Ten years later, Billy, age thirty, returns from an extended stay at St Vitus' Hospital for the Mentally Ill to discover a world full of unimaginable strangeness: office buildings vanish without reason, small animals turn up without their heads, and cruel villains ride city buses to complete their evil schemes." Lost within this unwelcoming place, Billy finds the companionship of two lonely children, Effie and Gus Mumford - one a science fair genius, the other a charming, silent bully. With a nearly forgotten bravery, Billy confronts the monotony of his job in telephone sales, the awkward beauty of a desperate pickpocket named Penny Maple, and the seemingly impossible solution to the mystery of his sister's death. Along the path laden with hidden clues and codes that dare to be deciphered, the boy detective may learn the greatest secret of all: the necessity of the unknown.

    Celice and Joseph, in their mid-50s and married for more than 30 years, are returning to the seacoast where they met as students. Instead, they are battered to death by a thief with a chunk of granite. Their corpses lie undiscovered and rotting for a week, prey to sand crabs, flies, and gulls. Yet there remains something touching about the scene, with Joseph's hand curving lightly around his wife's leg, "quietly resting; flesh on flesh; dead, but not departed yet.""Their bodies had expired, but anyone could tell--just look at them--that Joseph and Celice were still devoted. For while his hand was touching her, curved round her shin, the couple seemed to have achieved that peace the world denies, a period of grace, defying even murder. Anyone who found them there, so wickedly disfigured, would nevertheless be bound to see that something of their love had survived the death of cells. The corpses were surrendered to the weather and the earth, but they were still a man and wife, quietly resting; flesh on flesh; dead, but not departed yet."From that moment forward, Being Dead becomes less about murder and more about death. Alternating chapters move back in time from the murder in hourly and two-hourly increments. As the narrative moves backward, we see Celice and Joseph make the small decisions about their day that will lead them inexorably towards their own deaths. In other chapters the narrative moves forward. Celice and Joseph are on vacation and nobody misses them until they do not return. Thus, it is six days before their bodies are found. Crace describes in minute detail their gradual return to the land with the help of crabs, birds, and the numerous insects that attack the body and gently and not so gently prepare it for the dust-to-dust phase of death.

    I can never get used to this, Alexi. Having you, that is. How did I deserve you? Deserve me? You don't have to do anything to deserve me. I love you. It's as simple as that. I love you for what you are. All you need to do is love me back. You don't earn love, as a payment in return.Peter Kingsmill's life had run into the sands since the death of his wife. What was a glittering London career had lost its shine. Until, that is, his life is turned upside down by an unexpected collision of events. He inherits the family estate, meets a girl seventeen years his junior and receives an anonymous letter which casts doubt on all the certainties on which he has built his past life.What follows is a journey of discovery which takes him back in time to war-torn Europe. To a story of betrayal in the secret world of spies and double agents, and ultimately to redemption and a bright new life.The narrative moves at speed from the dusty plains of pre-war Poland to the frozen winter landscapes of German-occupied Norway and finally to the gentle pastoral of the north Yorkshire hills. It is a story of a search for the pieces that make up a human life; and of the love that binds those pieces together....Do you remember the Snow Queen story? I can complete the pattern now. I have everything I need.