsy is the town beauty, but she has hidden sorrows and secrets of her own. She wonders how Woodrow can accept his mother’s disappearance when she’s never gotten over her father’s death. That’s when Woodrow tells Gypsy the secret about his mother.

     Most of the time they have been in the school building -- in a secret cellar room behind a false wall, where Mr. Pool, the janitor, has made a model of the solar system. They have been pressing their luck for months...and then they are caught. As society -- in the form of a zealous assistant principal -- closes in on them, Junior's fantasies become more desperate, and Buddy draws on all his resources to ensure his friend's well-being.

    As he sits waiting for a bite, a farmer calls him a fool and says "You'll never catch fish in McElligot's Pool!" Marco, however, refuses to be discouraged and spends the rest of the story describing all the fish that could be coming to McElligot's Pool from the ocean. The story ends with Marco still fishing and the farmer scratching his beard and looking confused. The use of color and illustrations blur the line between fantasy and reality during Marco's story, creating one of the most interesting aspects of the book. The text is made up of catchy rhymes and intriguing fish descriptions. The pictures complement the text and make the fish descriptions seem real. Interestingly, Seuss illustrates every other page in black and white. At the beginning of the story when Marco sits by the pond, the black and white emphasizes the concrete reality of the Marco talking to the farmer. After page one, every other page is in color. The color magnifies Marco's fantasy about all of the fish, making them seem beautiful and real. At the same time, the black and white pages make Marco's fish descriptions seem realistic. Seuss's use of the black-and-white pictures during Marco's whimsical descriptions in the text could be his way of toning down the fantasy and bringing it into the context of every day life. The use of color to blend reality and fantasy also emphasizes optimism in the story. The farmer was probably right in telling Marco that he will "never catch fish in McElligot's Pool." With the clever use of color and illustrations, however, Dr. Seuss undermines the fisherman's certainty and makesMarco's claim that there might be fish in McElligot's Pool believable. McElligot's Pool sends the message that life is not always as it seems, that it is not as simple as b

    "There's a really big bear in the backyard." This is how three children meet Stillwater, a giant panda who moves into the neighborhood and tells amazing tales. To Addy he tells a story about the value of material goods. To Michael he pushes the boundaries of good and bad. And to Karl he demonstrates what it means to hold on to frustration. With graceful art and simple stories that are filled with love and enlightenment, Jon Muth -- and Stillwater the bear -- present three ancient Zen tales that are sure to strike a chord in everyone they touch.

    You would be too if your family consisted of: Sister Figg Newton (Tap Dancer, Baton Twirler, and also your mother); Truman, the human pretzel (your uncle); Aunt Gracie Jo, the dog catcher, and her son, Fido the Second. To name a few. The only person Mona really gets along with is Uncle Florence, the book dealer. And he keeps hinting that he may have to leave Mona soon to go to Figg family heaven, a place referred to as "Capri." But where is Capri, and why do all the Figgs go there? To find her uncle, Mona knows she must find out.

    Neither my time nor my body is mine.The breath of life is all I have to lose.And bondage is suffocating me.Henry Brown wrote that long before he came to be known as Box, he "entered the world a slave." He was put to work as a child and passed down from one generation to the next -- as property. When he was an adult, his wife and children were sold away from him out of spite. Henry Brown watched as his family left bound in chains, headed to the deeper South. What more could be taken from him? But then hope -- and help -- came in the form of the Underground Railroad. Escape!In stanzas of six lines each, each line representing one side of a box, celebrated poet Carole Boston Weatherford powerfully narrates Henry Brown's story of how he came to send himself in a box from slavery to freedom. Strikingly illustrated in rich hues and patterns by artist Michele Wood, Box is augmented with historical records and an introductory excerpt from Henry's own writing as well as a time line, notes from the author and illustrator, and a bibliography.

    Janet uses the special pencil she received from her father to turn her life into stories.

    Her father is recovering from being a prisoner-of-war. The small town and the varied happenings and activities of country life help them to recover from past unhappiness, and bond more closely as a family.

    Everyone shudders in horror--delicious horror--whenever the Megrimum's unearthly wail floats down to the village. Before long, Egan is climbing the Rise to find a practical explanation for those wails.